Album

The Crown of Thorns is the second volume in a series of five discs by choral group the Sixteen under Harry Christophers devoted to the contents of The Eton Choirbook, an early sixteenth century manuscript that remains one of the few primary sources for late fourteenth-century English Latin service music, having escaped the purgation that was English King Henry VIII's dissolution of the monarchies. Its survival may have had something to do with the fact that this manuscript was created by musicians who were favorites of Henry VII for the cathedral in the college he founded, Eton, and perhaps Henry VIII was loath to burn a book so valued by his father. Whether or not this is true, it contains some of the finest music to survive from this place and era, and all but three of the works of John Browne—possibly the leading English composer of this generation—are contained within this one volume.

Browne figures importantly in The Crown of Thorns, a collection that draws together three settings of the Stabat mater and two English carols from the Fayrfax manuscript, another source from Henry VII's time containing vernacular sacred and secular songs once housed at King's College, Cambridge. There is a measure of dispute as to whether the "Browne" of the Cambridge carol Jesu, mercy, how may this be? is also John Browne, represented by more works than any other composer in The Eton Choirbook. However, the Sixteen throws caution to the wind and attributes both works to John Browne, though the clear winner—and strongest work overall on The Crown of Thorns—is his glorious setting of the Stabat mater, which winds its way through a range of emotions and dynamics in its 13-and-a-half minutes that would put many half-hour-long symphonies to shame. That's not to say that the other two Stabat maters—by Richard Davy and William Cornysh, the elder respectively—are not also strong, just that the Browne setting is so exceptionally superlative. The program is rounded out by Ah, gentle Jesu, one of only two pieces known by single-named composer Sheryngham.

The Crown of Thorns was first issued on the Collins Classics label in 1995, this disc disappeared for a time when Collins went under, and in 2004 it makes a more than welcome reappearance on the Coro label, a concern owned by the Sixteen. One might be surprised to find only five works on an album of fifteenth-century music and that there's not a single mass setting in sight, but these are not minor works; even the carols average out to 10 minutes in length. The Sixteen and Christophers deserve commendation for having the stamina to deliver such long works as these, let alone in the superb renderings that they are given here.

© Uncle Dave Lewis , All Music Guide

CD 1
Richard Davy Composer Stabat Mater (a5) Work The Sixteen Chorus/Choir
1	Stabat Mater (a5)	13:22			$0.99
John Browne Composer Jesu, Mercy, How May This Be? Work The Sixteen Chorus/Choir
2	Jesu, Mercy, How May This Be?	9:40			$0.99
William Cornysh Composer Stabat mater dolorosa (a5), H.xi, 137 Work The Sixteen Chorus/Choir
3	Stabat mater dolorosa (a5), H.xi, 137	17:01			$0.99
Sheryngham Composer Ah, Gentle Jesu Work The Sixteen Chorus/Choir
4	Ah, Gentle Jesu	11:00			$0.99
John Browne Composer Stabat Mater (a6) Work The Sixteen Chorus/Choir
5	Stabat Mater (a6)	13:31			$0.99