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Beethoven: Piano Sonatas Op.7; Op.14, Nos.1-2 and Op.49, Nos.1-2

Beethoven: Piano Sonatas Op.7; Op.14, Nos.1-2 and Op.49, Nos.1-2

Gerhard Oppitz Piano

CD: 1
Tracks: 14
Length: 1:18:10

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hänssler CLASSIC
Rel. 1 Jan 2000
Recorded 2005

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Beethoven: Piano Sonatas Op.7; Op.14, Nos.1-2 and Op.49, Nos.1-2 Several Beethoven piano sonata cycles are currently in progress and roughly in tandem with one another, giving listeners a great opportunity to compare pianists' approaches to the early sonatas. Perhaps the strength of Gerhard Oppitz's performances of these early sonatas is that he approaches each sonata as an individual, with less of a personal "style" than some of his competitors. The Piano Sonata No. 4 in E flat major, Op. 7, is one of the longest of the entire cycle, with large structures filled by what would later be called pianism. Oppitz delivers a rip-roaring performance (sample the final stretches of the opening movement) that catches the relationship of this sonata to the public-virtuoso, "Emperor"-concerto aspect of Beethoven's musical personality. His somber yet magnetic reading of the slow movement shows the music's hints of the deeper melancholy to come in Beethoven's career. In the smaller sonatas of Op. 14, Oppitz tries more unorthodox interpretations. Hear the opening movement of the Piano Sonata No. 9 in E major, Op. 14, for example. Played, as it often is, at a moderate tempo it has a languid, Schubertian feel. But it is marked Allegro, and Oppitz takes it at nearly the same speed as the opening movement of the Op. 14, No. 2 sonata, marked the same way. The music comes off as restless and spirited, and the relationship between the movements of the sonata, which seems homogeneous in the usual reading, is substantially altered. And in the still smaller sonatas of Op. 49, which are contemporaneous with the other works on the album despite the higher opus number, Oppitz backs off, with elegant but basically neutral versions of Beethoven works that have often served as teaching pieces. These Beethoven sonatas from one of Germany's leading contemporary pianists have an admirable way of compelling close listening without placing the pianist front and center.

© James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
1 1.Allegro molto e con brio 8:29
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2 2.Largo con gran espressione 9:18
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3 3.Allegro 5:52
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4 4.Rondo: Poco allegretto e grazioso 7:42
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5 1.Allegro 6:22
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6 2.Allegretto 4:23
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7 3.Rondo: Allegro comodo 3:22
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8 1.Allegro 8:06
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9 2.Andante 5:15
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10 3.Scherzo: Allegro assai 3:26
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11 1.Andante 4:24
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12 2.Rondo: Allegro 3:15
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13 1.Allegro ma non troppo 4:34
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14 2.Tempo di menuetto 3:42
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