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Bach: Cantatas, Vol.40: BWV79, 137, 164, 168Bach Collegium Japan Chorus Vocal Ensemble, Masaaki Suzuki Conductor
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Japanese historical-performance specialist Masaaki Suzuki reaches the 40th volume of his complete traversal of Bach's cantatas with this disc. The series has attained an impressive level of technical consistency, and technical ensemble precision is what Suzuki's style is all about. Start with the German pronunciation of his Bach Collegium Japan, which has been tested on native Germans and found flawless. Among the various Bach cantata series, you can think of Suzuki and John Eliot Gardiner as being at opposite ends of the spectrum, with Gardiner's humanistic readings closely connected to the text, and varying widely in style according to the text, while with Suzuki the focus is on the instruments, and even the able soloists somehow seem subsidiary to the overall effect. The distinctive moments in Suzuki come in moments of unusual texture, for example in the duet "Lobe den Herren, der künstlich und fein" from the Cantata No 137 (track 3), where Bach wrote a mysterious squiggly line above the staff, similar to those that appear in other Bach autographs but of unknown significance. Not to give anything away: what Suzuki makes of this marking is both extremely unusual and also a perfect example of something that only he could get away with. More generally, these cantatas are of the type he does best. The Cantata No. 137 and the familiar Cantata No. 79, "Gott der Herr is Sonn und Schild," BWV 79, are big pieces with several brass instruments and timpani, and absolutely nobody is better than Suzuki at clarifying textures with Baroque brass instruments, which are challenging to play to begin with. The two sonatas are nicely set against works featuring wind instruments deployed in subtly dramatic ways. Most impressive of all is the sound; the environment of the Kobe Shoin Women's University Chapel is uncannily well suited to the music and to the conductor's aims. Superb as usual, this is a good milepost disc for those starting out with Suzuki's series. © James Manheim, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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12:31
Masaaki Suzuki Conductor,
Robin Blaze Countertenor,
Toshio Shimada Corno D,
Yukari Nonoshita Soprano,
Kiyomi Suga Transverse Flute,
Bach Collegium Japan Chorus Vocal Ensemble,
Natsumi Wakamatsu Violin,
Taro Shimoda Corno D,
Makoto Sakurada Tenor,
Bach Collegium Japan Orchestra Ensemble
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| 1 | 1.Chorus: Lobe den Herren, den mächtigen König der Ehren | 3:06 |
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| 2 | 2.Aria (Alto): Lobe den Herren, der alles so herrlich regieret | 3:13 |
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| 3 | 3.Duet (Soprano, Bass): Lobe den Herren, der künstlich und fein dich bereitet | 3:01 |
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| 4 | 4.Aria and Chorale (Tenor): Lobe den Herren, der deinen Stand sichtbar gesegnet | 2:26 |
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| 5 | 5.Choral: Lobe den Herren, was in mir ist | 0:45 |
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Johann Sebastian Bach ComposerCantata No.168: Tue Rechnung! Donnerwort (9th Sunday after Trinity), BWV168 Work
12:47
Bach Collegium Japan Orchestra Ensemble,
Bach Collegium Japan Chorus Vocal Ensemble,
Makoto Sakurada Tenor,
Masaaki Suzuki Conductor,
Robin Blaze Countertenor
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| 6 | 1.Aria (Bass): Tue Rechnung! Donnerwort | 3:01 |
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| 7 | 2.Recitative (Tenor): Es ist nur fremdes Gut | 1:50 |
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| 8 | 3.Aria (Tenor): Kapital und Interessen | 3:07 |
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| 9 | 4.Recitative (Bass): Jedoch, erschrocknes Herz | 1:42 |
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| 10 | 5.Duet (Soprano, Alto): Herz, zerreiß des Mammons Kette | 2:11 |
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| 11 | 6.Chorale: Stärk mich mit deinem Freudengeist | 0:56 |
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Johann Sebastian Bach ComposerCantata No.79: Gott der Herr ist Sonn und Schild (Reformation Festival), BWV79 Work
14:03
Bach Collegium Japan Orchestra Ensemble,
Bach Collegium Japan Chorus Vocal Ensemble,
Yukari Nonoshita Soprano,
Masaaki Suzuki Conductor,
Robin Blaze Countertenor
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| 12 | 1.Chorus: Gott der Herr ist Sonn' und Schild | 4:36 |
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| 13 | 2.Aria (Contralto): Gott ist unser Sonn und Schild | 2:47 |
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| 14 | 3.Chorale: Nun danket alle Gott | 2:03 |
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| 15 | 4.Recitative (Bass): Gott lob, wir wissen den rechten Weg | 0:58 |
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| 16 | 5.Duet (Soprano, Bass): Gott ach Gott verlass die deinen nimmer mehr | 2:58 |
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| 17 | 6.Chorale: Erhalt uns in der Wahrheit | 0:41 |
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Johann Sebastian Bach ComposerCantata No.164: Ihr, dir ihr euch von Christo nennet (13th Sunday after Trinity), BWV164 Work
16:24
Bach Collegium Japan Orchestra Ensemble,
Bach Collegium Japan Chorus Vocal Ensemble,
Yukari Nonoshita Soprano,
Makoto Sakurada Tenor,
Masaaki Suzuki Conductor,
Robin Blaze Countertenor
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| 18 | 1.Aria (Tenor): Ihr, die ihr euch von Christo nennet | 4:16 |
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| 19 | 2.Recitative (Bass): Wir hören zwar, was selbst die Liebe spricht | 1:46 |
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| 20 | 3.Aria (Alto): Nur durch Lieb und durch Erbarmen | 4:17 |
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| 21 | 4.Recitative (Tenor): Ach, schmelze doch durch deinen Liebesstrahl | 1:29 |
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| 22 | 5.Duet (Soprano, Bass): Händen, die sich nicht verschließen | 3:47 |
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| 23 | 6.Chorale: Ertöt uns durch dein Güte | 0:49 |
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