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The Art of Segovia: Guitar Works by Sor, Ponce, Bach, etc.Andrés Segovia Guitar
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Anyone who loves the classical guitar must also love Andrés Segovia—even if he/she doesn't know it yet. He is credited with garnering—almost single-handedly—big-league status for the plucky six-string, and virtually every modern player stands on the foundation of his legacy. Anyone wanting to hear why this is true would do well to start with Deutsche Grammophon's lovingly prepared The Art of Segovia, which pays tribute to both his playing and his tireless repertory building. His performances of guitar staples by Sor, Torroba, and Rodrigo are coupled here with his nimble transcriptions of works for keyboard, cello, violin—even string quartet—by Bach, Handel, César Franck, Mendelssohn, and others; these two elements combine to give as complete a picture as possible (considering the limitations of space on a modest two-disc set) of his technique and ingenuity, and of course his grasp of the guitar's possibilities. Audiophiles won't find ideal sound here; many of the tracks were recorded monaurally, and the performances seem a little unkempt next to airbrushed digital equivalents. But this is what makes it so interesting; you can practically see his fingers intuitively working their way across the instrument, and the occasional squeak or buzz only makes the experience more vivid. The many highlights include Fernando Sor's Theme and Variations on a Theme from The Magic Flute and Segovia's transcription of the Prélude to Bach's Suite No. 1 for Cello, both of which sound intricate and easy. One of the few disappointments is the Sarabande from Handel's Suite No. 4 for Harpsichord; it, more than any other transcription here, sounds homesick for its native instrument. But this is nitpicking. These performances convey an infectious love and understanding of the guitar that is a joy to experience. © Allen Schrott, All Music Guide
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Francisco Tárrega ComposerRecuerdos de la Alhambra, for guitar Work
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| 1 | Recuerdos de la Alhambra, for guitar | 5:16 | $0.99 | |||
Francisco Tárrega ComposerCapricho árabe, for guitar WorkRecorded 1955
Andrés Segovia Guitar
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| 2 | Capricho árabe, for guitar | 5:26 | $0.99 | |||
Francisco Tárrega ComposerMarieta, mazurka for guitar WorkRecorded 1955
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| 3 | Marieta, mazurka for guitar | 2:29 | $0.99 | |||
Federico Moreno Torroba ComposerRomanza de los piños, for guitar WorkRecorded 1960
Andrés Segovia Guitar
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| 4 | Romanza de los piños, for guitar | 1:46 | $0.49 | |||
Federico Moreno Torroba ComposerMadroños, for guitar WorkRecorded 1952
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| 5 | Madroños, for guitar | 2:56 | $0.99 | |||
Federico Moreno Torroba ComposerSerenata burlesca WorkRecorded 1954
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| 6 | Serenata burlesca | 2:55 | $0.99 | |||
Fernando Sor ComposerVariations on a Theme of Mozart, Op.9 WorkRecorded 1952
Andrés Segovia Guitar
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| 7 | Variations on a Theme of Mozart, Op.9 | 7:10 | $1.49 | |||
Manuel de Falla ComposerHomenaje pour 'Le tombeau de Claude Debussy,' for guitar, G.56 WorkRecorded 1952
Andrés Segovia Guitar
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| 8 | Homenaje pour 'Le tombeau de Claude Debussy,' for guitar, G.56 | 2:39 | $0.99 | |||
Manuel Ponce ComposerTheme, Variations, and Finale WorkRecorded 1954
Andrés Segovia Guitar
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| 9 | Theme, Variations, and Finale | 7:57 | $1.49 | |||
Manuel Ponce Composer3 Canciones Populares Mexicanas WorkRecorded 1954
Andrés Segovia Guitar
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| 10 | 3.La valentina | 1:32 | $0.49 | |||
Joaquín Turina ComposerSevillana, fantasia for guitar, Op.29 WorkRecorded 1967
Andrés Segovia Guitar
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| 11 | Sevillana, fantasia for guitar, Op.29 | 5:59 | $0.99 | |||
Joaquín Rodrigo ComposerInvocación y danza ('Homenaje a Manuel de Falla') WorkRecorded 1954
Andrés Segovia Guitar
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| 12 | Invocación y danza ('Homenaje a Manuel de Falla') | 5:04 | $0.99 | |||
Mario Castelnuovo-Tedesco ComposerCapriccio diabolico ('Omaggio a Paganini'), Op.85 WorkRecorded 1954
Andrés Segovia Guitar
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| 13 | Capriccio diabolico ('Omaggio a Paganini'), Op.85 | 9:14 | $1.49 | |||
Mario Castelnuovo-Tedesco ComposerTonadilla on the Name of Andrés Segovia, Op.170, No.5 WorkRecorded 1955
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| 14 | Tonadilla on the Name of Andrés Segovia, Op.170, No.5 | 5:10 | $0.99 | |||
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| 15 | 1.Prelude No.1 in E-: Andantino expressivo (Melodia lírica: Homenagem ao sertanejo brasileiro) | 4:27 | $0.99 | |||
