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Album

Discover Early Music

Discover Early Music

Various Artists

CDs: 2
Tracks: 42
Length: 2:13:51

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Naxos
Rel. 1 Oct 2005

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Discover Early Music is part of a series covering the history of Western classical music, from medieval times to the present day; each volume contains two CDs and a booklet of about 100 pages, mostly given over to a historical essay keyed to the selections included. One may wonder, when looking at these discs, why no one has done this before, especially in view of book publishers' inability to come up with a good single-volume history with any kind of readability and flair. The reason is that it would be difficult for any label other than Naxos, the plucky Hong Kong-based outfit that has gleefully proved all the doubters wrong by expanding while everyone else was contracting, to pull it off; only Naxos has the vast and varied catalog to make a full-fledged survey of especially the early periods possible. One effect of this project's origins on Naxos is that the medieval period is somewhat underrepresented; we get only eight pieces on the first CD to cover the entire period from Gregorian chant to the era of Dufay and Dunstable in the middle of the fifteenth century. In the early sections of the booklet essay by British editor and writer Lucien Jenkins, one can get through quite a few paragraphs without coming to any music. If there's a hole in the Naxos catalog, it's in the early medieval era, which is usually taken on by specialist ensembles that don't line up with Naxos' cost-cutting aesthetic. But that disadvantage is far outweighed by the generally solid execution of the whole project. One can quibble with Jenkins' text at isolated moments, but overall it is a clear, well-informed introduction. If there's one reason for the public's comparative lack of interest in the music of the Middle Ages and Renaissance as compared with the art of the era, it is that appreciating the technique of a Josquin or a Machaut, as opposed to a Michelangelo or Giotto, depends on an awareness of technical processes that are not directly visible. In dealing with more complex forms, Jenkins excels. He lays out just enough information to make the general listener aware of the kinds of things that are happening without going into intimidating detail. The performances vary, but the Naxos predilection for recording regional ensembles actually works to the project's advantage; nothing sounds strange when juxtaposed with its neighbor on the disc. This album should be ideally suited to the needs of adult-enrichment classes, tourists, and anyone else interested in an introduction to the music of the Middle Ages and Renaissance that can be covered in a few evenings. One caveat: the term early music is sometimes understood to include part of the Baroque era, but this album cuts off with Palestrina, at the end of the sixteenth century.

© James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1 of 2
1 Antiphonae post Evangelium 3:21
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2 Adorabo, alleluia 2:21
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3 Procession 4:25
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4 Viderunt omnes... (2-part organum) 2:09
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5 ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) 0:53
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6 Notum fecit...(2-part organum) 0:44
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7 ...Dominus... 1:34
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8 ...salutare suum ante conspectum gentium revelavit... 3:43
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9 ...justitiam suam (plainchant) 0:27
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10 Gaudete Christus est natus (Piae Cantiones 1582) 1:39
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Ensemble Unicorn Ensemble, Michael Posch Conductor
11 [Unspecified] Cantiga de Santa Maria 2:20
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12 Exiit dilucolo rustica puella, CB 90 2:47
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13 Humils, forfaitz, repres e penedens 7:01
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14 Adieu ces bons vins de Lannoys (rondeau, a3) 5:32
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15 #1 4:19
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16 #2 3:35
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17 Veni Sancte Spiritus (isorhythmic motet, a4) 6:55
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18 D'un aultre amer (a3) 3:01
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19 Alleluia, Verbum caro factum est (a4) 1:18
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20 El grillo (arr. lute) 1:30
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Capilla Flamenca Chorus/Choir
21 El Grillo (a4) 1:30
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22 1.Kyrie 2:10
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23 Réveillez vous, cueurs endormis (a5; 'Le chant des oiseaux') 3:12
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24 Passe et medio; Gaillarde No.1 3:02
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25 Ronde No.3, Ronde No.6; Les quatres branles 2:53
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26 Gaillardes Nos. 1-3 2:05
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CD 2 of 2
1 In Nomine 2:24
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2 In Nomine a 5 ("Crye") 1:51
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Oxford Camerata Chamber Ensemble, Jeremy Summerly Conductor
3 Spem in alium (a40) 12:13
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Oxford Camerata Chamber Ensemble, Jeremy Summerly Conductor
4 4.Sanctus. 5.Benedictus 4:33
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5 Psalm 130: Du fond de ma pensée 4:40
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6 11.The King of Denmark's Galliard 1:20
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Steven Richards Countertenor, Dorothy Linell Lute
7 2.Flow my tears 4:01
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8 Greiner, Zancker, Schnöpffitzer (a4) 1:09
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9 Stat ein meskin (a4; also attrib. Isaac) 2:06
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10 [Unspecified] Tiento for vihuela 1:46
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11 Tribulationem et dolorem inveni, W8.57 (a5) 4:54
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12 1.Il magnanimo Pietro 2:18
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Oxford Camerata Chamber Ensemble, Jeremy Summerly Conductor
13 1.Kyrie 5:41
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14 Beau le crystal, chanson for 4 voices, B. xi/57 (S. xii/94) 1:37
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Oxford Camerata Chamber Ensemble, Jeremy Summerly Conductor
15 O magnum mysterium (a4) 4:14
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16 1.Kyrie 4:38
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