Album
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Bartók: Works for OrchestraPierre Boulez Conductor
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Béla Bartók Composer4 Orchestral Pieces, Op.12, BB64, Sz.51 Work
22:41
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| 1 | 1.Preludio: Moderato | 6:31 |
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| 2 | 2.Scherzo: Allegro | 6:12 |
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| 3 | 3.Intermezzo: Moderato | 5:02 |
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| 4 | 4.Marcia funebre: Maestoso | 4:56 |
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Béla Bartók ComposerConcerto for Orchestra, BB123, Sz.116 Work
37:00
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| 5 | 1.Introduzione: Andante non troppo. Allegro vivace | 9:29 |
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| 6 | 2.Giuoco delle copie: Allegretto scherzando | 6:25 |
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| 7 | 3.Elegia: Andante non troppo | 7:42 |
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| 8 | 4.Intermezzo interrotto: Allegretto | 4:01 |
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| 9 | 5.Finale: Pesante. Presto | 9:23 |
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| CD 2 of 8 | ||||||
Béla Bartók ComposerDance Suite (Táncszvit), BB86a, Sz.77 Work
16:34
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| 1 | 1.Moderato | 3:40 |
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| 2 | 2.Allegro molto | 2:16 |
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| 3 | 3.Allegro vivace | 2:57 |
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| 4 | 4.Molto tranquillo | 2:35 |
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| 5 | 5.Comodo | 1:01 |
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| 6 | 6.Finale: Allegro | 4:05 |
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Béla Bartók Composer2 Pictures (Két kép), Op.10, BB59, Sz.46 Work
18:26
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| 7 | 1.Viragzas (In Full Flower) | 8:41 |
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| 8 | 2.A falu tanca (Village Dance) | 9:45 |
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Béla Bartók ComposerHungarian Sketches (Magyar képek), BB103, Sz.97 Work
10:47
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| 9 | 1.Este a székelyeknél (Evening in the Village) | 2:47 |
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| 10 | 2.Medvetánc (Bear Dance) | 1:28 |
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| 11 | 3.Melódia (Melody) | 2:20 |
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| 12 | 4.Kicsit ázottan (Slightly Tipsy) | 2:10 |
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| 13 | 5.Ürögi kanásztánc (Ürög Swineherd's Dance) | 2:02 |
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Béla Bartók ComposerDivertimento for String Orchestra, BB118 Work
26:09
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| 14 | 1.Allegro non troppo | 9:01 |
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| 15 | 2.Molto adagio | 9:34 |
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| 16 | 3.Allegro assai | 7:34 |
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| CD 3 of 8 | ||||||
Béla Bartók ComposerPiano Concerto No.1 in A, BB91, Sz.83 Work
23:13
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| 1 | 1.Allegro moderato | 8:44 |
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| 2 | 2.Andante | 7:52 |
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| 3 | 3.Allegro molto | 6:37 |
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Béla Bartók ComposerPiano Concerto No.2 in G, BB101, Sz.95 Work
27:01
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| 4 | 1.Allegro | 9:24 |
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| 5 | 2.Adagio. Presto. Adagio | 11:25 |
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| 6 | 3.Allegro molto | 6:12 |
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25:46
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| 7 | 1.Allegretto | 7:32 |
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| 8 | 2.Adagio religioso | 11:12 |
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| 9 | 3.Allegro vivace | 7:02 |
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| CD 4 of 8 | ||||||
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25:32
Pierre-Laurent Aimard Piano,
Tamara Stefanovich Piano,
Neil Percy Percussion,
London Symphony Orchestra Orchestra,
Nigel Thomas Percussion,
Pierre Boulez Conductor
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| 1 | 1.Assai lento. Allegro molto | 12:47 |
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| 2 | 2.Lento ma non troppo | 6:28 |
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| 3 | 3.Allegro ma non troppo | 6:17 |
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Béla Bartók ComposerViolin Concerto No.1, BB48a, Sz.36 Work
21:18
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| 4 | 1.Andante sostenuto | 9:32 |
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| 5 | 2.Allegro giocoso | 11:46 |
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23:21
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| 6 | 1.Moderato | 14:30 |
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| 7 | 2.Adagio religioso. Allegretto | 4:36 |
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| 8 | 3.Allegro vivace | 4:15 |
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| CD 5 of 8 | ||||||
Béla Bartók ComposerViolin Concerto No.2 in B-, BB117, Sz.112 Work
40:25
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| 1 | 1.Allegro con troppo | 16:38 |
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| 2 | 2.Andante tranquillo | 10:49 |
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| 3 | 3.Allegro molto | 12:58 |
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11:10
