Use Facebook login
LOGOUT  Welcome
 

Album

Copland: Violin Sonata; Brahms: Cello Sonata No.1

Copland: Violin Sonata; Brahms: Cello Sonata No.1

Volkan Orhon Double Bass

CD: 1
Tracks: 6
Length: 49:46

Play
Add to Cart

$8.94

Centaur
Rel. 1 Jan 2007
Recorded 2004

Buy CD from Amazon
Loading, please wait...
Copland: Violin Sonata; Brahms: Cello Sonata No.1 With its overall neglect by composers prior to the twentieth century, the double bass has almost always had to turn to the dubious art of transcribing works from other instruments for concert performance. Increasingly, these transcriptions are coming not only from other "bass clef" instruments like the cello or bassoon, but also from "high-pitched" brethren. The success of any transcription comes from two fronts. The first is the transcription itself; particularly for the double bass, it is generally not enough to simply put a bass clef in front of a piece of music and call it transcribed. The double bass has a great many technical considerations that must be addressed so that the finished product sounds idiomatic to the instrument. The second front is the performance itself, which must pull off the difficult task of making the composition sound as if it was intended to be played on the double bass. For the Brahms First Cello Sonata, little in the way of transcription is needed. Any bass player will happily recall that Brahms' father was a bassist and use this fact to support frequent use of the cello sonata as their own. On this particular recording, bassist Volkan Orhon changes precious little in his interpretation of this brooding work. His sound quality is quite appealing; even in the highest registers of the piece, nothing ever sounds forced. Indeed, Orhon succeeds in making this work seem as it was intended to be played on his instrument. Also on this CDs is Copland's Violin Sonata, transcribed for bass by the venerable Gary Karr. The relative infrequence with which this sonata is played on the violin helps this transcription's believability on the bass. Orhon again delivers with a warm, deep sound that is still focused across the range of the instrument. There are a few missed shifts throughout, but his musicality and beautiful tone win out to make this album worthwhile.

© Mike D. Brownell, Rovi
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
1 1.Andante semplice 9:08
Play
Add to Playlist
$1.49
Add to Cart
2 2.Lento 5:26
Play
Add to Playlist
$0.99
Add to Cart
3 3.Allegretto giusto 7:24
Play
Add to Playlist
$1.49
Add to Cart
4 1.Allegro non troppo 14:39
Play
Add to Playlist
$2.49
Add to Cart
5 2.Allegretto quasi menuetto 6:07
Play
Add to Playlist
$0.99
Add to Cart
6 3.Allegro 7:02
Play
Add to Playlist
$1.49
Add to Cart
 
© 1994-2013 Classical Archives LLC — The Ultimate Classical Music Destination ™