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Decca Recordings 1964-1975, Vol. 2; Leopold Stokowski Conducts Beethoven, Schubert, Brahms, etc.

Decca Recordings 1964-1975, Vol. 2; Leopold Stokowski Conducts Beethoven, Schubert, Brahms, etc.

Leopold Stokowski Conductor

CDs: 6
Tracks: 39
Length: 6:43:56

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$35.99

Decca
Rel. 8 Feb 2005
Recorded 1964-1975

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Decca Recordings 1964-1975, Vol. 2; Leopold Stokowski Conducts Beethoven, Schubert, Brahms, etc. The Original Masters series is partly a way for Decca to clean house, making available several titles formerly circulated in single-disc formats through compiling them into a box and shrinking the price way, way down. Leopold Stokowski: Decca Recordings 1964-1975 is largely made up of recordings made expressly for Decca's high-end "Phase 4" stereo process, which was state of the art in the 1960s and still packs considerable punch in the digital era. The six discs in this inexpensive set collects many of the composers who are found in Stokowski's core repertoire, for example Beethoven, Brahms, Wagner, Tchaikovsky, Rimsky-Korsakov, and Mussorgsky, along with Stokowski's own "Symphonic Synthesis" of themes from the last-named composer's Boris Godunov. The pieces are all complete; the sound quality is fantastic and not dated in the least.

One work here that was NOT part of Stokowski's standard repertoire is a highly interesting artifact in itself. In 1911, in an innovative idea typical of the conductor, Stokowski polled the 932 subscribers to the Cincinnati Symphony Orchestra as to what was their favorite of the works he had performed. To his surprise, they overwhelmingly selected a work he had never conducted, the Schubert "Unfinished" Symphony. He soon programmed the piece for Cincinnati, but seldom returned to it, and this recording for Decca is the only one Stokowski made. It is a brilliant performance; expansive, beauteous, serious, and very musical—it makes one wonder why he did not program the Schubert more often.

Stokowski remains controversial in some quarters, and within some works, one may find evidence of certain orchestral details being "touched up." Purists will not dig that aspect of Leopold Stokowski: Decca Recordings 1964-1975, but even some of them would agree that there was always at least an idea behind Stokowski's intervention into the score. Outside of that, though, the virtues of this collection well outweigh any perceived deficiencies—for the cost of two and a half full-price discs one may own a nice cross section of key Romantic orchestral literature led by an expert conductor. This would be a wonderful gift for a young listener in need of an introduction to classical music. The main drawback is the package, which tries to cram six discs into a "clamshell" box not much larger than what would normally hold two—two pieces of foam and fragile panels that hinge out to hold discs complete the effect of fussy and inconvenient packaging. Put the discs in a CD changer, and find a place for the box where it can collect dust and you will be fine.

© Uncle Dave Lewis, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1 of 6
32:53
1 1.Allegro con brio 6:35
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2 2.Andante con moto 11:14
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3 3.Scherzo: Allegro 6:03
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4 4.Allegro 9:01
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36:29
5 1.Poco sostenuto. Vivace 12:45
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6 2.Allegretto 10:21
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7 3.Scherzo: Presto 5:28
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8 4.Finale: Allegro con brio 7:55
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CD 2 of 6
1 1.Overture: Sostenuto, ma non troppo. Allegro 8:51
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1:07:19
Heather Harper Soprano, Alexander Young Tenor, Leopold Stokowski Conductor, Donald McIntyre Bass-baritone, New Philharmonia Orchestra Orchestra, Helen Watts Contralto, London Symphony Chorus Chorus/Choir
2 1.Allegro ma non troppo, un poco maestoso 15:03
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3 2.Scherzo: Molto vivace. Presto 11:02
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4 3.Adagio molto e cantabile 15:05
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5 4.Presto. Allegro assai ('Ode to Joy'; complete) 26:09
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CD 3 of 6
1 1.Allegro moderato 11:36
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2 2.Andante con moto 13:16
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45:12
3 1.Un poco sostenuto. Allegro 14:17
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4 2.Andante sostenuto 9:31
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5 3.Un poco allegretto e grazioso 4:30
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6 4.Adagio. Piu andante. Allegro non troppo, ma con brio 16:54
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CD 4 of 6
1 Act 3: Ride of the Valkyries 5:09
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2 6.Orchesterzwischenspiel: Tagesanbruch; 12.Orchesterzwischenspiel: Siegfrieds Rheinfahrt 11:57
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3 14.Sc.2: Brünnhilde, heilige Braut!; 15.Sc.2: Orchesterzwischenspiel: Siegfrieds Trauermarsch 11:55
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4 21.Einzug der Götter in Walhall (Entry of the Gods into Valhalla) 7:39
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5 12.Sc.2: Daß der mein Vater nicht ist (with 'Waldweben' or 'Forest Murmurs') 9:14
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6 1.Overture 10:31
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CD 5 of 6
1 1.The Sea and Sinbad's ship (Largo e maestoso. Allegro non troppo) 10:03
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2 2.The Story of Kalender Prince (Lento. Andantino) 11:42
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3 3.The Young Prince and the Young Princess (Andantino quasi allegretto) 11:53
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4 4.Festival at Baghdad - The Sea (Allegro molto) 12:05
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5 1.Alborada in A 1:20
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6 2.Variazioni in F 4:51
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7 3.Alborada in Bb 1:24
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8 4.Scena e canto gitano in D- 5:13
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9 5.Fandango asturiano in A 2:55
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CD 6 of 6
1 1812 Festival Overture, in Eb, Op.49 17:10
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2 Night on Bald Mountain (Ivanova noch' na Lisoy gore, symphonic poem; ed. by Stokowski) 9:21
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3 17a.Polovtsian Dance: Flowing Dance of Young Maidens; 17b.Dance of the Savage Men; 17c.Polovtsian Dance: Dance of the Slaves; 17d.Polovtsian Dance: Dance of the Young Men 11:13
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4 Symphonic Synthesis on "Boris Godunov", for orchestra (after Mussorgsky) 22:50
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5 Slavonic March (Marche Slave), Op.31 9:55
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