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Discover Early Music is part of a series covering the history of Western classical music, from medieval times to the present day; each volume contains two CDs and a booklet of about 100 pages, mostly given over to a historical essay keyed to the selections included. One may wonder, when looking at these discs, why no one has done this before, especially in view of book publishers' inability to come up with a good single-volume history with any kind of readability and flair. The reason is that it would be difficult for any label other than Naxos, the plucky Hong Kong-based outfit that has gleefully proved all the doubters wrong by expanding while everyone else was contracting, to pull it off; only Naxos has the vast and varied catalog to make a full-fledged survey of especially the early periods possible. One effect of this project's origins on Naxos is that the medieval period is somewhat underrepresented; we get only eight pieces on the first CD to cover the entire period from Gregorian chant to the era of Dufay and Dunstable in the middle of the fifteenth century. In the early sections of the booklet essay by British editor and writer Lucien Jenkins, one can get through quite a few paragraphs without coming to any music. If there's a hole in the Naxos catalog, it's in the early medieval era, which is usually taken on by specialist ensembles that don't line up with Naxos' cost-cutting aesthetic. But that disadvantage is far outweighed by the generally solid execution of the whole project. One can quibble with Jenkins' text at isolated moments, but overall it is a clear, well-informed introduction. If there's one reason for the public's comparative lack of interest in the music of the Middle Ages and Renaissance as compared with the art of the era, it is that appreciating the technique of a Josquin or a Machaut, as opposed to a Michelangelo or Giotto, depends on an awareness of technical processes that are not directly visible. In dealing with more complex forms, Jenkins excels. He lays out just enough information to make the general listener aware of the kinds of things that are happening without going into intimidating detail. The performances vary, but the Naxos predilection for recording regional ensembles actually works to the project's advantage; nothing sounds strange when juxtaposed with its neighbor on the disc. This album should be ideally suited to the needs of adult-enrichment classes, tourists, and anyone else interested in an introduction to the music of the Middle Ages and Renaissance that can be covered in a few evenings. One caveat: the term early music is sometimes understood to include part of the Baroque era, but this album cuts off with Palestrina, at the end of the sixteenth century.
© James Manheim, All Music Guide
© James Manheim, All Music Guide
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Chant, Ambrosian ComposerAntiphonae post Evangelium Work |
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| 1 | Antiphonae post Evangelium | 3:21 | $0.99 | |||
Gregorian Chant ComposerAdorabo, alleluia Work |
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| 2 | Adorabo, alleluia | 2:21 | $0.99 | |||
Hildegard von Bingen ComposerOrdo Virtutum (liturgical drama) Work |
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| 3 | Procession | 4:25 | $0.99 | |||
| 4 | Viderunt omnes... (2-part organum) | 2:09 | $0.99 | |||
| 5 | ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | 0:53 | $0.99 | |||
| 6 | Notum fecit...(2-part organum) | 0:44 | $0.99 | |||
| 7 | ...Dominus... | 1:34 | $0.99 | |||
| 8 | ...salutare suum ante conspectum gentium revelavit... | 3:43 | $0.99 | |||
| 9 | ...justitiam suam (plainchant) | 0:27 | $0.99 | |||
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| 10 | Gaudete Christus est natus (Piae Cantiones 1582) | 1:39 | $0.99 | |||
Alfonso X (el Sabio) ComposerWork(s) Work |
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| 11 | [Unspecified] Cantiga de Santa Maria | 2:20 | $0.99 | |||
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| 12 | Exiit dilucolo rustica puella, CB 90 | 2:47 | $0.99 | |||
Guiraut Riquier ComposerHumils, forfaitz, repres e penedens Work |
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| 13 | Humils, forfaitz, repres e penedens | 7:01 | $1.49 | |||
Guillaume Dufay ComposerAdieu ces bons vins de Lannoys (rondeau, a3) Work |
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| 14 | Adieu ces bons vins de Lannoys (rondeau, a3) | 5:32 | $0.99 | |||
Francesco Landini ComposerNon avrà mai pietà, S.144 (ballata a3) Work |
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| 15 | #1 | 4:19 | $0.99 | |||
| 16 | #2 | 3:35 | $0.99 | |||
