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As Steals the Morn: Handel Arias and Scenes for TenorMark Padmore Tenor
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British tenor Mark Padmore brings together a collection of English and Italian arias from Handel oratorios and operas. Padmore, who performs works of many eras in a wide range of styles, has primarily settled into the kind of repertoire Peter Pears comfortably inhabited, but with a stronger emphasis on Baroque opera and oratorio. Padmore's voice resembles Pears' in some ways; it's a light instrument, and is capable of great agility. It has some of Pears' limitations, particularly a tendency toward tonal blandness and lack of variety in its colors, as well as a slight edge when pushed. Most importantly, though, Padmore does not have Pears' reedy quality or breathiness—his voice is pure and more mellow than Pears'. Except for some lack of full support in its very lowest reaches, this repertoire vocally suits him well. He is capable of summoning up a high sense of drama, as he does so well in "Tu, spietato," from Tamerlano, but perhaps because his voice is not particularly colorful, he is less effective in the more subtle matters of phrasing, where a well-placed inflection can illuminate a character. His ornamentation in the da capo arias is consistently effective and gracefully executed. Padmore is most at ease and effective in the more lyrical arias, and in "Thus when the sun from's wat'ry bed," from Samson; "Waft her, angels," from Jephtha; and "Tune your harps," from Esther, he is genuinely magical. The concluding duet from L'Allegro, il Penseroso, ed il Moderato, with soprano Lucy Crowe is ravishingly limpid. Andrew Manze leads the English Concert in brisk and fluent accompaniments, and Harmonia Mundi's sound is exemplary throughout. © Stephen Eddins, All Music Guide
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George Frideric Handel ComposerAlceste, incidental music, HWV45 Work |
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| 1 | Act 4. Enjoy the sweet Elysian grove, song | 5:37 | $0.99 | |||
George Frideric Handel ComposerSemele, HWV58 Work |
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| 2 | Act 2. Scene 3. Where'er you walk, air | 5:17 | $0.99 | |||
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| 3 | Part 1. Unre voi, aria | 3:32 | $0.99 | |||
George Frideric Handel ComposerTamerlano, HWV18 (opera)...Act 1 Work |
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| 4 | 6.Sc.1, Aria: Forte e lieto a morte | 6:08 | $0.99 | |||
George Frideric Handel ComposerTamerlano, HWV18 (opera)...Act 3 Work
Mark Padmore Tenor,
Lucy Crowe Soprano,
English Concert Chamber Ensemble,
Andrew Manze Director,
Robin Blaze Countertenor
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| 5 | 20.Sc.10, Recitativo: Oh per me lieto | 3:53 | $0.99 | |||
| 6 | 22.Sc.10, Arioso: Figlia mia, non pianger | 6:06 | $0.99 | |||
George Frideric Handel ComposerSamson, HWV57...Act 1 Work |
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| 7 | 12.Sc.2, Air: Total eclipse! No sun, no moon | 4:38 | $0.99 | |||
George Frideric Handel ComposerSamson, HWV57...Act 2 Work |
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| 8 | Act 2. Scene 2. Did love constrain thee?, recitative | 0:32 | $0.99 | |||
| 9 | 10.Sc.1, Air: Your charms to ruin led the way | 3:18 | $0.99 | |||
George Frideric Handel ComposerSamson, HWV57...Act 3 Work |
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| 10 | Act 3. Scene 1. Let but that spirit, recitative / Then shall I make, accompagnato | 0:40 | $0.99 | |||
| 11 | 6.Sc.1, Air: Thus when the sun from's wat'ry bed | 5:32 | $0.99 | |||
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| 12 | Act 3. Scene 6. Fatto inferno, accompagnato | 3:23 | $0.99 | |||
| 13 | Act 3. Scene 6. Pastorello d'un povero armento, aria | 5:15 | $0.99 | |||
George Frideric Handel ComposerEsther, HWV50a...Scene 2 Work
Mark Padmore Tenor,
Katharina Spreckelsen Oboe,
English Concert Chamber Ensemble,
Andrew Manze Director
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| 14 | 2.Aria: Tune your harps to cheerful strains | 4:19 | $0.99 | |||
George Frideric Handel ComposerJephtha, HWV70 Work |
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| 15 | Act 2. Scene 2. Heav'n smiles once more, recitative | 0:32 | $0.99 | |||
| 16 | Act 2. Scene 2. His mighty arm | 5:59 | $0.99 | |||
| 17 | Act 3. Scene 1. Waft her, angels, air | 5:43 | $0.99 | |||
| 18 | 39.Duet: As steals the morn upon the night | 6:36 | $0.99 | |||









