Album
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Aria: The Opera AlbumFlorence Maggio Musicale Orchestra Orchestra, Andrea Bocelli Tenor
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Crossover sensation Andrea Bocelli's Aria served as the singer's operatic calling card, and as such it left behind the synth-infused ballads and lighter Italian fare of his earlier work and delved into the dramatic warhorses of the tenor repertory. Soliciting the help of Gianandrea Noseda and the Maggio Musicale Fiorentino Orchestra underscored the singer's desire to be taken seriously, since both conductor and ensemble were already veterans of fine operatic recordings. The resulting album surpasses the usual expectations of crossover singers: Bocelli's grasp of style and vocal technique are evidence of sincere study and undeniable talent—something that can't be said of some similarly marketed singers, like Britain's Russell ("The Voice") Watson. But the album's impression will depend mostly on listeners' point of entry. Bocelli fans will undoubtedly enjoy hearing the star's voice applied to this music, and for many people it will serve as an accessible entry into the world of opera. But opera fans will most likely find his efforts pale and unappealing in comparison to the many great tenors who have already recorded the same works and, more importantly, sung them on-stage. Experienced listeners will immediately notice the album's engineering, which mixes the orchestra into the background in order to highlight Bocelli's relatively small voice. As a result, climactic passages rarely seem climactic, and intimate passages sound too intimate—not scaled to a big room in the way operatic singing should be. At times, particularly in the opening "Questa o quella" from Giuseppe Verdi's Rigoletto, one gets the impression that the orchestra was recorded separately, and the voice laid down as a separate track, since they sound out of sync at cadences and ornaments, and Bocelli seems to be chasing an inflexible rhythmic pulse. Bocelli's general approach to the music is in line with operatic traditions, but he often sounds green, ungracefully clipping the ends of phrases and rushing through moments that cry out to be milked. And although he certainly has the range to tackle even the most demanding arias, like Donizetti's "Pour mon âme" from La fille du regiment with its many high Cs, his voice doesn't gain brilliance and amplitude as he ascends; instead it becomes thin, never quite hitting that "tenor" pleasure spot in the brain. Similarly, these arias feel drained of their pathos and expressivity—excercises in execution rather than dramatic scenes.
In the end, Aria will introduce many people to the pleasures of operatic music. And if you're one of those listeners, enjoy it with the knowledge that you're hearing operatic music performed lovingly, sincerely, and with skill. Just know this too: everything you hear on this album has been done many times before, and by singers whose vocal charisma, musical sensibilities, and years of experience leave Mr. Bocelli in the dust.
© Allen Schrott, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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Giuseppe Verdi ComposerRigoletto (opera)...Act 1 Work |
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| 1 | 3.Sc.1: Questa o quella per me pari sono | 1:46 |
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Giacomo Puccini ComposerLa bohème (opera)...Act 1 Work |
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| 2 | 10.Rodolfo's Aria: Che gelida manina | 4:19 |
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Giacomo Puccini ComposerTosca (opera)...Act 1 Work |
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| 3 | 4b.Recondita armonia | 2:57 |
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Giacomo Puccini ComposerTosca (opera)...Act 3 Work |
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| 4 | 3.E lucevan le stelle | 2:51 |
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Giacomo Puccini ComposerMadama Butterfly (opera)...Act 2 Work |
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| 5 | 17.Addio fiorito asil | 1:51 |
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Umberto Giordano ComposerAndrea Chénier (opera)...Act 4 Work |
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| 6 | 2.Come un bel dì di maggio | 3:18 |
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Vincenzo Bellini ComposerI Puritani (opera seria)...Act 1 Work |
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| 7 | 12.A te, o cara | 3:06 |
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| 8 | 15.Di rigori amato il seno | 2:09 |
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Umberto Giordano ComposerFedora (opera)...Act 1 Work |
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| 9 | 14.Amor ti vieta | 1:49 |
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| 10 | 8.Ch'ella mi creda libero e lontano | 2:01 |
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Amilcare Ponchielli ComposerLa Gioconda, opera in 4 acts...Act 2 Work |
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| 11 | 5.Cielo e mar! | 4:34 |
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Francesco Cilèa ComposerAdriana Lecouvreur (opera)...Act 1 Work |
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| 12 | 6.La dolcissima effige sorridente | 2:13 |
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Ruggero Leoncavallo ComposerLa bohème (opera) Work |
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| 13 | Musetta!...Testa adorata | 3:05 |
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Gaetano Donizetti ComposerLucia di Lammermoor (opera)...Act 3 Work |
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| 14 | 8.Tombe degl'avi miei; 9.Fra poco a me ricovero | 6:53 |
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Jules Massenet ComposerWerther (opera)...Act 3 Work |
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| 15 | 10.Ha! bien souvent, Pourquoi me réveiller | 3:06 |
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Georges Bizet ComposerCarmen (opéra-comique)...Act 2 Work |
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| 16 | 12.La fleur que tu m'avais jetée (Flower Song) | 4:18 |
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Gaetano Donizetti ComposerLa fille du régiment (opera)...Act 1 Work |
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| 17 | 19.Pour mon âme | 2:16 |
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