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Bach: Goldberg VariationsTatiana Nikolayeva Piano
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Tatiana Nikolayeva's 1986 live in London recording of Bach's Goldberg Variations is a considered, individualistic, and beautiful account. Clearly the Russian pianist has thought long and hard about the piece, and one gets the sense she knows its counterpoints as she knows her reflection in the mirror. More importantly, Nikolayeva's playing is manifestly her own, with phrasing, balances, rhythms, and accents that set the performance apart from others on record without ever seeming willful. Most importantly, her performance is beautiful in tone and sound quality, with clarity, lucidity, and luminosity that few other recordings can match. As encores, Nikolayeva includes a spirited performance of the Praeambulum from Bach's G major Partita and her own transcription of Jesu, Joy of Man's Desiring from the Cantata Herz und Tat und Mund und Leben (BWV 147). Captured in clear and lifelike stereo sound, this disc would make an excellent first or only recording of these works. © James Leonard, Rovi
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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1:11:22
Tatiana Nikolayeva Piano
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| 1 | Aria | 4:08 |
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| 2 | Variatio 1 a 1 Clav. | 1:51 |
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| 3 | Variatio 2 a 1 Clav. | 1:22 |
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| 4 | Variatio 3 a 1 Clav. Canone all'Unisono | 1:30 |
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| 5 | Variatio 4 a 1 Clav. | 0:51 |
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| 6 | Variatio 5 a 1 ovvero 2 Clav. | 1:36 |
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| 7 | Variatio 6 a 1 Clav. Canone alla Seconda | 1:27 |
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| 8 | Variatio 7 a 1 ovvero 2 Clav. | 1:10 |
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| 9 | Variatio 8 a 2 Clav. | 1:28 |
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| 10 | Variatio 9 a 1 Clav. Canone alla Terza | 1:14 |
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| 11 | Variatio 10 a 1 Clav. Fughetta | 1:45 |
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| 12 | Variatio 11 a 2 Clav. | 1:53 |
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| 13 | Variatio 12 Canone alla Quarta | 2:26 |
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| 14 | Variatio 13 a 2 Clav. | 3:53 |
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| 15 | Variatio 14 a 2 Clav. | 1:47 |
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| 16 | Variatio 15 a 1 Clav. Canone alla Quinta | 3:34 |
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| 17 | Variatio 16 a 1 Clav. Ouverture | 3:12 |
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| 18 | Variatio 17 a 2 Clav. | 1:31 |
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| 19 | Variatio 18 a 1 Clav. Canone alla Sesta | 1:53 |
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| 20 | Variatio 19 a 1 Clav. | 1:52 |
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| 21 | Variatio 20 a 2 Clav. | 1:59 |
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| 22 | Variatio 21 CAnone alla Settima | 3:50 |
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| 23 | Variatio 22 a 1 Clav. Alla breve | 1:38 |
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| 24 | Variatio 23 a 2 Clav. | 1:51 |
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| 25 | Variatio 24 a 1 Clav. Canone all'Ottava | 1:47 |
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| 26 | Variatio 25 a 2 Clav. | 5:54 |
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| 27 | Variatio 26 a 2 Clav. | 2:10 |
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| 28 | Variatio 27 a 2 Clav. Canone alla Nona | 1:32 |
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| 29 | Variatio 28 a 2 Clav. | 2:54 |
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| 30 | Variatio 29 a 1 ovvero 2 Clav. | 2:24 |
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| 31 | Variatio 30 a 1 Clav. Quodlibet | 2:19 |
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| 32 | Aria da capo | 2:41 |
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Johann Sebastian Bach ComposerPartita No.5 in G, BWV829 Work
Tatiana Nikolayeva Piano
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| 33 | 1.Praeambulum | 2:25 |
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| 34 | 10.Chorale: Jesus bleibt meine Freude (Jesu, Joy of Man's Desiring) | 3:32 |
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