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Poulenc: Concertos; Orchestral and Choral WorksOrchestre National de France Orchestra, Charles Dutoit Conductor
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It may not contain everything written by French modernist composer Francis Poulenc—the solo works, the chamber works, the stage works, and the songs with piano accompaniment are naturally not included—but Charles Dutoit's five-disc set of the orchestral works, the concerted works, the sacred choral works, and the vocal works with orchestral accompaniment by Poulenc has everything else that matters and lots, lots more. It has the charming Piano Concerto and the delightful Two Piano Concerto, the impressive Organ Concerto and the beguiling harpsichord concerto called Concert champêtre, the four-movement Sinfonietta and the seven-movement Suite française, the ballet Les biches and the Concerto chorégraphique called Aubade, plus 11 other shorter orchestral works. It has the profane "Le bal masqué" and the sacred "Litanies à la Vierge Noire," the very early "Rapsodie nègre" and the very late Gloria, plus six other vocal works, including the magnificent Stabat Mater. While Dutoit may not be the all-time greatest conductor to ever record these works—surely that honor should go to Georges Prêtre—he is clearly under the skin of the music, and with such superb soloists as pianist Pascal Rogé, organist Peter Hurford, soprano Françoise Pollet and baritione François Le Roux, and the idiomatic playing of the Orchestre National de France (except in the concertos, where the playing of London's Philharmonia is less idiomatic but as persuasive), his five-disc collection contains consistently expert and affectionate performances—and many more works than Prêtre ever recorded. Whether in London or Paris, Decca's digital recordings from the early '90s are cool, smooth, clear, and colorful. © James Leonard, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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Francis Poulenc ComposerPiano Concerto in C#-, FP146 WorkRecorded 1992
19:20
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| 1 | 1.Allegretto | 10:03 |
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| 2 | 2.Andante con moto | 5:37 |
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| 3 | 3.Rondeau à la française | 3:40 |
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Francis Poulenc ComposerConcerto in D- for 2 Pianos and Orchestra, FP61 WorkRecorded 1992
18:19
Pascal Rogé Piano,
Philharmonia Orchestra of London Orchestra,
Sylviane Deferne Piano,
Charles Dutoit Conductor
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| 4 | 1.Allegro ma non troppo | 8:14 |
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| 5 | 2.Larghetto | 4:51 |
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| 6 | 3.Finale. Allegro molto | 5:14 |
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Francis Poulenc ComposerConcerto in G- for Organ, Strings, and Timpani, FP93 WorkRecorded 1992
22:00
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| 7 | 1.Andante | 3:03 |
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| 8 | 2.Allegro giocoso | 1:53 |
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| 9 | 3.Subito andante moderato | 6:59 |
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| 10 | 4.Tempo allegro. Molto agitato | 2:47 |
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| 11 | 5.Très calme: Lent | 2:25 |
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| 12 | 6.Tempo de l'allegro initial | 1:56 |
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| 13 | 7.Tempo d'introduction: Largo | 2:57 |
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Francis Poulenc ComposerSinfonietta, FP141 WorkRecorded 1996
28:17
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| 1 | 1.Allegro con fuoco | 8:37 |
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| 2 | 2.Molto vivace | 5:54 |
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| 3 | 3.Andante cantabile | 7:22 |
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| 4 | 4.Finale: Prestissimo et très gai | 6:24 |
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Francis Poulenc ComposerConcert champêtre, for harpsichord and orchestra, FP49 WorkRecorded 1994
24:46
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| 5 | 1.Allegro molto | 10:36 |
