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Beethoven: The 9 Symphonies

Beethoven: The 9 Symphonies

Royal Concertgebouw Orchestra Orchestra, Eugen Jochum Conductor

CDs: 6
Tracks: 42
Length: 6:41:13

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$35.99

Decca
Rel. 13 Feb 2007
Recorded 1967-1969

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Beethoven: The 9 Symphonies When people think of the conductor Eugen Jochum they think first of his Bruckner and of the vast melodies, the enormous harmonies, the endless sequences, the eternal tempos, and the infinite lengths of his interpretations of that late nineteenth century Austrian peasant mystic's symphonies. Jochum's two complete cycles of Bruckner's symphonies—one in the '60s for Deutsche Grammophon and the other in the '70s for EMI—are commonly held by devotees to be the greatest ever recorded. At the time, however, Jochum's name was in many ways even more closely linked with Beethoven's. He recorded the complete cycle of Beethoven's symphonies three times—first in the '50s for DG, then in the '60s for Philips, and finally in the '70s for EMI—but when they think of him, many people have trouble remembering Jochum recorded them even once, much less with the Berlin Philharmonic, the Concertgebouw Orchestra, and the London Philharmonic. The relevant question, though, is what does the echt Brucknerian Jochum do with Beethoven?

He doesn't do Bruckner with him. In this six-disc set of his '60s cycle with the Concertgebouw Orchestra, Jochum's Beethoven is strong, supple, straight, and true. His tempos are muscular and flexible. His rhythms are powerful and direct. His themes are shaped and sculpted. His structures are lucid and dramatic. His climaxes are inevitable and incontrovertible. Jochum sometimes pushes forward in developments and sometimes pulls back at recapitulations, but he unfailingly keeps the music driving relentlessly toward ultimate transcendence of the coda. The Concertgebouw plays for its principal guest conductor with a polished ensemble, a rough-hewn sound, and a dedication that could easily pass for devotion. Compared with his Bruckner, Jochum's Beethoven is an enlightened revolutionary, a spiritual humanist, and far and away the greatest symphonist of all time. On the evidence of these recordings, when people think of Eugen Jochum, perhaps they should think first of Beethoven. Philips' late-'60s stereo sound is absolutely translucent and undeniably present.

© James Leonard, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1 of 6
26:29
1 1.Adagio molto. Allegro con brio 9:41
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2 2.Andante cantabile con moto 6:47
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3 3.Menuetto: Allegro molto e vivace 4:02
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4 4.Finale: Adagio. Allegro molto e vivace 5:59
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34:49
5 1.Adagio molto. Allegro con brio 12:27
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6 2.Larghetto 11:59
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7 3.Scherzo: Allegro 3:49
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8 4.Allegro molto 6:34
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9 Leonore Overture No.1, Op.138 9:11
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CD 2 of 6
1 1.Allegro con brio 18:26
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2 2.Marcia funebre: Adagio assai 16:02
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3 3.Scherzo: Allegro vivace 5:59
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4 4.Finale: Allegro molto 11:37
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5 Leonore Overture No.3 in C, Op.72b 13:32
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6 Fidelio Overture, Op.72c 6:26
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CD 3 of 6
36:08
1 1.Adagio. Allegro vivace 12:36
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2 2.Adagio 10:00
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3 1.Adagio. Allegro vivace 6:16
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4 4.Allegro ma non troppo 7:16
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37:59
5 1.Poco sostenuto. Vivace 12:49
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6 2.Allegretto 10:00
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7 3.Scherzo: Presto 7:54
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8 4.Finale: Allegro con brio 7:16
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CD 4 of 6
32:49
1 1.Allegro con brio 7:45
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2 2.Andante con moto 10:28
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3 3.Scherzo: Allegro 5:43
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4 4.Allegro 8:53
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26:15
5 1.Allegro vivace e con brio 9:23
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6 2.Allegretto scherzando 4:01
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7 3.Tempo di menuetto 5:20
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8 4.Allegro vivace 7:31
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CD 5 of 6
1 1.Allegro ma non troppo: Angenehme, heitere Empfindungen, welche bei der Ankunft (Awakening of cheerful feelings upon arrival in the countryside) 10:38
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2 2.Andante molto mosso: Szene am Bach (Scene by the brook) 13:17
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3 3.Allegro: Lustiges Zusammensein der Landleute (Merry gathering of country folk) 5:57
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4 4.Allegro: Donner. Sturm (Thunder, storm) 4:02
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5 5.Allegretto: Hirtengesang. Wohltätige, mit Dank and die Goltheit verbundene Gefühle nach dem Sturm (Shepherds' song. Beneficent feelings with thanks to the Godhead after the storm) 9:20
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6 Leonora Overture No.2, Op.72a 14:10
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CD 6 of 6
1:08:07
Anton de Ridder Tenor, Eugen Jochum Conductor, Anna Reynolds Contralto, Gerd Feldhoff Bass, Royal Concertgebouw Orchestra Orchestra, Netherlands Radio Choir Chorus/Choir, Liselotte Rebmann Soprano
1 1.Allegro ma non troppo, un poco maestoso 16:17
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2 2.Scherzo: Molto vivace. Presto 11:08
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3 3.Adagio molto e cantabile 16:53
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4 4.Presto. Allegro assai ('Ode to Joy'; complete) 7:20
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5 4b.O Freunde, nicht diese Töne! - 4h.Prestissimo (end) 16:29
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