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Chonguri; Cello Works by Tsintsadze, Bach, Cassadó, etc.

Chonguri; Cello Works by Tsintsadze, Bach, Cassadó, etc.

Thomas Demenga Cello

CD: 1
Tracks: 20
Length: 56:42

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ECM New
Rel. 26 Sep 2006
Recorded 2004

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Chonguri; Cello Works by Tsintsadze, Bach, Cassadó, etc. Swiss cellist Thomas Demenga here comes up with an unusual angle on the contemporary attempt to make the instrumental a personal statement rather than a mere demonstration of mastery: he plays a program of encores. Of course, many famed instrumental performers have released albums of encores, but there's never been one like this before. Demenga explores the concept of the encore itself, positing it as the only segment of the traditional recital in which the performer could display his or her own personality—in the words of the rather verbose notes of Anselm Cybinski, could "display the wandering minstrel who slumbers unacknowledged even in the most cerebral of musical exegetes." Thus Demenga offers examples of various types of encores. There is the virtuoso exotic encore, often coming from a composer's own ethnic tradition; these are represented here by the title work by Georgian composer Sulkhan Tsintsadze and by the Danse du diable vert of Gaspar Cassadò. There is the Romantic encore with a beautiful tune, exemplified here by works of Chopin and Fauré. There are intellectual works (Webern, late Liszt), and Bach chorales, presented here in delightful arrangements with accordion by Demenga himself. And there are pieces composed by the player—which, as Demenga points out, fell out of favor as modernism tightened its icy grip on music. Demenga's own works are great crowd-pleasers. Start your sampling with his New York Honk, the last work on the program: the cello plays an energetic figure that seems to be interrupted by city traffic noises.

Having sorted out all these strands, Demenga weaves them together once again in a program that makes sense harmonically and in terms of timing—he even varies the lengths of the pauses between tracks as he manipulates its ebb and flow. What is intended, again in Cybinski's words, is "a 'composed' continuum in which seemingly heterogeneous items coalesce, almost nonchalantly exploding ancient misgivings against suites of miniatures." The music reminds you that it's fun when it seems to be getting too serious, and it tells you to think about it when it starts to seem lightweight. It all adds up to a virtuoso performance in the best sense of the word—in the mind as well as the fingers—and one that would surely attract audiences if offered in tour in support of the recording.

© James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
1 2.Chonguri 1:22
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2 Das alte Jahr vergangen ist, BWV614 2:26
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3 Herr Gott, nun schleuss den Himmel auf, BWV617 1:52
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4 Danse du diable vert, for cello & piano 3:20
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5 Nocturne in C#-, Op. posth, KKIVa/16, CT.127 (arr. cello and piano) 4:10
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6 Romance, for cello and piano, Op.69 3:55
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7 1.Mäßige 1:00
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8 2.Sehr bewegt 0:19
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9 3.Äußerst ruhig 0:59
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10 1.Langsam 2:54
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11 2.Langsam 1:58
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12 Ich ruf zu dir, Herr Jesu Christ, BWV639 3:36
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13 1.Après un rêve 3:00
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14 No.2 in Eb 5:04
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15 1.No.1 in 6/8 (arr. cello and piano) 7:38
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16 Eine kleine Erregung (über Berg und Bach), for cello & piano 4:28
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17 Meine Seele erhebt den Herren, BWV648 2:05
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18 Berceuse, for violin and piano, Op.16 (arr. cello and piano) 3:21
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19 Vocalise, Op.105 1:02
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20 New York Honk, for cello & piano 2:13
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