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| 6 | 2.Andante: Mouvement de sicilienne | 6:04 |
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| 7 | 3.Finale: Presto | 8:06 |
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Francis Poulenc ComposerPièce brève sur le nom d'Albert Roussel, FP50 (for collab. work, Hommage à Albert Roussel) WorkRecorded 1995 |
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| 8 | Pièce brève sur le nom d'Albert Roussel, FP50 (for collab. work, Hommage à Albert Roussel) | 2:07 |
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Francis Poulenc ComposerBucolique, FP 160 (for collab. work, 'Variations sur le nom de Marguerite Long') WorkRecorded 1995 |
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| 9 | Bucolique, FP 160 (for collab. work, 'Variations sur le nom de Marguerite Long') | 2:26 |
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| 10 | Esquisse d'un fanfare, for winds, percussion, and piano, FP25 (overture for Act V of Shakespeare, Roméo and Juliet) | 2:51 |
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Francis Poulenc Composer2 marches et un intermède, for chamber orchestra, FP88 WorkRecorded 1995
5:13
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| 11 | 1.Marche 1889 | 1:34 |
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| 12 | 2.Intermède champêtre | 1:49 |
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| 13 | 3.Marche 1937 | 1:50 |
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Francis Poulenc ComposerSuite française, for chamber ensemble, Op.80 WorkRecorded 1995
11:32
Marc Bauer Trumpet,
Jacques Fourquet Trombone,
Orchestre National de France Orchestra,
Charles Dutoit Conductor,
B. Balet Percussion,
Philippe Hanon Bassoon,
Sébastien Larrère Trombone,
Claude Fustin Bassoon,
André Goudenhooft Trombone,
Yves Coueffe Trumpet,
Pascal Saumon Oboe,
Laurent Decker Oboe,
Pascal Rogé Harpsichord
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| 14 | 1.Bransle de Bourgogne | 1:22 |
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| 15 | 2.Pavane | 2:25 |
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| 16 | 3.Petite marche militaire | 1:06 |
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| 17 | 4.Complainte | 1:29 |
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| 18 | 5.Bransle de Champagne | 1:41 |
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| 19 | 6.Sicilienne | 1:52 |
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| 20 | 7.Carillon | 1:37 |
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Francis Poulenc ComposerLes biches (suite from the ballet), FP36 WorkRecorded 1995
19:49
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| 1 | 1.Rondeau: Largo. Allegro | 3:22 |
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| 2 | 2.Adagietto | 3:38 |
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| 3 | 3.Rag Mazurka: Moderato. Allegro molto | 6:04 |
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| 4 | 4.Andantino | 3:03 |
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| 5 | 5.Final: Presto | 3:42 |
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Francis Poulenc ComposerLes animaux modèles, FP111 WorkRecorded 1995
20:32
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| 6 | 1.Le petit jour: Trs calme | 4:18 |
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| 7 | 2.Le lion amoureux: Passionnément animé | 1:43 |
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| 8 | 3.L'homme entre deux âges et ses deux maîtresses: Prestissimo | 2:05 |
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| 9 | 4.La mort et le bûcheron: Très lent | 5:45 |
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| 10 | 5.Les deux coqs: Très modéré | 3:29 |
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| 11 | 6.Le repas de midi: Très doux, calme et heureux | 3:12 |
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Francis Poulenc ComposerMatelote provençale, FP153 (for collab. work, 'La guirlande de Campra') WorkRecorded 1995 |
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| 12 | Matelote provençale, FP153 (for collab. work, 'La guirlande de Campra') | 1:22 |
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Francis Poulenc ComposerPastourelle, ballet movement (for collab. work, L'éventail de Jeanne), FP45 WorkRecorded 1995 |