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| 4 | 1.Lassú: Moderato | 5:14 |
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| 5 | 2.Friss: Allegretto moderato | 5:56 |
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11:35
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| 6 | 1.Lassú: Moderato | 5:14 |
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| 7 | 2.Friss: Allegro moderato | 6:21 |
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| CD 6 of 8 | ||||||
Béla Bartók ComposerDuke Bluebeard's Castle, Op.11, BB62 (opera) Work
57:49
Laszlo Polgar Bass,
Jessye Norman Soprano,
Chicago Symphony Orchestra Orchestra,
Pierre Boulez Conductor
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| 1 | 1.Prologue: Haj regö rejtem (The tale is old); 2.Megérkeztünk (Here our journey ends) | 5:05 |
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| 2 | 3.Ez a Kélszakállú vára! (Is this truly Bluebeard's castle!) | 5:15 |
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| 3 | 4.Nagy csukort ajtókat látok (Seven huge doors I see) | 5:22 |
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| 4 | 5.Door 1 (Torture chamber): Jaj'! Mit látsz? (Woe! What do you see?) | 4:24 |
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| 5 | 6.Door 2 (Armory): Mit látsz? (What do you see?) | 3:54 |
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| 6 | 7.Door 3 (Treasury): Oh, be sok kincs! (Oh, riches beyond compare) | 2:24 |
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| 7 | 8.Door 4 (Garden): Oh! Virágok (Oh! Marvelous flowers) | 4:17 |
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| 8 | 9.Door 5 (Kingdom): Ah! Lásd es az én birodalman (Ah! Now behold my vast domain) | 6:34 |
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| 9 | 10.Door 6 (Pool of tears): Csendes fehér tavat látok (I see still white waters) | 4:31 |
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| 10 | 11.Az utolsót nem nyitom ki (The last door must stay shut); 12.Mondd meg nekem Kékszakállú (Tell me, dearest Bluebeard) | 4:09 |
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| 11 | 13.Tudom, tudom, Kékszakállú (I have guessed, Bluebeard) | 3:24 |
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| 12 | 14.Door 7 (Wives): Lásd a régi asszonyokat (Now behold the other women); 15.Hajnalban as elsöt leltem (I found the first at dawn) | 8:30 |
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| CD 7 of 8 | ||||||
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18:04
Margaret Hillis Chorus Master,
John Tomlinson Baritone,
John Aler Tenor,
Chicago Symphony Chorus Chorus/Choir,
Chicago Symphony Orchestra Orchestra,
Pierre Boulez Conductor
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| 1 | 1.Molto moderato | 6:59 |
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| 2 | 2.Andante | 7:59 |
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| 3 | 3.Moderato | 3:06 |
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Béla Bartók ComposerThe Wooden Prince, Op.13, BB74 Work
54:51
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| 4 | 1.Introduction | 5:13 |
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| 5 | 2.First Dance: The Princess in the Forest | 5:04 |
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| 6 | 3.Second Dance: The Trees | 5:26 |
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| 7 | 4.Third Dance: The Waves | 11:35 |
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| 8 | 5.Fourth Dance: The Princess with the Wooden Prince | 15:19 |
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| 9 | 6.Fifth Dance: The Princess Prods and Encourages the Wooden Prince to Dance | 1:55 |
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| 10 | 7.The Sixth Dance: She tries to attract the real Prince with her seductive dancing | 1:37 |
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| 11 | 8.The Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince, but the forest bars her w | 8:42 |
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| CD 8 of 8 | ||||||
Béla Bartók ComposerThe Miraculous Mandarin, Op.19, BB82 (pantomime) Work
31:34
Duain Wolfe Chorus Master,
Chicago Symphony Chorus Chorus/Choir,
Chicago Symphony Orchestra Orchestra,
Pierre Boulez Conductor
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| 1 | 1.Beginning | 3:02 |
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| 2 | 2.First Seduction Game: The Shabby Old Rake | 3:43 |
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| 3 | 3.Second Seduction Game | 3:12 |
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| 4 | 4.Third Seduction Game | 1:40 |
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| 5 | 5.The Mandarin enters and remains immobile in the doorway... | 6:51 |
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| 6 | 6.The girl sinks down to embrace him... | 2:29 |
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| 7 | 7.The tramps leap out, seize the Mandarin and tear him away from the girl... | 2:05 |
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| 8 | 8.Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl | 3:00 |
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| 9 | 9.The terrified tramps discuss how they are to get rid of the Mandarin at last | 1:25 |
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| 10 | 10.The body of the Mandarin begins to glow with a greenish blue light | 1:47 |
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| 11 | 11.Più mosso. Vivo: She resists no longer, they embrace | 2:20 |
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30:20
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| 12 | 1.Andante tranquillo | 7:54 |
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| 13 | 2.Allegro | 7:34 |
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| 14 | 3.Adagio | 7:26 |
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| 15 | 4.Allegro molto | 7:26 |
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