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Bassoon Concertos: Villa-Lobos, Hindemith, Jolivet, Gubaidulina

Bassoon Concertos: Villa-Lobos, Hindemith, Jolivet, Gubaidulina

Sergio Azzolini Bassoon

CD: 1
Tracks: 13
Length: 1:09:34

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Capriccio
Rel. 1 Jan 2005
Recorded 2004

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Bassoon Concertos: Villa-Lobos, Hindemith, Jolivet, Gubaidulina This collection of four modern concertos for bassoon may appeal to teachers and students of the instrument, but few others will be drawn to this album by Sergio Azzolini and the Kammerakademie Potsdam. Not that the soloist or the orchestra are in any way at fault; to the contrary, the performances are all top-notch, and Azzolini is clearly a tremendously skilled bassoonist with a marvelous tone; and the accompaniment he receives is well-balanced and wonderfully shaded. The problem seems to lie instead with the composers, who have found in the bassoon few expressive options, and essentially written utility pieces with little to recommend them beyond practical use. Paul Hindemith's bone-dry Concerto for trumpet, bassoon and string orchestra (1949-1952) is the most obvious piece of Gebrauchsmusik, but Heitor Villa-Lobos' chortling Ciranda das sete notas (1933) is only marginally more colorful and engaging. André Jolivet's Concerto for bassoon, harp, piano and string orchestra (1954) is unpredictable and quirky, but it seems to meander and lose its center, particularly in the bassoon's weak role within the trio. Sofiya Gubaydulina's Concerto for bassoon and low strings (1975) is dark and brooding, and definitely the most striking in exploiting the bassoon's sinister bottom register; but this ominous work is perhaps of most interest to Gubaydulina's devoted followers, and may be less appealing to a general audience. Capriccio's sound is excellent.

© Blair Sanderson, All Music Guide
Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.
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CD 1
1 Ciranda das sete notas ('Dance in Seven Notes'), for bassoon and strings, A.325 11:30
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2 1.Allegro spiritoso 6:28
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3 2.Molto Adagio. Allegro pesante 8:18
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4 3.Vivace 1:38
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5 1a.Recitativo 2:56
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6 1b.Allegro Gioviale 4:09
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7 2a.Largo cantabile 3:43
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8 2b.Fugato 3:23
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9 1.Quarter note = 84 10:26
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10 2.Quarter note = 60 3:24
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11 3.Fünf. Eighth note = 60 5:34
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12 4.Rubato, mesto. Quarter note = 60 4:03
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13 5.Half note = 72 4:02
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