John Dunstable ComposerVeni Sancte Spiritus (isorhythmic motet, a4) Work |
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| 17 | Veni Sancte Spiritus (isorhythmic motet, a4) | 6:55 | $0.99 | |||
Johannes Ockeghem ComposerD'un aultre amer (a3) Work
Capilla Flamenca Chorus/Choir
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| 18 | D'un aultre amer (a3) | 3:01 | $0.99 | |||
Antoine Busnois ComposerAlleluia, Verbum caro factum est (a4) Work
Capilla Flamenca Chorus/Choir
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| 19 | Alleluia, Verbum caro factum est (a4) | 1:18 | $0.99 | |||
Josquin Des Prez ComposerEl Grillo (a4) Work
Shirley Rumsey Lute
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| 20 | El grillo (arr. lute) | 1:30 | $0.99 | |||
Josquin Des Prez ComposerEl Grillo (a4) Work
Capilla Flamenca Chorus/Choir
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| 21 | El Grillo (a4) | 1:30 | $0.99 | |||
Josquin Des Prez ComposerMissa La Sol Fa Re Mi (a4) Work
Capilla Flamenca Chorus/Choir
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| 22 | 1.Kyrie | 2:10 | $0.99 | |||
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Scholars of London Ensemble
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| 23 | Réveillez vous, cueurs endormis (a5; 'Le chant des oiseaux') | 3:12 | $0.99 | |||
Tielman Susato ComposerPasse et medio; Gaillarde No.1 Work
Capilla Flamenca Chorus/Choir
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| 24 | Passe et medio; Gaillarde No.1 | 3:02 | $0.99 | |||
Tielman Susato ComposerRonde No.3, Ronde No.6; Les quatres branles Work
Convivium Musicum Gothenburgense Ensemble
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| 25 | Ronde No.3, Ronde No.6; Les quatres branles | 2:53 | $0.99 | |||
Tielman Susato ComposerGaillardes Nos. 1-3 Work
Convivium Musicum Gothenburgense Ensemble
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| 26 | Gaillardes Nos. 1-3 | 2:05 | $0.99 | |||
| CD 2 of 2 | ||||||
John Taverner ComposerIn Nomine Work
Rose Consort of Viols Ensemble
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| 1 | In Nomine | 2:24 | $0.99 | |||
Christopher Tye ComposerIn Nomine a 5 ("Crye") Work
Rose Consort of Viols Ensemble
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| 2 | In Nomine a 5 ("Crye") | 1:51 | $0.99 | |||
Thomas Tallis ComposerSpem in alium (a40) Work |
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| 3 | Spem in alium (a40) | 12:13 | $1.99 | |||
William Byrd ComposerMass for 4 Voices Work |
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| 4 | 4.Sanctus. 5.Benedictus | 4:33 | $0.99 | |||
Claude Goudimel ComposerPsalm 130: Du fond de ma pensée Work |
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| 5 | Psalm 130: Du fond de ma pensée | 4:40 | $0.99 | |||
John Dowland Composer11.The King of Denmark's Galliard Work
Rose Consort of Viols Ensemble
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| 6 | 11.The King of Denmark's Galliard | 1:20 | $0.99 | |||
John Dowland Composer2.Flow my tears Work |
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| 7 | 2.Flow my tears | 4:01 | $0.99 | |||
Heinrich Isaac ComposerGreiner, Zancker, Schnöpffitzer (a4) Work |
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| 8 | Greiner, Zancker, Schnöpffitzer (a4) | 1:09 | $0.99 | |||
Jacob Obrecht ComposerStat ein meskin (a4; also attrib. Isaac) Work |
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| 9 | Stat ein meskin (a4; also attrib. Isaac) | 2:06 | $0.99 | |||
Alonso de Mudarra ComposerWork(s) Work
Shirley Rumsey Lute
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| 10 | [Unspecified] Tiento for vihuela | 1:46 | $0.99 | |||
Carlo Gesualdo ComposerTribulationem et dolorem inveni, W8.57 (a5) Work |
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| 11 | Tribulationem et dolorem inveni, W8.57 (a5) | 4:54 | $0.99 | |||
Orlande de Lassus ComposerLagrime di S Pietro ('Tansillo'; a7) Work |
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| 12 | 1.Il magnanimo Pietro | 2:18 | $0.99 | |||
Orlande de Lassus ComposerMissa Susanne un jour (a5) Work |
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| 13 | 1.Kyrie | 5:41 | $0.99 | |||
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Scholars of London Ensemble
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| 14 | Beau le crystal, chanson for 4 voices, B. xi/57 (S. xii/94) | 1:37 | $0.99 | |||
Tomás Luis de Victoria ComposerO magnum mysterium (a4) Work |
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| 15 | O magnum mysterium (a4) | 4:14 | $0.99 | |||
Giovanni Pierluigi da Palestrina ComposerMissa Papae Marcelli (a6) Work |
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| 16 | 1.Kyrie | 4:38 | $0.99 | |||









