Album

Much-honored American composer Ellen Taaffe Zwilich has managed to satisfy both specialist audiences and general concertgoers over her career, often writing works that develop accessible material in a rigorous way. This disc collects three Zwilich works for piano and orchestra, and the interest begins with the fact that none of them can really be described as a piano concerto. Instead, the piano-orchestra dialogue is mapped onto other content, programmatic in two cases. The nonprogrammatic piece is the Millennium Fantasy, based on an unidentified folk song that Zwilich learned from a family member; it appears fragmentarily throughout and is assembled at the end of the two-movement work. Images (1986) consists of short movements depicting paintings in the collection of the National Museum of Women in the Arts, along with one expressing Zwilich's reaction to the museum as a whole; many listeners will be hard pressed to catch the representational language here. Not so with the final work, Peanuts Gallery, composed in 1996 and apparently part of a mutual homage with cartoonist Charles Schulz, who mentioned Zwilich in several strips. Each movement depicts one of the strip's familiar characters, and U.S. listeners, at least, will have no trouble picking these out. Beethoven's Piano Sonata No. 29 in B flat major, Op. 106, "Hammerklavier," is quoted in the opening movement, "Schroeder's Beethoven Fantasy," and recurs later in the work. This work would be ideal for programs aimed at young listeners (who still remember Peanuts, long after Schulz's death), and it's both light and very artfully done. The album benefits from the presence of pianist Jeffrey Biegel, who has a lot of experience with Zwilich's works, and the enthusiastic Florida State University Symphony Orchestra under Alexander Jiménez. Some might criticize Naxos for using presumably low-cost university orchestras, but the fact is that young musicians who become involved in worthwhile projects of lasting value will go on to create prosperous musical economies of their own. A good place to start with Naxos' American Classics series.

© James Manheim, Rovi

CD 1
Ellen Taaffe Zwilich Composer Millennium Fantasy, for piano & orchestra Work 20:19 Florida State University Symphony Orchestra Orchestra, Alexander Jiménez Conductor, Jeffrey Biegel Piano
1	Quarter note = 60	8:00			$1.49
2	Quarter note = 180	12:19			$1.99
Ellen Taaffe Zwilich Composer Images, for 2 pianos & orchestra Work 18:01 Heidi Louise Williams Piano, Florida State University Symphony Orchestra Orchestra, Read Gainsford Piano, Alexander Jiménez Conductor
3	1.Opening (to Self-Portrait 1917) by Alice Bailly (Swiss, 1872-1930)	3:51			$0.99
4	2.La Poupée Abandonnée by Suzanne Valadon (French, 1865-1938)	3:43			$0.99
5	3.Iris, Tulips, Jonquils and Crocuses by Alma Thomas (American, 1891-1978)	1:42			$0.99
6	4.Bacchus No.3, by Elaine DeKooning (American, 1920-1988)	3:53			$0.99
7	5.Spiritualist by Helen Frankenthaler (American, b. 1928)	4:52			$0.99
Ellen Taaffe Zwilich Composer Peanuts Gallery, for piano & orchestra Work 14:50 Florida State University Symphony Orchestra Orchestra, Alexander Jiménez Conductor, Jeffrey Biegel Piano
8	1.Schroeder's Beethoven Fantasy	2:21			$0.99
9	2.Lullaby for Linus	2:28			$0.99
10	3.Snoopy Does the Samba	2:26			$0.99
11	4.Charlie Brown's Lament	2:53			$0.99
12	5.Lucy Freaks Out	2:27			$0.99
13	6.Peppermint Patty and Marcie Lead the Parade	2:15			$0.99