Updated: Tuesday May 15, 2012 03:44:22 GMT
On Wednesday, April 21, 2012, Classical Archives Artistic Director Nolan Gasser spoke with the celebrated and impressively successful American composer Jennifer Higdon, winner of the 2010 Pulitzer Prize in music for her Violin Concerto, among numerous other prominent accolades. In this valuable and entertaining interview, Ms. Higdon discusses several dimensions of her dazzling calendar of events – including dozens of repeat performances of such Higdon “hits” as blue cathedral and her Percussion Concerto, as well as current and future works – notably her forthcoming opera Cold Mountain, slated for 2015. The two also discuss Ms. Higdon’s fascinating and unusual musical background – first entering the field at age 15; her advanced musical studies at the Curtis Institute of Music in Philadelphia (where she now teaches composition) and the University of Pennsylvania (where she studied with George Crumb); her long-standing collaboration with conductor Robert Spano; her distinct and passionate compositional aesthetic, and much more. Our feature also includes a 1-click Jennifer Higdon concert (full streams for subscribers only). Don’t miss this fascinating interview with a leading musical voice of our time!
“My approach to composing fully depends on the musicians I’m writing for; I don’t really think about being academic or fitting what someone else thinks I need to do. Instead, I think about the performers who are going to bring the piece to life – that’s the whole kit-and-caboodle right there.” – Jennifer Higdon
Our latest Noteworthy Video is another “flash mob” – this one featuring the innovative Asphalt Orchestra (commonly referred to as “not your mother’s marching band”) – performing in the Metropolitan Museum's New American Wing Galleries for Paintings, Sculpture, and Decorative Arts in Manhattan. In this quirky and engaging video, the Asphalt Orchestra performs a medley of works mainly stemming from their latest album on Cantaloupe Records – a range of jazz-infused and contemporary works by such composers as Stew and Heidi Rodewald (of the Bang on a Can ensemble) and Frank Zappa, as well as new arrangements inspired by the “shape-note” tradition of 19th century America. Alongside the animated and casually-attired musicians we see the museum’s surprised and delighted patrons, with the museum’s grand architecture and stunning works of sculpture as the backdrop – a true post-modern experience. Tell us what you think!
On May 7, we’ll commemorate the 179th birthday of Johannes Brahms – among the greatest composers of all time, a towering voice of the late-Romantic period, and one whose music is marked by passionate expression and consummate craft. Such esteem is borne out by Brahms’ immense and enduring popularity among artists and music lovers alike. This free concert features a wide mix of Brahms’ works in a variety of genres – solo piano, chamber, orchestral, choral, and solo vocal – by our outstanding roster of independent artists.
The Classical Period saw a rejection of the intellectual rigors of the late-Baroque in favor of a simpler, more “enlightened” style, that would usher in some of the world’s most popular music. This is the age that gives rise to Haydn, Mozart, and Beethoven.
The voice is the most natural of instruments, the only one capable of conveying both music and text, and thus it has played an essential role in the history of Western art music. This concert features great examples from every era, including by Handel, Bach, Mozart, Schubert, Verdi, Berg, and others.

