Album
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La Barca d'Amore: Cornett Music of the 16th CenturyVarious Artists
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This release by the historical-instrument group Le Concert Brisé (meaning the Broken Consort or consort with instruments from diverse families) originally appeared in 1997. The material remains unfamiliar, and the album was generally a good candidate for reissue. The presentation is not exactly user-friendly. The title "La barca d'amore" (The Boat of Love) comes from part of one of the dance pieces included and doesn't really give an indication of the flavor of the whole. What you get is sixteenth-century Italian virtuoso music for the Renaissance cornett, a tube-shaped (or snake-shaped) wind instrument that produces a sound somewhere between that of an oboe and a horn. It's difficult to play to begin with, and the performer here, William Dongois, delved into treatises and uncovered some of the instrument's improvisatory traditions. The result is some very exciting playing, an example of which can be heard in the Sonata seconda ("La cesta"), track 13. All of the music involves considerable ornamentation, and Dongois' notes don't make the procedures used totally clear. Much of his essay discusses the procedure known as division, a type of variation form that was partly left to the ingenuity of the player. The divisions here (not thus marked in the tracklist) are the pieces based on preexisting models, such as Jouissance vous donneray (track 4), with a model by Willaert elaborated by one G. dalla Casa. Other genres represented are sonatas, which at this point were instrumental analogues to the keyboard toccata, and dance pairs. All, according to Dongois, were vigorously ornamented, although the style would differ in each case. It requires a little work to figure out what's going on in the music, but it's enjoyable and smoothly done, and the album remains an important step in rescuing Renaissance instrumental music from the dry bones of its notated versions. © James Manheim, All Music Guide
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Giacomo Gorzanis ComposerLa barca d'amore, galliarde for lute Work |
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| 1 | La barca d'amore, galliarde for lute | 6:01 | $0.99 | |||
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| 2 | Susanne un jour, diminution after Lassus for chamber ensemble | 3:39 | $0.99 | |||
Anonymous, Italian ComposerPavane & Saltarello, for ensemble (Manuskript, Bibliothek der Stiftskirche Castell' Arquato) Work
Le Concert Brisé Early Music Ensemble
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| 3 | Pavane & Saltarello, for ensemble (Manuskript, Bibliothek der Stiftskirche Castell' Arquato) | 3:48 | $0.99 | |||
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Le Concert Brisé Early Music Ensemble
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| 4 | Jouissance vous donneray, diminution after Adrian Willaert | 4:19 | $0.99 | |||
Pierre Attaingnant ComposerPavane - Galliarde No.4 Work |
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| 5 | Pavane - Galliarde No.4 | 4:25 | $0.99 | |||
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| 6 | Vestiva i colli, diminution after Giovanni da Palestrina | 6:25 | $0.99 | |||
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| 7 | Pavane & sauterelle, for lute (from 18 basses dances) | 2:51 | $0.99 | |||
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| 8 | Mirami vita mia, diminution after Claudio Merulo | 3:00 | $0.99 | |||
Giovanni Battista Fontana ComposerSonata Quarta Work |
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| 9 | Sonata Quarta | 4:51 | $0.99 | |||
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| 10 | Variations on Palestrina's "Io son ferito" | 5:37 | $0.99 | |||
Giovanni Battista Fontana ComposerSonata 6 per il violino o cornetto Work
Le Concert Brisé Early Music Ensemble
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| 11 | Sonata 6 per il violino o cornetto | 6:41 | $0.99 | |||
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| 12 | Anchor che col partire, for 2 instruments (after Cipriano de Rore) | 3:10 | $0.99 | |||
Giovanni Mealli ComposerViolin Sonata ('La Cesta'), Op.3, No.2 Work
Le Concert Brisé Early Music Ensemble
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| 13 | Violin Sonata ('La Cesta'), Op.3, No.2 | 7:06 | $1.49 | |||
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| 14 | Pulchra es amica mea, diminution for 2 instruments | 4:05 | $0.99 | |||
Benedetto Ferrari ComposerCiaconna for solo voice Work
Le Concert Brisé Early Music Ensemble
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| 15 | Ciaconna for solo voice | 7:36 | $1.49 | |||