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| 13 | Pastourelle, ballet movement (for collab. work, L'éventail de Jeanne), FP45 | 1:52 |
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Francis Poulenc ComposerValse (pour Micheline Soulé) in C, FP17 (for collab. work, Album des Six) WorkRecorded 1995 |
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| 14 | Valse (pour Micheline Soulé) in C, FP17 (for collab. work, Album des Six) | 1:48 |
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Francis Poulenc ComposerLes mariés de la Tour Eiffel (collab. Auric, Honegger, Milhaud, Tailleferre) WorkRecorded 1995
2:44
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| 15 | Discours du général, FP23/1 | 0:55 |
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| 16 | La Baigneuse de Trouville, FP 23/2 | 1:49 |
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Francis Poulenc ComposerAubade ('concerto choréographique'), for piano and 18 instruments, FP51 WorkRecorded 1996
20:06
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| 17 | 1.Toccata: Lento et pesante. Molto animato | 2:32 |
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| 18 | 2.Récitatif: Les Compagnes de Diane (Larghetto) | 1:45 |
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| 19 | 3.Rondeau: Diane et ses compagnes. Allegro. Entrée de Diane. Più mosso. Sortie de Diane. | 3:21 |
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| 20 | 4.Presto: Toilette de Diane | 1:35 |
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| 21 | 5.Récitatif: Introduction à la Variation de Diane (Larghetto) | 2:11 |
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| 22 | 6.Andante: Variation de Diane (Andante con moto) | 3:06 |
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| 23 | 7.Allegro féroce: Désespoir de Diane | 0:39 |
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| 24 | 8.Conclusion: Adieux et départ de Diane (Adagio) | 4:57 |
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Francis Poulenc Composer2 préludes posthumes et une gnossienne, FP104 WorkRecorded 1995
9:12
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| 25 | 1.Fête donnée par des chevaliers normands en l'honneur d'une jeune demoiselle (XIe siècle) | 3:21 |
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| 26 | 2.1er Prélude du Nazaréen | 3:40 |
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| 27 | 3.Gnossienne | 2:11 |
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Francis Poulenc ComposerLe bal masqué (cantata), for baritone (or mezzo-soprano) and chamber ensemble, FP60 WorkRecorded 1995
17:54
Florence Binder Violin,
Philippe Hanon Bassoon,
Muriel Pouzenc Cello,
Gabin Lauridon Double Bass,
Philippe Pierlot Flute,
Andre Gantiez Horn,
Teodor Coman Viola,
Liliane Rossi Violin,
B. Balet Percussion,
Alessandro Carbonare Clarinet,
Charles Dutoit Conductor,
Sébastien Larrère Trombone,
Marc Bauer Trumpet,
Orchestre National de France Orchestra,
Pascal Rogé Piano,
Pascal Saumon Oboe,
Philippe Litzler Trumpet,
François Le Le Roux Baritone
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| 1 | 1.Préambule et air de bravoure | 4:08 |
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| 2 | 2.Intermède | 2:27 |
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| 3 | 3.Malvina | 2:07 |
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| 4 | 4.Bagatelle | 2:08 |
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| 5 | 5.La dame aveugle | 2:44 |
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| 6 | 6.Finale | 4:20 |
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Francis Poulenc ComposerLe bestiaire (Cortège d'Orphée; song cycle), FP15a WorkRecorded 1995
4:45
Marc Bauer Trumpet,
Liliane Rossi Violin,
Alessandro Carbonare Clarinet,
Orchestre National de France Orchestra,
Charles Dutoit Conductor,
Muriel Pouzenc Cello,
Teodor Coman Viola,
B. Balet Percussion,
Gabin Lauridon Double Bass,
Philippe Hanon Bassoon,
Sébastien Larrère Trombone,
Florence Binder Violin,
Philippe Litzler Trumpet,
Pascal Saumon Oboe,
Philippe Pierlot Flute,
Andre Gantiez Horn,
François Le Le Roux Baritone
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| 7 | 1.Le dromadaire | 1:22 |
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| 8 | 2.La chèvre du Thibet | 0:41 |
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| 9 | 3.La sauterelle | 0:26 |
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| 10 | 4.Le dauphin | 0:31 |
