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Album

Italia, ti amo

Italia, ti amo

Budapest Philharmonic Orchestra Orchestra, Plácido Domingo Tenor

CD: 1
Tracks: 16
Length: 1:00:32

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Deutsche Grammophon
Rel. 4 Apr 2006
Recorded 2005

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Italia, ti amo It's understandable that Plácido Domingo has waited until the end of his career to release an album of Neapolitan songs; he required, the liner notes say, "intensive language coaching" to master the Neapolitan dialect in which most of these songs were written. All the better, then, that he hasn't tried to deliver a volume of Naples' greatest hits but has taken more specific aim: he is interested, he says, in the "incredibly touching sense of melancholy" that can be heard in Neapolitan songs, and in (now quoting liner note writer Jörg Königsdorf), "the concentrated emotional intensity that makes up this music's lifeblood, as much as in a Verdi aria." Thus Domingo selects pieces that lie on the tragic side and have a bit of operatic sweep, singing them new orchestral arrangements (done by various arrangers). He avoids the common romantic numbers of the Neapolitan song repertory; the only real chestnut here is Core 'ngrato, at the end. Instead he selects meatier pieces from various eras of Neapolitan song; some of the songs are quite recent, and one, Quarant' anni, was composed by one Plácido Domingo Jr.

These decisions make sense. Domingo's voice still has plenty of expression in its top ranges, but to ask it to do hot-blooded romance in these songs would not show it at its best. The rather soft melancholy of many of these songs fits the current color of the singer's voice. And it's nice to hear the music in orchestral arrangements; as the notes point out, the interaction between opera and popular song in Italy is longstanding, and dressing up songs like these from time to time is an essential part of the process. If Domingo does not have quite the kick that Mario Lanza (whose example he cites, perhaps surprisingly) had in this repertory, and even if he risks disappointing both those who want the sentimental bonbons and operatic purists, he has nevertheless delivered an unusual disc that anyone who likes Neapolitan songs should hear.

© James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
1 Vurria for voice & orchestra 3:31
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2 Musica proibita, for voice and orchestra, Op.5 3:01
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3 Mamma 3:44
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4 Nun me sceat, for voice & piano (or orchestra) 4:01
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5 Al di là del cielo, for voice & orchestra 4:36
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6 Tu, ca nun chiagne! 2:48
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7 Chitarra Romana, for voice and orchestra 3:08
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8 Mamma mia, che vo' sapè, for voice & orchestra 3:45
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9 Dicitencello vuje, for voice and piano (or orchestra) 3:46
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10 Non t'amo più, for voice and piano (or orchestra) 4:30
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11 Quarant'anni 3:56
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12 I'te vurria vasà, for voice and orchestra 3:15
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13 Mandulinate a sera 4:04
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14 Na sera 'e maggio, for voice & orchestra 3:12
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15 Passione 4:09
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16 Core 'ngrato ('Catari'), for voice and orchestra 5:06
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