Composer
Wilhelm Stenhammar (1871-1927); SWE
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Stenhammar was a Swedish pianist and self-taught composer and conductor. His compositions began as typically late Romantic fare but evolved through three periods. In the first, his primary influences were Liszt, Brahms, and Wagner, but the music is imbued with a Nordic sound without specifically quoting Swedish folk song. His early operas Gildet på Solhaug (1892-1893) and Tirfing (1897-1898), although unsuccessful, were the pinnacles of this period. Stenhammar's second period began as he attempted to create a more concentrated and motivically oriented style, modeled on the great classicists Beethoven, Haydn, and Mozart. In spite of this, the music of this period loses none of its Nordic color. His brilliant cantata Ett folk (1904-1905) and the frequently played Second Piano Concerto are the most representative. Beginning in 1909, perhaps feeling his lack of training was detrimental to further development, Stenhammar engaged upon a nine-year course in strict counterpoint. The fruit of this study resulted in his last period, where the music becomes more contrapuntally and modally oriented, particularly in the last two of his six string quartets. Yet at the same time, his larger works, such as the orchestral Serenade and the Second Symphony, lose nothing of the earlier freshness and inspiration that make Stenhammar's music so attractive.
Stenhammar's early years were spent surrounded by culture, although he never undertook formal training except in piano. By 1900, he had established himself as a pianist, eventually giving over 1,000 concerts all over Sweden. He had also debuted as a conductor in 1897 with his own overture Excelsior!, and eventually went on to direct the Stockholm Philharmonic Society, the Royal Opera, the New Philharmonic Society, and the Göttesborgs Orkesterförening. Stenhammar eventually became one of the most important Scandinavian musicians of his era, and his compositions, including many songs, choral works, chamber and solo pieces, and theater and orchestral works represent the best music out of turn-of-the-century Sweden.
© Steven Coburn, All Music Guide
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Stenhammar was a Swedish pianist and self-taught composer and conductor. His compositions began as typically late Romantic fare but evolved... More
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Vocal Works
110 tracks
- Flickan kom ifrån sin älskings möte, for voice & piano
3 tracks
- Songs (5) of Bo Bergman, for voice & piano, Op.20
2 tracks
- Ett folk, for voice & orchestra Op.22
2 tracks
- Songs (4) for voice & piano, Op.16
2 tracks
- I Skogen
3 tracks
- Florez och Blanzeflor for voice & orchestra, Op.3
4 tracks
- Ithaca for baritone & orchestra, Op.21
3 tracks
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Choral Works
25 tracks
- Sången (The Song), cantata for voice, chorus and orchestra, Op.44
10 tracks
- I Seraillets Have, for chorus (from Tre körvisor)
2 tracks
- September, for chorus (from Tre körvisor)
2 tracks
- Snöfrid for soprano, mezzo-soprano, tenor, violin, chorus & orchestra, Op.5
2 tracks
- Midwinter for chorus & orchestra, Op.24 ("Swedish Rhapsody")
2 tracks
- Havde jeg, o havde jeg en Datterson, o ja, for chorus (from Tre körvisor)
1 track
- Three Choral Ballads
6 tracks
- Sången (The Song), cantata for voice, chorus and orchestra, Op.44
- Vandraren (The Wanderer), song for voice & piano, Op.26, No.1
2 tracks
- Det far ett Skepp ('A Ship Is Sailing') Op.26, No.5
3 tracks
- Jungfru Blond Och Jungfru Brunett (Miss Blonde and Miss Brunnette), song for voice & piano, Op.26, No.4
3 tracks
- En strandvisa (A Seaside Song), for voice & piano, Op.26, No.9
2 tracks
- I Lönnens Skymning (In the Maple's Shade), song for voice & piano
1 track
- Jutta Comes to the Volkungs
1 track
- Lycklandsresan for voice & piano
2 tracks
- Prins Aladin av Lampan, for voice & piano
2 tracks
- Thoughts of Solitude, Op.7: No.1, Där innerst i min ande (Within My Soul)
1 track
- Thoughts of Solitude, Op.7: No.2, I enslighet försvinna (In Loneliness My Years Pass By)