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| 11 | 5.L'écrevisse | 0:37 |
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| 12 | 6.La carpe | 1:08 |
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Francis Poulenc ComposerRapsodie nègre, for baritone and chamber ensemble, FP3 WorkRecorded 1995
10:54
Florence Binder Violin,
Philippe Hanon Bassoon,
Muriel Pouzenc Cello,
Gabin Lauridon Double Bass,
Philippe Pierlot Flute,
Andre Gantiez Horn,
Teodor Coman Viola,
Liliane Rossi Violin,
B. Balet Percussion,
Alessandro Carbonare Clarinet,
Charles Dutoit Conductor,
Sébastien Larrère Trombone,
Marc Bauer Trumpet,
Orchestre National de France Orchestra,
Pascal Rogé Piano,
Pascal Saumon Oboe,
Philippe Litzler Trumpet,
François Le Le Roux Baritone
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| 13 | 1.Prélude | 2:05 |
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| 14 | 2.Ronde | 1:22 |
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| 15 | 3.Honoloulou (Intermède vocal) | 2:11 |
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| 16 | 4.Pastorale | 2:20 |
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| 17 | 5.Final | 2:56 |
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Francis Poulenc ComposerCocardes (song cycle), FP16 WorkRecorded 1995
7:14
Marc Bauer Trumpet,
Liliane Rossi Violin,
Alessandro Carbonare Clarinet,
Orchestre National de France Orchestra,
Charles Dutoit Conductor,
Muriel Pouzenc Cello,
Teodor Coman Viola,
B. Balet Percussion,
Gabin Lauridon Double Bass,
Philippe Hanon Bassoon,
Sébastien Larrère Trombone,
Florence Binder Violin,
Philippe Litzler Trumpet,
Pascal Saumon Oboe,
Philippe Pierlot Flute,
Andre Gantiez Horn,
François Le Le Roux Baritone
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| 18 | 1.Miel de Narbonne | 3:00 |
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| 19 | 2.Bonne d’enfant | 1:54 |
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| 20 | 3.Enfant de troupe | 2:20 |
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Francis Poulenc Composer3 mouvements perpétuels, for chamber orchestra (orchestration of piano work, FP14) WorkRecorded 1995
6:21
Marc Bauer Trumpet,
Liliane Rossi Violin,
Alessandro Carbonare Clarinet,
Orchestre National de France Orchestra,
Charles Dutoit Conductor,
Muriel Pouzenc Cello,
Teodor Coman Viola,
B. Balet Percussion,
Gabin Lauridon Double Bass,
Philippe Hanon Bassoon,
Sébastien Larrère Trombone,
Florence Binder Violin,
Philippe Litzler Trumpet,
Pascal Saumon Oboe,
Philippe Pierlot Flute,
Andre Gantiez Horn
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| 21 | 1.Assez modéré | 1:30 |
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| 22 | 2.Très modéré | 1:32 |
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| 23 | 3.Alerte | 3:19 |
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Francis Poulenc ComposerLe gendarme incompris (incidental music), FP20 WorkRecorded 1995
21:04
Dominique Visse Countertenor,
Florence Binder Violin,
Philippe Hanon Bassoon,
Muriel Pouzenc Cello,
Gabin Lauridon Double Bass,
Philippe Pierlot Flute,
Andre Gantiez Horn,
Teodor Coman Viola,
Liliane Rossi Violin,
B. Balet Percussion,
Alessandro Carbonare Clarinet,
Lambert Wilson Speech,
Charles Dutoit Conductor,
Sébastien Larrère Trombone,
Marc Bauer Trumpet,
Orchestre National de France Orchestra,
Pascal Saumon Oboe,
Philippe Litzler Trumpet
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| 24 | 1.3 Coups | 0:13 |
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| 25 | 2.Ouverture | 3:17 |
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| 26 | 3.Dialogue: Je suis seul (Médor) | 0:47 |
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| 27 | 4.Dialogue: Enfin! cette ridicule comédie va cesser (Prêtre) | 6:35 |
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| 28 | 5.Impromptu: La justice ne veut de sang (Médor) | 0:25 |
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| 29 | 6.Dialogue: Bravo! (Marquise) | 0:11 |
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| 30 | 7.Duo: Dans quel piège suis-je tombée (Marquise, Médor) | 1:15 |
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| 31 | 8.Dialogue: Cette fête est charmante (Médor) | 1:07 |
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| 32 | 9.Duo: Voyez il en convenu (Médor, Marquise) | 0:55 |
