Album

K&K Verlagsanstalt's Maulbronn Monastery Edition documents the concerts given at Maulbronn Monastery, a UNESCO heritage site that, from the sounds of it, has a cavernous resonance. So devoted are K&K to presenting the concert exactly as given that there is a separate track devoted to the applause at the start of the concert; a measure that seems hardly worth taking, but at least in Hamburger Ratsmusik: Wach Auf Mein Geist it is not irresolutely connected to the first musical performance. This is a highly desirable performance, as Hamburger Ratsmusik is an ensemble headed up by superb bass-baritone Klaus Mertens featuring a simple continuo consisting of gambist Simone Eckert and Ulrich Wedemeier on theorbo. The program consists of some the earliest accompanied German lieder in the repertory—songs by Johann Schop taken from Rist's Himlische Lieder published in Lüneberg in 1641, and others by Christoph Bernhard from his posthumously published appendix to the Dresdener Gesangbuch that initially appeared in 1649. Some of these sacred German lieder, written for performance in pious courts and not for church use, are quite long and have many verses. To break up the program, Hamburger Ratsmusik adds some appropriately sober instrumental pieces by Schop, Gottfried Tielke, Christian Herwich, and August Kühnel. Although the source is not given for Johann Rudolf Ahle's brief canticle "Alles vergehet," it certainly belongs here and provides a neat conclusion to what must have been an excellent concert.

From a performance standpoint, everything about Hamburger Ratsmusik: Wach Auf Mein Geist is right; Mertens is in terrific voice and sings with his usual transparency and sensitivity, and the continuo is rhythmically flexible, bending and shifting with Mertens' delivery of the text, yet performing all of the music with a finely balanced, restrained, and tasteful sense of style. K&K Verlagsanstalt's direct to two-track recording is certainly very kind to these quiet instruments, but the reverberation in the Maulbronn Monastery carries Mertens' delicate baritone seemingly down a football field's length. By the time it reaches the end of the hall, he has well moved on in the music, and the reverberated image, brightened rather harshly by its long traversal, competes with the lied Mertens is trying to put over. It is a very hard acoustical anomaly to get used to—in fact, one simply can't get used to it—and comprehension of the material is made all the more difficult by the lack of texts for these works in the boutique-style booklet. K&K Verlagsanstalt's Hamburger Ratsmusik: Wach Auf Mein Geist is both exhilarating in what it offers and aggravating in what one has to put up with in listening to it, and most listeners will probably choose to forego the exhilaration in order to avoid the aggravation.

© Uncle Dave Lewis , Rovi

CD 1
Recorded Sound Composer Applause Work Hamburger Ratsmusik Ensemble
1	Applause	0:39			$0.99
Johann Schop Composer Wach auf, mein Geist, erhebe dich, sacred song for voice & continuo Work Hamburger Ratsmusik Ensemble
2	Wach auf, mein Geist, erhebe dich, sacred song for voice & continuo	2:27			$0.99
Johann Schop Composer Gott, der du mit großer Macht, for chorus Work Hamburger Ratsmusik Ensemble
3	Gott, der du mit großer Macht, for chorus	2:51			$0.99
Johann Schop Composer Merk auf, o sündig's Menschenkind, for chorus Work Hamburger Ratsmusik Ensemble
4	Merk auf, o sündig's Menschenkind, for chorus	3:14			$0.99
Johann Schop Composer O Trauerigkeit, o Herzeleid, for chorus Work Hamburger Ratsmusik Ensemble
5	O Trauerigkeit, o Herzeleid, for chorus	2:48			$0.99
Gottfried Tielke Composer Suite for viola da gamba & basso continuo in G- Work Hamburger Ratsmusik Ensemble
6	Suite for viola da gamba & basso continuo in G-	4:57			$0.99
Christoph Bernhard Composer Da du wolltest von mir ziehen, for chorus Work Hamburger Ratsmusik Ensemble
7	Da du wolltest von mir ziehen, for chorus	2:58			$0.99
Christoph Bernhard Composer Die sterbenden Lilien, for chorus Work Hamburger Ratsmusik Ensemble
8	Die sterbenden Lilien, for chorus	2:43			$0.99
Christian Herwich Composer Prelude, Allemande & Courante, for solo theorbo Work Hamburger Ratsmusik Ensemble
9	Prelude, Allemande & Courante, for solo theorbo	3:56			$0.99
Christoph Bernhard Composer Gleich wie ein junger Hirsch, for chorus Work Hamburger Ratsmusik Ensemble
10	Gleich wie ein junger Hirsch, for chorus	2:52			$0.99
Christoph Bernhard Composer Allein nach dir, mein Herr und Gott, for chorus Work Hamburger Ratsmusik Ensemble
11	Allein nach dir, mein Herr und Gott, for chorus	3:31			$0.99
Christoph Bernhard Composer Gute Nacht! Du eitles Leben!, for chorus Work Hamburger Ratsmusik Ensemble
12	Gute Nacht! Du eitles Leben!, for chorus	2:53			$0.99
August Kühnel Composer Choral variations on "Herr Jesu Christ, Du höchstes Gut" for viola da gamba & continuo Work Hamburger Ratsmusik Ensemble
13	Choral variations on "Herr Jesu Christ, Du höchstes Gut" for viola da gamba & continuo	7:04			$1.49
Christoph Bernhard Composer Leb ich oder leb ich nicht, for chorus Work Hamburger Ratsmusik Ensemble
14	Leb ich oder leb ich nicht, for chorus	1:50			$0.99
Christoph Bernhard Composer Ach, wie entgeistert sich mein Geist Work Hamburger Ratsmusik Ensemble
15	Ach, wie entgeistert sich mein Geist	2:10			$0.99
Johann Schop Composer Ballett, for violin (or discant gamba) & continuo Work Hamburger Ratsmusik Ensemble
16	Ballett, for violin (or discant gamba) & continuo	2:27			$0.99
Christoph Bernhard Composer Der Tag ist hin, for chorus Work Hamburger Ratsmusik Ensemble
17	Der Tag ist hin, for chorus	3:29			$0.99
Johann Rudolf Ahle Composer Musica bleibet in Ewigkeit bestehn, for chorus ("Alles vergehet, Musica bleibet bestehn Alles, was irdisch ist, muß endlich vergehn") Work Hamburger Ratsmusik Ensemble
18	Musica bleibet in Ewigkeit bestehn, for chorus ("Alles vergehet, Musica bleibet bestehn Alles, was irdisch ist, muß endlich vergehn")	2:24			$0.99