Album
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Bach: Cantatas, Vol.25: BWV78, 99, 114Masaaki Suzuki Conductor
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When it comes to Bach's Cantatas, you can depend on Masaaki Suzuki. In the previous 24 volumes of his recordings of Bach's Cantatas, Suzuki led the singers and instrumentalists of his Bach Collegium Japan in warmhearted and fully satisfying performances and Suzuki does it again in his 25th volume. As always, Suzuki's performances are thoroughly thought through and, as always, they are deeply emotional. The musicians of the Collegium perform superbly and, as always, the performance is supremely affecting.Indeed, if Suzuki's performances have a fault, it is that the performances can embody every human emotion, but they cannot transcend human emotion. For all the humanity of these performances, the listeners gets no sense of the superhuman, of the supernatural, in a work, of the sublime in Bach's Cantatas. As fully human as Suzuki and the Collegium's Bach is, it lacks the immanence of the numinous. And while one is deeply moved by these performances, one is not profoundly awed by them. BIS' sound embodies the imminence of the luminous.
© James Leonard, Rovi
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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Johann Sebastian Bach ComposerCantata No.78: Jesu, der du meine Seele (14th Sunday after Trinity), BWV78 Work
21:36
Bach Collegium Japan Orchestra Ensemble,
Bach Collegium Japan Vocal Ensemble,
Yukari Nonoshita Soprano,
Makoto Sakurada Tenor,
Masaaki Suzuki Conductor,
Peter Kooij Bass
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| 1 | 1.Chorus: Jesu, der du meine Seele | 5:23 |
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| 2 | 2.Duet (Soprano, Alto): Wir eilen mit schwachen, doch emsigen Schritten | 4:50 |
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| 3 | 3.Recitative (Tenor): Ach! ich bin ein Kind der Sünden | 2:09 |
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| 4 | 4.Aria (Tenor): Das Blut, so meine Schuld durchstreicht | 3:07 |
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| 5 | 5.Recitative (Bass): Die Wunden, Nägel, Kron und Grab | 2:15 |
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| 6 | 6.Aria (Bass): Nun du wirst mein Gewissen stillen | 2:52 |
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| 7 | 7.Chorale: Herr, ich glaube, hilf mir Schwachen | 1:00 |
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17:17
Bach Collegium Japan Orchestra Ensemble,
Bach Collegium Japan Vocal Ensemble,
Yukari Nonoshita Soprano,
Makoto Sakurada Tenor,
Masaaki Suzuki Conductor,
Peter Kooij Bass,
Daniel Taylor Countertenor
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| 8 | 1.Chorus: Was Gott tut, das ist wohlgetan | 4:43 |
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| 9 | 2.Recitative (Bass): Sein Wort der Wahrheit stehet fest | 1:12 |
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| 10 | 3.Aria (Tenor): Erschüttre dich nur nicht, verzagte Seele | 5:28 |
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| 11 | 4.Recitative (Alto): Nun, der von Ewigkeit geschloßne Bund | 1:15 |
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| 12 | 5.Aria (Duet): Wenn des Kreuzes Bitterkeiten | 3:45 |
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| 13 | 6.Chorale: Was Gott tut, das ist wohlgetan | 0:54 |
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Johann Sebastian Bach ComposerCantata No.114: Ach, lieben Christen, seid getrost (17th Sunday after Trinity), BWV114 Work
22:53
Bach Collegium Japan Orchestra Ensemble,
Bach Collegium Japan Vocal Ensemble,
Yukari Nonoshita Soprano,
Makoto Sakurada Tenor,
Masaaki Suzuki Conductor,
Peter Kooij Bass,
Daniel Taylor Countertenor
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| 14 | 1.Chorus: Ach, lieben Christen, seid getrost | 3:59 |
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| 15 | 2.Aria (Tenor): Wo wird in diesem Jammertale | 9:37 |
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| 16 | 3.Recitative (Bass): O Sünder, trage mit Geduld | 1:44 |
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| 17 | 4.Chorale (Soprano): Kein Frucht das Weizenkörnlein bringt | 1:38 |
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| 18 | 5.Aria (Alto): Du machst, o Tod, mir nun nicht ferner bange | 4:17 |
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| 19 | 6.Recitative (Tenor): Indes bedenke deine Seele | 0:46 |
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| 20 | 7.Chorale: Wir wachen oder schlafen ein | 0:52 |
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