| 16 | 3.Prelude No.3 in A-: Andante (Homenagem a Bach) | 5:14 | $0.99 | |||
Carlos Pedrell ComposerGuitarreo, for guitar WorkRecorded 1954
Andrés Segovia Guitar
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| 17 | Guitarreo, for guitar | 1:27 | $0.49 | |||
Albert Roussel ComposerSégovia, for guitar, Op.29 WorkRecorded 1954
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| 18 | Ségovia, for guitar, Op.29 | 3:00 | $0.99 | |||
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| 1 | 4.If my complaints could passions move (Captain Digorie Piper's Galliard) | 2:07 | $0.99 | |||
John Dowland ComposerFrog Galliard, P.23 WorkRecorded 1969
Andrés Segovia Guitar
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| 2 | Frog Galliard, P.23 | 0:50 | $0.49 | |||
George Frideric Handel ComposerHarpsichord Suite in D-, HWV437...Harpsichord Suite in D-, HWV437 (arr. guitar) WorkRecorded 1952
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| 3 | 3.Sarabande | 3:58 | $0.99 | |||
Johann Sebastian Bach ComposerCello Suite No.1 in G, BWV1007...Cello Suite No.1 in G, BWV1007 (arr. guitar) WorkRecorded 1952
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| 4 | 1.Prelude | 2:19 | $0.99 | |||
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| 5 | 7.Tempo di bourrée | 3:36 | $0.99 | |||
Johann Sebastian Bach ComposerCello Suite No.3 in C, BWV1009...Cello Suite No.3 in C, BWV1009 (arr. guitar) WorkRecorded 1952
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| 6 | 3.Courante | 2:59 | $0.99 | |||
Johann Sebastian Bach ComposerPartita No.3 for Solo Violin in E, BWV1006 WorkRecorded 1954
Andrés Segovia Guitar
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| 7 | 3.Gavotte en rondeau | 3:01 | $0.99 | |||
Girolamo Frescobaldi ComposerAria e corrente WorkRecorded 1954
Andrés Segovia Guitar
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| 8 | Aria e corrente (arr. guitar) | 6:40 | $0.99 | |||
Domenico Scarlatti ComposerSonata in C-, K.11, L.352 WorkRecorded 1956
Andrés Segovia Guitar
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| 9 | Sonata in C-, K.11, L.352 (arr. guitar) | 3:17 | $0.99 | |||
Jean-Philippe Rameau ComposerNouvelles suites de pièces de clavecin...Suite in G/G- WorkRecorded 1954
Andrés Segovia Guitar
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| 10 | 3a.Menuet No.1 in G | 3:39 | $0.99 | |||
Manuel Ponce ComposerAndantino variato (after Paganini, Grand Sonate) WorkRecorded 1952
Andrés Segovia Guitar
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| 11 | Andantino variato (after Paganini, Grand Sonate) | 7:40 | $1.49 | |||
Frédéric François Chopin Composer24 Preludes, Op.28 WorkRecorded 1952
Andrés Segovia Guitar
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| 12 | 7.Andantino in A | 1:00 | $0.49 | |||
Felix Mendelssohn-Bartholdy ComposerString Quartet No.1 in Eb, Op.12...2.Canzonetta: Allegretto WorkRecorded 1954
Andrés Segovia Guitar
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| 13 | 2.Canzonetta: Allegretto (arr. guitar) | 4:34 | $0.99 | |||
César Franck ComposerL'Organiste Vol.1, M.41 WorkRecorded 1954
Andrés Segovia Guitar
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| 14 | Preludio: Quasi lento | 1:08 | $0.49 | |||
César Franck ComposerL'Organiste Vol.1, M.41...7 Pieces in C and C- WorkRecorded 1954
Andrés Segovia Guitar
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| 15 | 1.Poco allegretto in C | 3:04 | $0.99 | |||
| 16 | 4.The Old Castle | 4:52 | $0.99 | |||
Edvard Grieg Composer7 Lyric Pieces (iv), Op.47...7 Lyric Pieces (iv), Op.47 (arr. guitar) WorkRecorded 1954
Andrés Segovia Guitar
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| 17 | 3.Melody | 3:31 | $0.99 | |||
Achille-Claude Debussy ComposerPréludes, Book 1, L.117...Préludes, Book 1, L.117 (arr. guitar) WorkRecorded 1962
Andrés Segovia Guitar
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| 18 | 8.La fille aux cheveux de lin | 2:55 | $0.99 | |||
Alexander Scriabin Composer5 Preludes, Op.16 WorkRecorded 1956
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| 19 | 4.Lento in Eb- | 1:14 | $0.49 | |||
Isaac Albéniz ComposerSuite española No.1, Op.47, B.7...Suite española No.1, for piano, Op.47, B.7 (arr. guitar) WorkRecorded 1952
Andrés Segovia Guitar
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| 20 | 5.Asturias (Leyenda) | 6:26 | $0.99 | |||
Isaac Albéniz Composer12 Piezas caracteristicas, Op.92...12 Piezas caracteristicas, Op.92 (arr. guitar) WorkRecorded 1952
Andrés Segovia Guitar
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| 21 | 7.Zambra | 4:45 | $0.99 | |||
Andrés Segovia ComposerEtude for Guitar ('Estudio Sin Luz') WorkRecorded 1958
Andrés Segovia Guitar
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| 22 | Etude for Guitar ('Estudio Sin Luz') | 2:49 | $0.99 | |||
Joaquín Rodrigo ComposerFantasía para un gentilhombre, for guitar and orchestra WorkRecorded 1958 |
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| 23 | 3.Danza de las hachas | 2:15 | $0.99 | |||









