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Essential Mozart Opera (Highlights from the Great Operas)

Essential Mozart Opera (Highlights from the Great Operas)

Various Artists

CDs: 2
Tracks: 36
Length: 2:30:56

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Decca
Rel. 11 Mar 2003

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Essential Mozart Opera (Highlights from the Great Operas) Essential Mozart Opera is a very listenable collection of highlights from Mozart's seven most frequently performed stage works, well suited to the casual listener wanting an introduction to this music. Assembled from Decca's catalog of complete opera recordings, it offers more uniformity of sound and approach than some samplers, if for no other reason than that four of the source recordings were conducted by Georg Solti. The quality of the performances and the selection of excerpts from the individual works are a little uneven, but in each case the listener will hear some (though not nearly all) of the best moments from each piece. Highlights of the collection include Frederica von Stade's "Voi che sapete," Samuel Ramey's "Non più andrai," and Kiri Te Kanawa's "Dove Sono," all from The Marriage of Figaro; Edita Gruberova's "Marten aller Arten" from The Abduction From the Seraglio; and Lucia Popp's "Batti, batti" from Don Giovanni. Each one is among the finest recorded performances of those excerpts available anywhere. The inclusion of several overtures is a nice touch; among the unfortunate omissions (undoubtedly for reasons of available space) are Sarastro's arias from The Magic Flute and the beautiful "O padre adorato" from Idomeneo. Most importantly, there are no translations or plot synopses included. In the end, anyone looking to this collection for their first experience with tunefulness and musical variety of Mozart's operas will find a great deal to enjoy. Those looking for a more inclusive or in-depth experience should look elsewhere.

© Allen Schrott, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1 of 2
1 1.Overture 3:56
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2 4.Canzano: Voi che sapete che cosa è amor 2:53
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3 21.Aria: Non più andrai, farfallone amoroso 3:37
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4 11.Aria: Dove sono i bei momenti 4:56
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5 7.Cavatina: Se vuol ballare, signor contino 2:34
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6 12b.Cosa mi narri! 13.Duetto: Che soave zeffiretto (Sull'aria) 3:15
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7 15.Pace, pace, mio dolce tesoro; 16.Gente, gente, all'armi, all'armi 6:50
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8 2a.Papageno's Aria: Der Vogelfänger bin ich ja 2:48
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9 13h.Finale: Papageno, Papagena: Pa pa pa 2:30
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10 6a.Queen of the Night's Aria: Der Hölle Rache kocht in meinem Herzen 3:04
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11 4a.Queen of the Night's Recitative and Aria: O zittre nicht, mein lieber Sohn! 5:04
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12 9a.Pamina's Aria: Ach, ich fühl's, es ist verschwunden 4:45
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13 5a.Quintet, 3 ladies, Tamino, Papageno: Hm, hm, hm 6:29
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14 10a.Chorus of Priests: O Isis und Osiris, welch Wonne 2:43
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15 15.Chorus: Placido è il mar 4:39
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16 19b.Aria: Zeffiretti lusinghiere; 19c.Recitative: Ei stesso vien 5:57
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17 32.Chorus: Scenda Amor, scenda Imeneo 1:38
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18 1.Overture 4:50
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19 18.Parto, parto, ma tu ben mio (Sesto's aria) 5:56
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CD 2 of 2
1 Overture 4:17
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2 11a.Constanze's Aria: Martern aller Arten 9:04
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3 14a.Pedrillo and Osmin's Duet: Vivat Bacchus! Bacchus lebe 2:00
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4 19a.Osmin's Aria: Ha, wie will ich triumphieren 3:26
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5 10.Aria: Madamina, il catalogo è questo (Catalogue Aria) 5:34
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6 16.Duet: Là ci darem la mano 3:23
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7 26.Aria: Dalla sua pace 4:07
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8 28.Aria: Fin ch'han dal vino ('Champagne Aria') 1:23
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9 30.Aria: Batti, batti o bel Masetto 3:52
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10 18.Aria: Il mio tesoro 4:19
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11 19.Recitative: In quali eccessi, o numi ; 20.Aria: Mi tradì, quell' alma ingrate 6:41
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12 6.Canzonetta: Deh vieni alla finestra 1:56
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13 17.Ferrando's Aria: Un'aura amorosa del nostro tesoro 4:31
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14 28.Dorabella's Aria: È amore un ladroncello 3:04
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15 10.Trio: Soave sia il vento 2:59
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16 25b.Fiordiligi's Rondo: Per pietà, ben mio, perdona 7:29
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17 14b.Fiordiligi's Aria: Come scoglio immoto resta 4:27
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