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Album

Music for a While: Baroque Melodies

Music for a While: Baroque Melodies

Anne Sofie von Otter Mezzo-Soprano

CD: 1
Tracks: 21
Length: 1:07:38

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Archiv Produktion
Rel. 9 Nov 2004
Recorded 2004

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Music for a While: Baroque Melodies Anne-Sofie von Otter's Music for a While finds her diving into geographically diverse songs of the Baroque period with the same flair and joyful curiosity that animate all of her projects. She shows a refreshing willingness to change her vocal sound and technique to suit the task at hand, leaving whatever operatic ego she carries with her at the door. Not that her work here would ever be confused with that of an early music specialist: listeners with strong opinions on the "correct" sound for this music may find themselves unable to accept the obvious warmth, flexibility, and potential amplitude of von Otter's sumptuous pipes. But it would be hard to accuse her of approaching this music with anything but respect, love, and the clear intention to realize it on its own terms. Anything else is academic.

The croony cooing, bent tones, and occasional chesty brashness of the opening track, Benedetto Ferrari's Amanti, io vi so dire (Lovers, I can tell you), should be enough to alert listeners that they're in for a different kind of Anne-Sofie experience; delivered over a danceable Baroque guitar ostinato (eventually joined by harpsichord and theorbo), it sets an amiable tone for the album. It also puts the energetic and finely textured playing of lutenist/theorbist Jakob Lindberg and harpsichordist Jory Vinikour on display; their inventive instrumental realizations are the sonic glue binding the entire album together. Among the solo instrumental selections they contribute, Giovanni Kapsberger's Arpeggiata stands out as particularly interesting, since it casts the theorbo in a very different light from that of its usual role as a basso continuo component.

Overall the album succeeds well on its own terms, although the Dowland songs and some of the Purcell selections sound too easygoing, too emotionally uncomplicated. The intimacy is present, but the intensity is often missing, undercut by the deliberately scaled down nature of von Otter's delivery. But her sense of phrasing and general affect is spot on, as is her English diction.

© Allen Schrott, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
Anne Sofie von Otter Mezzo-Soprano, Jory Vinikour Harpsichord, Jakob Lindberg Guitar (Baroque), Anders Ericson Theorbo
1 Amanti, io vi so dire 4:50
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2 15.Se l'aura spira 2:32
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3 Dovrò dunque morire 2:30
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4 Ecco di dolci raggi, SV249, No.1 2:16
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5 Quel sguardo sdegnosetto, SV247, No.1 1:58
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6 Capona (Intavolatura di chitarrone, Book 4) 1:26
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7 15.Sc.10: Adagiati, Poppea, oblivion soave 3:34
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Anne Sofie von Otter Mezzo-Soprano, Jakob Lindberg Lute, Anders Ericson Theorbo
8 Udite, amanti 7:05
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Anne Sofie von Otter Mezzo-Soprano, Jory Vinikour Harpsichord
9 Ciaccona 6:13
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Anne Sofie von Otter Mezzo-Soprano, Jory Vinikour Harpsichord
10 Saraband in A-, Z.654 1:15
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11 1.Song: Sweeter than roses 3:14
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12 9.Dear, pretty youth 2:00
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Anne Sofie von Otter Mezzo-Soprano, Jory Vinikour Harpsichord
13 2.Music for a while 2:51
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14 1.There's not a swain 1:29
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15 Now That the Sun Hath Veiled His Light ('An Evening Hymn on a Ground'), Z.193 3:41
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16 Arpegiatta 2:18
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17 In darkness let me dwell 4:26
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18 5.Can she excuse my wrongs (The Earl of Essex, His Galliard) 2:39
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19 15.Weep you no more, sad fountains 5:24
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20 9.What if I never speed? 2:16
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21 Fantasie for lute 3:41
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