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Album

Lamento

Lamento

Musica Antiqua Köln Early Music Ensemble, Magdalena Kozena Mezzo-Soprano

CD: 1
Tracks: 17
Length: 55:06

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Archiv Produktion
Rel. 9 Aug 2005
Recorded 2003

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Lamento Czech mezzo-soprano Magdalena Kozená has earned wide praise among critics for her performances of J.S. Bach and Handel in addition to the recordings she has made of music of a somewhat later vintage. Conventional wisdom would dictate that Archiv Produktion's Lamento, which reunites Kozená with J.S. Bach in two cantatas and presents her in other works by Johann Christoph Bach, Johann Christoph Friedrich Bach, Carl Philipp Emanuel Bach, and Francesco Bartolomeo Conti, should be as delightful as her previous outings. Additionally, Kozená is partnered in this highly desirable vocal literature by the extraordinary Reinhard Goebel and his Musica Antiqua Köln, and under any normal circumstances this should provide the icing on the cake. That it does not deliver on either score is quite surprising, but Lamento is a very laid-back endeavor all around. A little too laid-back, unfortunately, as Lamento is a rather lackluster effort and dangles dangerously close to mediocrity.

In Lamento, Kozená under sings, sometimes falling a little flat, demonstrating a lazy approach to ornaments and slipping below the level of the accompaniment in low passages. The quality of the voice here is not particularly attractive, being a mix of fluffiness and fogginess, seemingly trundling down a bumpy rural route of inconsistent tone production and amplitude in relation to the band. You would hardly know that this is Reinhard Goebel and Musica Antiqua Köln backing Kozená up here, as the accompaniment is mostly lackadaisical and slack, although it does pick up some in J.S. Bach's Vergnügte Ruh, beliebte Seelenlust. No one expects all Baroque vocal literature to consist of the unending fusillade of notes one would associate with Vivaldi, but the tempi employed are unexciting and middle-of-the-road, rather than ranging from an energetic and zippy allegro to a sumptuous and sweet adagio.

Given Lamento's exalted pedigree and the praise Kozená has earned from respected commentators, one would expect more. But alas, there is little to distinguish Lamento from other middle-weight albums of Baroque solo cantatas such as those issued by labels as Tactus and Dynamic, except for the sound quality, which is gorgeous. However, some fanciers of "extreme literature" may not be able to resist Johann Christoph Friedrich Bach's 1776 cantata Die Amerikanerin, which is "The American Woman" in English. Rest assured that it does not sound anything like the Guess Who.

© Uncle Dave Lewis, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
1 Ach, daß ich Wassers genug hätte (vocal concerto) 7:22
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2 1.Recitativo: Languet anima mea amore tuo 0:53
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3 2.Aria: O vulnera, vita coelestis 3:19
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4 3.Recitativo: Amoris tui jaculo 0:38
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5 4.Aria: Tu lumen mentis es 7:03
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6 5.Alleluja 1:28
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7 1.Aria (Alto): Vergnügte Ruh! beliebte Seelenlust! 4:23
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8 2.Recitative (Alto): Die Welt, das Sündenhaus 1:21
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9 3.Aria (Alto): Wie jammern mich doch die verkehrten Herzen 6:08
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10 4.Recitative (Alto): Wer sollte sich demnach 1:05
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11 5.Aria (Alto): Mir ekelt mehr zu leben 4:49
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12 1.Aria (Alto): Bekennen will ich seinen Namen 3:21
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13 Sie liebt, mich liebt die Auserwählte, for soprano, 2 flutes, and strings, Wq.236 ('Selma'; secular cantata) 2:05
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14 1.Saide, komme, mein Wunsch, mein Lied! 2:46
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15 2.Schön ist mein Mädchen, wie die Traube 2:34
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16 3.Du Quell, der sich durch Goldsand schlängelt 1:43
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17 4.Mein Herz, mein Herz fleucht ihr entgegen 4:08
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