Album
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Beauty of the Baroque: Danielle DeNiese sings Dowland, Handel, Bach, etc.English Concert Chamber Ensemble, Danielle DeNiese Soprano
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Soprano Danielle de Niese gives her boundless energy to this album of all-Baroque arias. Her warm sound and rich timbre are her hallmarks, along with her lively stage presence, as those who have seen her performances can attest. These qualities are unmistakably evident here. In "Let the bright Seraphim" the music never sags or lags anywhere, for she feels it. Sometimes, however, de Niese gets overdramatic when it is not necessary. "Come again" shows that her emotions are genuine and not manufactured, but the excess becomes distracting. Her vibrato is fast, and sometimes the voice thins out in it, as well as in the melismas (which are, to her credit, on time and in place). It is when she exercises restraint and has longer, lyrical lines that she is at her best on this album. "Thy hand, Belinda… When I am laid in earth" is one example where it's easy to hear the beauty of her voice. The same goes for "Heart, the seat of soft delight," which has a lovely smoothness and a mature sound. She exercises good control in the melismas, and the result is a gem of an aria. Her duets with countertenor Andreas Scholl are all solid and well done. The purity of their voices matches well, as one can hear in both Monteverdi arias, and Pergolesi's Stabat mater (with its heartbreakingly beautiful string introduction) is simply gorgeous thanks to perfect control in both voices. One could conclude that de Niese's straight tones are also her forte. Supporting the voices is the musically solid, graceful ensemble, the English Concert under the direction of Harry Bicket, whose understated elegance deserves praise. De Niese saves the best for last: two arias from Bach's cantatas. Here, de Niese is like a different artist; it is instantly clear that the German repertoire suits her wonderfully. In "Sich üben im Lieben" she captures a perfect bouncing rhythm and accents, and one truly feels her emotion; compared to other pieces where she seems to be emoting dramatically, this piece moves the listener. "Schäfe können sicher weiden" also demonstrates this emotional honesty, and recalls Kathleen Battle in its sweetness; it is like a pastoral breath of fresh air. De Niese is a veteran singer and performer, but at the time of this 2012 album, it is probably fair to say that she is still developing and is likely to grow into an even more impressive artist. © V. Vasan, Rovi
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John Dowland Composer17.Come again, sweet love doth now invite WorkRecorded 2010 |
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| 1 | 17.Come again, sweet love doth now invite | 2:41 | $0.99 | |||
John Dowland Composer9.What if I never speed? WorkRecorded 2010 |
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| 2 | 9.What if I never speed? | 2:31 | $0.99 | |||
George Frideric Handel ComposerXerxes ('Serse'), HWV40 (opera)...Act 1 WorkRecorded 2010 |
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| 3 | 3.Arioso: Ombra mai fu | 2:54 | $0.99 | |||
George Frideric Handel ComposerSamson, HWV57...Act 3 WorkRecorded 2010 |
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| 4 | 25.Sc.3, Air: Let the bright Seraphim | 5:34 | $0.99 | |||
Henry Purcell ComposerDido and Aeneas, Z.626 (opera)...7.Scene 7 WorkRecorded 2010 |
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| 5 | 7.Recitative and Dido's Lament: Thy hand, Belinda; When I am laid in earth | 5:06 | $0.99 | |||
George Frideric Handel ComposerAcis and Galatea, HWV49 (opera) WorkRecorded 2010 |
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| 6 | 28.Aria: Heart, the seat of soft delight | 4:10 | $0.99 | |||
Claudio Monteverdi ComposerL'incoronazione di Poppea, SV308 (opera)...Act 3 WorkRecorded 2011
Danielle DeNiese Soprano,
English Concert Chamber Ensemble,
Andreas Scholl Countertenor,
Harry Bicket Conductor
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| 7 | 12.Sc.8: Pur ti miro | 4:34 | $0.99 | |||
Claudio Monteverdi ComposerQuel sguardo sdegnosetto, SV247, No.1 WorkRecorded 2010 |
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| 8 | Quel sguardo sdegnosetto, SV247, No.1 | 3:01 | $0.99 | |||
George Frideric Handel ComposerRodelinda, regina de' Longobardi, HWV19 (opera)...Act 2 WorkRecorded 2010
Danielle DeNiese Soprano,
English Concert Chamber Ensemble,
Andreas Scholl Countertenor,
Harry Bicket Conductor
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| 9 | 20.Sc.7, Duetto: Io t'abbraccio | 6:52 | $0.99 | |||
George Frideric Handel ComposerThe Triumph of Time and Truth, HWV71 WorkRecorded 2010 |
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| 10 | Act 3. Guardian angels | 5:59 | $0.99 | |||
Giovanni Battista Pergolesi ComposerStabat mater, for soprano, alto, and strings WorkRecorded 2010
Danielle DeNiese Soprano,
English Concert Chamber Ensemble,
Andreas Scholl Countertenor,
Harry Bicket Conductor
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| 11 | 1.Stabat mater dolorosa | 3:55 | $0.99 | |||
Johann Sebastian Bach ComposerCantata No.202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202 WorkRecorded 2010 |
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| 12 | 7.Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen | 4:38 | $0.99 | |||
| 13 | 9.Aria (Soprano): Schafe können sicher weiden (Sheep May Safely Graze) | 4:45 | $0.99 | |||









