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Album

Alex Shapiro: Notes from the Kelp

Alex Shapiro: Notes from the Kelp

Alex Shapiro Electronics

CD: 1
Tracks: 12
Length: 1:13:10

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Innova
Rel. 1 Jan 2007
Recorded 1999-2006

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Alex Shapiro: Notes from the Kelp West Coast composer Alex Shapiro writes that "Composing is a lot like making love. We're trying to please ourselves. We're hoping to please at least one other person. And we are, in fact, communicating. Passionately." You didn't hear this stuff from Milton Babbitt! But in fact there is a modernist component to Shapiro's music, wedded here to the nature imagery that living in California seems to inspire (all the music was composed in giddy Malibu). Her music is hard to classify—it is in no way West Coast minimalism, and each piece has a distinct idea that may be worked out to quite a level of complexity. Something is happening almost all the time, and she rarely repeats material. On the other hand, it is tonally centered, it couldn't be called difficult, and a good deal of it is flat-out fun. Hear the opening Slipping, a work for violin, harpsichord, and "very mixed" percussion in which the harpsichord imitates a worldwide variety of stringed instruments in a rollicking, upbeat ride. Most of the music on the disc, including the punningly titled string quintet Current Events, vividly depicts natural forces; Deep, the sole electronic work on the album, teams a contrabassoon and electronics in a marvelously evocative depiction of the composer's experiences scuba diving in Belize. At the Abyss, for piano and percussion, embodies a program of responses to the threat of environmental catastrophe, with three movements entitled "Observe," "Reflect," and the resolute "Act." The most serious work on the album, the solo-piano For My Father, depicts the descent into dementia of the composer's father; here again Shapiro is both emotionally immediate and capable of sustaining a structural process over a long stretch. This ought to make a good introduction to the eclectic music of the present day, which embraces audiences as resolutely as the composers of the 1960s and 1970s rejected them, and it's enough to give one hope for the contemporary music scene.

© James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1
Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
1 Slipping, for violin, harpsichord & very mixed percussion 9:34
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Dan Morris Percussion, Los Angeles Flute Quartet Ensemble, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
2 Bioplasm, for flute quartet 11:56
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15:35
Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Victoria Miskolczy Viola, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, David H. Speltz Cello, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
3 1.Surge 4:18
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4 2.Ebb 7:36
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5 3.Rip 3:41
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Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
6 For My Father, for piano 5:26
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13:48
Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Tom Burritt Vibraphone, Brice Martin Flute, Alex Shapiro Electronics
7 1.Observe 6:39
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8 2.Reflect 4:20
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9 3.Act 2:49
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Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
10 Phos Hilaron, for flute, clarinet, bassoon & piano 2:34
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Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
11 Music For Two Big Instruments, for tuba & piano 6:42
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Dan Morris Percussion, Miwako Watanabe Violin, David F. Walther Viola, David Speltz Cello, Alan Baer Tuba, Victoria Miskolszy Viola, Robin Lorentz Violin, Frank Basile Piano, Susanne Kessel Piano, Connie Kupka Violin, Peter Sheridan Flute, Kathleen McIntosh Harpsichord, Colleen Carroll Flute, Leslie Lashinsky Contrabassoon, Teresa McCollough Piano, Carolyn Beck Bassoon, Eileen Holt Helwig Flute, Bradley Haag Piano, Charles Boito Clarinet, Thomas Burritt Vibraphone, Lisa-Maree Amos Flute, Peggy Benkeser Percussion, Brice Martin Flute, Alex Shapiro Electronics
12 Deep, for contrabassoon & electronics 7:35
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