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| 33 | 10.Dialogue: Nous ne sommes plus sous les croisades (Médor) | 1:06 |
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| 34 | 11.Dialogue: Quel cauchemar! (Marquise) | 0:36 |
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| 35 | 12.Madrigal: J'ai longtemps rêvé (Médor) | 1:43 |
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| 36 | 13.Dialogue: C'est charmant (Marquise) | 0:20 |
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| 37 | 14.Final - Danse: Ce madrigal où qu'on le dise (Médor) | 2:34 |
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Francis Poulenc Composer4 poèmes de Max Jacob, for baritone and wind ensemble, FP22 WorkRecorded 1995
6:22
Marc Bauer Trumpet,
Liliane Rossi Violin,
Alessandro Carbonare Clarinet,
Orchestre National de France Orchestra,
Charles Dutoit Conductor,
Muriel Pouzenc Cello,
Teodor Coman Viola,
B. Balet Percussion,
Gabin Lauridon Double Bass,
Philippe Hanon Bassoon,
Sébastien Larrère Trombone,
Florence Binder Violin,
Philippe Litzler Trumpet,
Pascal Saumon Oboe,
Philippe Pierlot Flute,
Andre Gantiez Horn,
François Le Le Roux Baritone
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| 38 | 1.Est-il un coin plus solitaire | 2:13 |
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| 39 | 2.C'est pour aller au bal | 1:03 |
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| 40 | 3.Poète et ténor | 2:06 |
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| 41 | 4.Dans le buisson de mimosa | 1:00 |
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Francis Poulenc ComposerGloria, for soprano, chorus and orchestra, FP177 WorkRecorded 1994
22:06
Francoise Pollet Soprano,
French Army Chorus Chorus/Choir,
Francois Polgar Chorus/Choir Director,
Charles Dutoit Conductor,
Orchestre National de France Orchestra
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| 1 | 1.Gloria in excelsis Deo | 2:54 |
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| 2 | 2.Laudamus te | 2:43 |
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| 3 | 3.Domine Deus, Rex coelestis | 3:51 |
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| 4 | 4.Domine Fili unigenite | 1:15 |
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| 5 | 5.Domine Deus, Agnus Dei | 5:26 |
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| 6 | 6.Qui sedes ad dexteram Patris | 5:57 |
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Francis Poulenc ComposerLitanies à la Vierge Noire, for women's chorus and organ (or strings and timpani), FP82 WorkRecorded 1994
Maîtrise de Radio France Chorus/Choir (Children),
Charles Dutoit Conductor,
Orchestre National de France Orchestra,
Denis Dupays Chorus/Choir Director
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| 7 | Litanies à la Vierge Noire, for women's chorus and organ (or strings and timpani), FP82 | 8:49 |
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Francis Poulenc ComposerStabat mater, for soprano, chorus, and orchestra, FP148 WorkRecorded 1994
31:17
Francoise Pollet Soprano,
French Army Chorus Chorus/Choir,
Francois Polgar Chorus/Choir Director,
Charles Dutoit Conductor,
Orchestre National de France Orchestra
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| 8 | 1.Stabat mater dolorosa: Très calme | 3:57 |
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| 9 | 2.Cujus animam gementum: Allegro molto (très violent) | 1:03 |
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| 10 | 3.O quam tristis: Très lent | 2:46 |
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| 11 | 4.Quae maerebat: Andantino | 1:44 |
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| 12 | 5.Quis est homo: Allegro molto | 1:24 |
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| 13 | 6.Vidit suum: Andante | 3:09 |
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| 14 | 7.Eja, Mater: Allegro | 1:09 |
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| 15 | 8.Fac, ut ardeat: Maestoso | 2:26 |
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| 16 | 9.Sancta Mater: Moderato | 3:09 |
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| 17 | 10.Fac, ut portem: Tempo de sarabande | 3:42 |
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| 18 | 11.Inflammatus et accensus: Animé et très rythmé | 2:05 |
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| 19 | 12.Quando corpus: Très calme | 4:43 |
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