Album
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Bright Orb of Harmony: Choral Works by Purcell and MacMillanSixteen Choir Chorus/Choir
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The Sixteen have had phenomenal success with their precise yet agreeable choral singing, especially in their native Britain; this release carries a strip billing the group as "the voices of Classic FM," the crossover network that has, depending on whom you ask, either saved classical music in Britain or destroyed it. Of course the truth is somewhere in between. The program here is innovative and sticks in your head—for this the Sixteen and director Harry Christophers deserve credit. The combination of short choral pieces by Henry Purcell and by contemporary composer James MacMillan is meant to assert some kind of gauzy continuity in British music. It works, but only with a bit of sleight of hand: Christophers makes Purcell sound quite a bit like MacMillan, whose extended harmonies are characteristic of contemporary choral repertoire. His music fits the Sixteen well, as recognized by commissioning the motet O bone Jesu; here the group explores his music in greater depth, including the powerful A Child's Prayer (track 8). This work originally commemmorated the Dunblane school massacre of 1996, and, tragically, it has lost none of its relevance. But it's the Purcell performances here that are really unusual. The Sixteen apply their sweet sound to every dissonance in the music, and this approach reveals just how many of them there are. That in turn links the music back to MacMillan. It all hangs together, and it's remarkably effective even if, for some, it may be just a bit artificial, especially with booklet notes that attempt to convince you that you're being religious when you listen to music whether you realize it or not. © James Manheim, Rovi
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| 1 | Jehova, quam multi sunt, sacred song for tenor, bass, chorus and continuo, Z.135 | 6:17 | $0.99 | |||
Henry Purcell ComposerMiserere Mei (canon a4), Z.109 Work |
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| 2 | Miserere Mei (canon a4), Z.109 | 1:14 | $0.99 | |||
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| 3 | Remember not, Lord, our offences, for chorus and organ, Z.50 (anthem) | 3:02 | $0.99 | |||
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Harry Christophers Conductor,
Eamon Dougan Bass,
Sixteen Choir Chorus/Choir,
Elin Manahan Thomas Soprano
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| 4 | Beati omnes, for soprano, bass, chorus and continuo, Z.131 (hymn) | 4:39 | $0.99 | |||
James MacMillan ComposerO bone Jesu, for a cappella chorus Work
Mark Dobell Tenor,
Harry Christophers Conductor,
Ben Davies Bass,
Kirsty Hopkins Alto,
Sixteen Choir Chorus/Choir,
Elin Manahan Thomas Soprano
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| 5 | O bone Jesu, for a cappella chorus | 10:14 | $0.99 | |||
Henry Purcell ComposerLet mine eyes run down with tears, for soloists, chorus and organ, Z.24 (anthem) Work
Mark Dobell Tenor,
Harry Christophers Conductor,
Eamon Dougan Bass,
Sixteen Choir Chorus/Choir,
Simon Berridge Tenor
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| 6 | Let mine eyes run down with tears, for soloists, chorus and organ, Z.24 (anthem) | 8:17 | $0.99 | |||
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| 7 | Mitte manum tuam, motet for chorus (Strathclyde Motet) | 3:14 | $0.99 | |||
James MacMillan ComposerA Child's Prayer, for treble, chorus & organ Work
Harry Christophers Conductor,
Kirsty Hopkins Soprano,
Sixteen Choir Chorus/Choir,
Grace Davidson Soprano
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| 8 | A Child's Prayer, for treble, chorus & organ | 3:59 | $0.99 | |||
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| 9 | Sedebit Dominus Rex, motet for chorus (Strathclyde Motet) | 4:28 | $0.99 | |||
Henry Purcell ComposerO dive custos Auriacae domus (On the death of Queen Mary), for 2 sopranos and continuo, Z.504 Work
Charlotte Mobbs Soprano,
Harry Christophers Conductor,
Sixteen Choir Chorus/Choir,
Grace Davidson Soprano
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| 10 | O dive custos Auriacae domus (On the death of Queen Mary), for 2 sopranos and continuo, Z.504 | 7:07 | $0.99 | |||
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| 11 | 1.Man that is born of a woman | 2:41 | $0.99 | |||
| 12 | 2.In the midst of life | 4:41 | $0.99 | |||
| 13 | 3.Thou knowest, Lord | 4:04 | $0.99 | |||
| 14 | 3.Thou knowest, Lord | 2:06 | $0.99 | |||









