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Claudio Monteverdi: Ottavo Libra dei Madrigali: Madrigali Guerrieri et Amorosi

Claudio Monteverdi: Ottavo Libra dei Madrigali: Madrigali Guerrieri et Amorosi

La Venexiana Chorus/Choir

CDs: 3
Tracks: 24
Length: 3:13:22

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Glossa
Rel. 1 Jan 2005
Recorded 2004-2005

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Claudio Monteverdi: Ottavo Libra dei Madrigali: Madrigali Guerrieri et Amorosi Claudio Monteverdi's late works, like those of Beethoven, contain singular mixtures of simplicity and complexity. Book Eight of his madrigals are about love and war, themes as elemental as they come. Yet consider the madrigal Ogni amante è guerrier (Every Lover is a Warrior, track 6 on the first CD of this set), with its text by Ottavio Rinuccini that subtly conflates the two ideas. Monteverdi's setting, for a low voice, is moody, involved, and philosophical. The Italian early Baroque specialist group La Venexiana plays up these traits with a slow tempo that stretches the work out to nearly a 15-minute length. The later Monteverdi madrigals, for solo voice or voices and the continuo, lend themselves to a variety of interpretations, and there are several good recordings despite the demands of the music. La Venexiana's readings are restrained, with eyes cast backward toward the intellectual qualities of the Renaissance madrigal. The churning instrumental work and vocal fireworks heard in many Monteverdi performances are almost completely absent. Tempos are slow throughout, and this set is the better part of an hour longer than the René Jacobs recording. If pieces like the famed Combattimento di Tancredi e Clorind seem to lack the proper level of intensity, the lovingly detailed Lamento della Ninfa (CD 3, track 3) and many of the more arcane pieces have an intense, hypnotic effect. Perhaps the best way to think about this recording is to imagine it as chamber-sized and madrigal-esque, while those by Jacobs and Rinaldo Alessandrini and Jacobs are garden-sized and operatic. Monteverdi works either way, but this is the set to have if you are deeply into Monteverdi and want to contemplate the mysteries of his career at two in the morning.

© James Manheim, Rovi
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
AMG
CD 1 of 3
1 1a.Sinfonia 0:46
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2 1b.Altri canti d'Amor 10:04
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3 Hor ch'el ciel e la terra, madrigal for 6 voices and 2 violins, SV147 10:11
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4 Gira il nemico insidioso (a3), SV148 5:52
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Roberta Mameli Soprano, Nadia Ragni Soprano, Giovanni Cantarini Tenor, Claudio Cavina Countertenor, Sandro Naglia Tenor, Giuseppe Maletto Tenor, Gabriele Palomba Theorbo, Marta Graziolino Harp, Alena Dantcheva Soprano, Fabio Bonizzoni Harpsichord, Mario Cecchetti Tenor, La Venexiana Chorus/Choir, Emanuela Galli Soprano, Matteo Bellotto Bass, Daniele Carnovich Bass
5 Se vittorie si belle, SV149 3:01
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Roberta Mameli Soprano, Nadia Ragni Soprano, Giovanni Cantarini Tenor, Claudio Cavina Countertenor, Sandro Naglia Tenor, Giuseppe Maletto Tenor, Gabriele Palomba Theorbo, Marta Graziolino Harp, Alena Dantcheva Soprano, Fabio Bonizzoni Harpsichord, Mario Cecchetti Tenor, La Venexiana Chorus/Choir, Emanuela Galli Soprano, Matteo Bellotto Bass, Daniele Carnovich Bass
6 Ogni amante è guerrier, SV151 14:50
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7 Combattimento di Tancredi e Clorinda, dramatic cantata, SV153 25:14
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CD 2 of 3
1 Ardo, avvampo, mi struggo, for 8 voices and 2 violins, SV152 4:31
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2 Armato il cor d'adamantina fede, for 2 tenors, SV150 2:53
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3 1.Volgendo il ciel 5:40
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4 2.Movete al mio bel suon 4:48
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5 Altri canti di Marte, for 6 voices and 2 violins, SV155 9:03
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6 Vago augelletto che cantando vai 5:20
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7 Mentre vaga Angioletta, madrigal for 2 tenors and continuo, SV157 10:12
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8 Ardo e scoprir, ahi lasso, for 2 tenors, SV158 4:06
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9 Dolcissimo uscignolo (a5), SV161 3:28
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CD 3 of 3
1 Chi vol haver felice e lieto il core (a5), SV162 2:24
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Roberta Mameli Soprano, Nadia Ragni Soprano, Giovanni Cantarini Tenor, Claudio Cavina Countertenor, Sandro Naglia Tenor, Giuseppe Maletto Tenor, Gabriele Palomba Theorbo, Marta Graziolino Harp, Alena Dantcheva Soprano, Fabio Bonizzoni Harpsichord, Mario Cecchetti Tenor, La Venexiana Chorus/Choir, Emanuela Galli Soprano, Matteo Bellotto Bass, Daniele Carnovich Bass
2 O sia tranquillo il mare, SV159 4:22
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Roberta Mameli Soprano, Nadia Ragni Soprano, Giovanni Cantarini Tenor, Claudio Cavina Countertenor, Sandro Naglia Tenor, Giuseppe Maletto Tenor, Gabriele Palomba Theorbo, Marta Graziolino Harp, Alena Dantcheva Soprano, Fabio Bonizzoni Harpsichord, Mario Cecchetti Tenor, La Venexiana Chorus/Choir, Emanuela Galli Soprano, Matteo Bellotto Bass, Daniele Carnovich Bass
3 Lamento della Ninfa, SV163 8:35
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4 Ninfa che scalza il piede, for solo voice, SV160 5:32
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5 Perchè t'en fuggi, o Fillide?, SV164 5:49
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Roberta Mameli Soprano, Nadia Ragni Soprano, Giovanni Cantarini Tenor, Claudio Cavina Countertenor, Sandro Naglia Tenor, Giuseppe Maletto Tenor, Gabriele Palomba Theorbo, Marta Graziolino Harp, Alena Dantcheva Soprano, Fabio Bonizzoni Harpsichord, Mario Cecchetti Tenor, La Venexiana Chorus/Choir, Emanuela Galli Soprano, Matteo Bellotto Bass, Daniele Carnovich Bass
6 Non partir, ritrosetta, SV165 4:11
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7 Su, su, su, pastorelli vezzosi, SV166 2:44
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Roberta Mameli Soprano, Nadia Ragni Soprano, Giovanni Cantarini Tenor, Claudio Cavina Countertenor, Sandro Naglia Tenor, Giuseppe Maletto Tenor, Gabriele Palomba Theorbo, Marta Graziolino Harp, Alena Dantcheva Soprano, Fabio Bonizzoni Harpsichord, Mario Cecchetti Tenor, La Venexiana Chorus/Choir, Emanuela Galli Soprano, Matteo Bellotto Bass, Daniele Carnovich Bass
8 Il ballo delle ingrate 39:46
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