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La Barca d'Amore: Cornett Music of the 16th Century

La Barca d'Amore: Cornett Music of the 16th Century

Various Artists

CD: 1
Tracks: 15
Length: 1:13:34

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Rel. 1 Jan 1997
Recorded 1997

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La Barca d'Amore: Cornett Music of the 16th Century This release by the historical-instrument group Le Concert Brisé (meaning the Broken Consort or consort with instruments from diverse families) originally appeared in 1997. The material remains unfamiliar, and the album was generally a good candidate for reissue. The presentation is not exactly user-friendly. The title "La barca d'amore" (The Boat of Love) comes from part of one of the dance pieces included and doesn't really give an indication of the flavor of the whole. What you get is sixteenth-century Italian virtuoso music for the Renaissance cornett, a tube-shaped (or snake-shaped) wind instrument that produces a sound somewhere between that of an oboe and a horn. It's difficult to play to begin with, and the performer here, William Dongois, delved into treatises and uncovered some of the instrument's improvisatory traditions. The result is some very exciting playing, an example of which can be heard in the Sonata seconda ("La cesta"), track 13. All of the music involves considerable ornamentation, and Dongois' notes don't make the procedures used totally clear. Much of his essay discusses the procedure known as division, a type of variation form that was partly left to the ingenuity of the player. The divisions here (not thus marked in the tracklist) are the pieces based on preexisting models, such as Jouissance vous donneray (track 4), with a model by Willaert elaborated by one G. dalla Casa. Other genres represented are sonatas, which at this point were instrumental analogues to the keyboard toccata, and dance pairs. All, according to Dongois, were vigorously ornamented, although the style would differ in each case. It requires a little work to figure out what's going on in the music, but it's enjoyable and smoothly done, and the album remains an important step in rescuing Renaissance instrumental music from the dry bones of its notated versions.

© James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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CD 1
1 La barca d'amore, galliarde for lute 6:01
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2 Susanne un jour, diminution after Lassus for chamber ensemble 3:39
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3 Pavane & Saltarello, for ensemble (Manuskript, Bibliothek der Stiftskirche Castell' Arquato) 3:48
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4 Jouissance vous donneray, diminution after Adrian Willaert 4:19
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5 Pavane - Galliarde No.4 4:25
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6 Vestiva i colli, diminution after Giovanni da Palestrina 6:25
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7 Pavane & sauterelle, for lute (from 18 basses dances) 2:51
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8 Mirami vita mia, diminution after Claudio Merulo 3:00
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9 Sonata Quarta 4:51
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10 Variations on Palestrina's "Io son ferito" 5:37
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11 Sonata 6 per il violino o cornetto 6:41
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12 Anchor che col partire, for 2 instruments (after Cipriano de Rore) 3:10
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13 Violin Sonata ('La Cesta'), Op.3, No.2 7:06
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14 Pulchra es amica mea, diminution for 2 instruments 4:05
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Le Concert Brisé Early Music Ensemble
15 Ciaconna for solo voice 7:36
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