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Album

The Art of Pilar Lorengar

The Art of Pilar Lorengar

Pilar Lorengar Soprano

CDs: 2
Tracks: 42
Length: 2:31:37

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Decca
Rel. 11 Mar 2003
Recorded 1966-1983

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The Art of Pilar Lorengar Pilar Lorengar never achieved the fame and recognition of some of her Spanish peers, such as Victoria de los Angeles and Teresa Berganza; because of this, her singing is relatively unknown to contemporary listeners. Fortunately, anyone with interest can get to know this terrific soprano through The Art of Pilar Lorengar, Decca's two-disc retrospective featuring operatic excerpts and songs of Spanish composers. It is well worth the time; Lorengar had a gorgeous voice, and at its best her singing competes with anything on record. This is especially true of the purely lyrical excerpts on the album, such as "Je dis que rien ne m'épouvante" from Carmen and "Glück, das mir verbleib" from Korngold's Die tode Stadt, both of which would be tough to beat for sheer beauty of singing. "Dich, teure Halle" from Wagner's Tannhäuser, is an unexpected highlight; it really raises the roof. Some misfires include "Ach, ich fühls" from Mozart's The Magic Flute, which is rigid and unfeeling in its movement, and several of the Puccini arias, including "Si, mi chiamano Mimi" from La bohème, which suffers from the same lack of dramatic impulse. The second disc, featuring songs and arias by Granados, Falla, and Turina, is rewarding; though she sometimes seems a step removed from the texts and dramatic contexts of the songs, her vocalism and native fluidity with the language help keep things interesting. Most of the selections are accompanied—magnificently and with great character—by Alicia de Larrocha at the piano. Fans of de Larrocha's who haven't heard her play these songs might want this recording for her alone.

© Allen Schrott, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1 of 2
1 11.Mimi's Aria: Sí, mi chiamano Mimí 4:51
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2 2.Chi il bel sogno di Doretta (Doretta's Dream Song) 2:48
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3 2.Un bel dì verdremo 4:29
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4 22.Tu? tu? Piccolo Iddio! 2:12
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5 10.Tu che di gel sei cinta 2:25
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6 9.O mio babbino caro 2:17
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7 15.Senza mamma, o bimbo, tu sei morto 3:56
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8 12.Vissi d'arte, vissi d'amore 3:13
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9 6.Mesicku na nebi hlubokém (Song to the Moon) 6:15
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10 10.Recitativo: E Susanna non vien!; 11.Aria: Dove sono i bei momenti 6:20
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11 9a.Pamina's Aria: Ach, ich fühl's, es ist verschwunden 4:23
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12 14a.Recitative: Temerari! Sortite fuori di questo loco!; 14b.Fiordiligi's Aria: Come scoglio 4:27
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13 Act 3. Aria: Depuis le jour 5:00
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14 9.Je dis qui rien ne m'épouvante (Michela's aria) 6:17
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15 5.Er ist der Richtige, nicht für mich; 6.Aber der Richtige, wenn's einen gibt 7:25
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16 2.Dich, teure Halle 3:21
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17 6.Glück, das mir verblieb (Marietta's Lied) 5:42
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CD 2 of 2
1 15.Quejas o la Maja y el Ruisenor 6:53
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25:57
2 8.La maja de Goya 3:43
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3 1.Amor y odio 2:18
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4 7.El tra-la-là y el punteado 1:13
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5 4.El majo olvidado 2:57
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6 5.El majo tímido 0:55
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7 2.Callejo 1:27
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8 6.El mirar de la maja 2:48
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9 12.Las currutacas modestas 1:24
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10 3.El major discreto 1:38
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11 9.La maja dolorosa, número 1 2:24
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12 10.La maja dolorosa, número 2 2:11
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13 11.La maja dolorosa, número 3 2:59
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13:51
14 4.Mira que soy niña, iamor déjame! 2:56
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15 6.Iban al pinar 1:56
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16 2.Mañanica era 2:30
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17 5.No lloreis, ojuelos 1:17
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18 3.Llorad, corazón, que teneis razón 2:17
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19 7.Graci mía 2:55
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Pilar Lorengar Soprano, Ambrosian Singers Chorus/Choir, Jesús López-Cobos Conductor, London Philharmonic Orchestra Orchestra, Neil Jenkins Voice, John McCarthy Chorus/Choir Director
20 5.Vivan los que rien! 5:26
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Pilar Lorengar Soprano, Ambrosian Singers Chorus/Choir, Jesús López-Cobos Conductor, London Philharmonic Orchestra Orchestra, Neil Jenkins Voice, John McCarthy Chorus/Choir Director
21 3.Allí está! Riyendo, junto á esa mujer 4:33
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22 2.Semana Santa 8:07
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23 3.Las fuentecitas del Parque 4:20
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24 5.El Fantasma 3:40
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25 6.La Giralda 3:29
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