1 track
- Thoughts of Solitude, Op.7: No.3, Min stamfar hade en stor pokal (My Ancestor Had a Large Goblet)
1 track
- Thoughts of Solitude, Op.7: No.4, Kom, vänner, lät oss sätta oss (Come, Friends, Let Us Sit Down)
1 track
- Thoughts of Solitude, Op.7: No.5, I Rom, i Rom, dit ung jag kom (In Rome When I Was Young)
1 track
- Thoughts of Solitude, Op.7: No.6, Du söker ryktbarhet (You Seek Fame)
1 track
- Thoughts of Solitude, Op.7: No.7, De hade mig kär (You Loved Me)
1 track
- Songs, Op.8: No.1, Lutad mot gärdet (Leaning on the Fence)
1 track
- Songs, Op.8: No.2, Dottern sade till sin gamla moder (The Daughter Said to her Old Mother)
1 track
- Songs, Op.8: No.3, Den tidiga sorgen (Early Sorrow)
1 track
- Songs, Op.8: No.4, Till en ros (To a Rose)
1 track
- Songs, Op.8: No.5, Behagen (Delights)
1 track
- Swedish Songs, Op.16: No.1, Låt oss dö unga (Let Us Die Young)
1 track
- Swedish Songs, Op.16: No.2, Guld och gröna skogar (Gold and Forests Green)
1 track
- Swedish Songs, Op.16: No.3, Ingalill
1 track
- Swedish Songs, Op.16: No.4, Fylgia
2 tracks
- Songs (5) of Bo Bergman, Op.20: No.1, Stjärnöga (Stareye)
1 track
- Songs (5) of Bo Bergman, Op.20: No.2, Vid fönstret (At the Window)
1 track
- Songs (5) of Bo Bergman, Op.20: No.3, Gammal Nederländare (Ancient Dutchman)
1 track
- Songs (5) of Bo Bergman, Op.20: No.4, Månsken (Moonlight)
1 track
- Songs (5) of Bo Bergman, Op.20: No.5, Adagio
1 track
- Late Harvest (Op. posth.): No.1, Var välsignad, milda ömsinthet (Be Blessed, Tender-heartedness)
1 track
- Late Harvest (Op. posth.): No.2, Tröst (Comfort)
1 track
- Late Harvest (Op. posth.): No.3, Klockan (The Bell)
1 track
- Late Harvest (Op. posth.): No.4, Människornas ögon (Human Eyes)
1 track
- Late Harvest (Op. posth.): No.5, Hjärtat (The Heart)
1 track
- Flickan Knyter I Johannenatten for voice & piano
1 track
- Sverige, Op.22, No.2
1 track
- Månsken for voice & piano
1 track
- Songs and Moods, Op.26
7 tracks
- Junge Liebe, einige Lieder aus Heinrich Heines "Buch der Lieder", for voice & piano
9 tracks
- Visor och Stämningar (Songs and Moods), for voice & piano, Op.26
3 tracks
- Sverige, for voice & piano, Op.22, No.2
1 track
- Flickan kom ifrån sin älskings möte, for voice & piano
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Orchestral Works
121 tracks
- Concertos
47 tracks
- 2 Sentimental Romances for Violin and Orchestra, Op.28
12 tracks
- Piano Concerto No.1 in Bb-, Op.1
16 tracks
- Piano Concerto No.2 in D-, Op.23
19 tracks
- 2 Sentimental Romances for Violin and Orchestra, Op.28
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Symphonies
25 tracks
- Symphony No.3
1 track
- Symphony No.2 in G-, Op.34
16 tracks
- Symphony No.1 in F
8 tracks
- Symphony No.3
- Excelsior!, symphonic overture, for orchestra, Op.13
4 tracks
- Serenade for orchestra in F, Op.31
28 tracks
- Lodolezzi sjunger, suite from the incidental music, Op.39
3 tracks
- Chitra, incidental music, Op.43
10 tracks
- Lodelezzi Sings, incidental music, Op.39
3 tracks
- Prélude and Bourrée, for orchestra
1 track
- Concertos
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Piano Works
66 tracks
- Fantasies (3) for piano, Op.11
13 tracks
- Late Summer Nights (Sensommarnätter), for piano, Op.33
17 tracks
- Impromptu for piano in Gb
3 tracks
- Small Pieces (3) for piano
6 tracks
- Piano Sonata No.4 in G-
8 tracks
- Intermezzo for piano
1 track
- Impromptu-Waltz
1 track
- Allegro con moto ed appassionato
1 track
- Piano Sonata No.1 in C
4 tracks
- Fantasie for piano in A-
1 track
- Piano Sonata No.2 in C-
3 tracks
- Piano Sonata No.3 in Ab, Op.12
8 tracks
- Fantasies (3) for piano, Op.11
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Chamber Works
30 tracks
- Sonata for violin & piano in A-, Op.19
3 tracks
- Allegro ma non tanto in A for violin, cello & piano
1 track
- Allegro brillante in Eb
1 track
- String Quartet No.4 in A, Op.25
8 tracks
- String Quartet No.3 in F, Op.18
9 tracks
- String Quartet No.5 in C, Op.29, 'Serenade'
4 tracks
- String Quartet No.6 in D-, Op.35
4 tracks
- Sonata for violin & piano in A-, Op.19
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