Composer
Béla Bartók (1881-1945); HUN
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Through his far-reaching endeavors as composer, performer, educator, and ethnomusicolgist, Béla Bartók emerged as one of the most forceful and influential musical personalities of the twentieth century. Born in Nagyszentmiklós, Hungary (now Romania), on March 25, 1881, Bartók began his musical training with piano studies at the age of five, foreshadowing his lifelong affinity for the instrument. Following his graduation from the Royal Academy of Music in 1901 and the composition of his first mature works—most notably, the symphonic poem Kossuth (1903)—Bartók embarked on one of the classic field studies in the history of ethnomusicology. With fellow countryman and composer Zoltán Kodály, he traveled throughout Hungary and neighboring countries, collecting thousands of authentic folk songs. Bartók's immersion in this music lasted for decades, and the intricacies he discovered therein, from plangent modality to fiercely aggressive rhythms, exerted a potent influence on his own musical language.
In addition to his compositional activities and folk music research, Bartók's career unfolded amid a bustling schedule of teaching and performing. The great success he enjoyed as a concert artist in the 1920s was offset somewhat by difficulties that arose from the tenuous political atmosphere in Hungary, a situation exacerbated by the composer's frank manner. As the specter of fascism in Europe in the 1930s grew ever more sinister, he refused to play in Germany and banned radio broadcasts of his music there and in Italy. A concert in Budapest on October 8, 1940, was the composer's farewell to the country which had provided him so much inspiration and yet caused him so much grief. Days later, Bartók and his wife set sail for America.
In his final years Bartók was beleaguered by poor health. Though his prospects seemed sunnier in the final year of his life, his last great hope—to return to Hungary—was dashed in the aftermath of World War II. He died of leukemia in New York on September 26, 1945. The composer's legacy included a number of ambitious but unrealized projects, including a Seventh String Quartet; two major works, the Viola Concerto and the Piano Concerto No. 3, were completed from Bartók's in-progress scores and sketches by his pupil, Tibor Serly.
From its roots in the music he performed as a pianist—Mozart, Beethoven, Chopin, Brahms—Bartók's own style evolved through several stages into one of the most distinctive and influential musical idioms of the first half of the twentieth century. The complete assimilation of elements from varied sources—the Classical masters, contemporaries like Debussy, folk songs—is one of the signal traits of Bartók's music. The polychromatic orchestral textures of Richard Strauss had an immediate and long-lasting effect upon Bartók's own instrumental sense, evidenced in masterpieces such as Music for Strings, Percussion, and Celesta (1936) and the Concerto for Orchestra (1945). Bartók demonstrated an especial concern with form in his exploitation and refinement of devices like palindromes, arches, and proportions based on the "golden section." Perhaps above all other elements, though, it is the ingenious application of rhythm that gives Bartók's music its keen edge. Inspired by the folk music he loved, Bartók infused his works with asymmetrical, sometimes driving, often savage, rhythms, which supply violent propulsion to works such as Allegro barbaro (1911) and the Sonata for Two Pianos and Percussion (1937). If a single example from Bartók's catalogue can be regarded as representative, it is certainly the piano collection Mikrokosmos (1926-1939), originally intended as a progressive keyboard primer for the composer's son, Peter. These six volumes, comprising 153 pieces, remain valuable not only as a pedagogical tool but as an exhaustive glossary of the techniques—melodic, harmonic, rhythmic, formal—that provided a vessel for Bartók's extraordinary musical personality.
© Michael Rodman, All Music Guide
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Through his far-reaching endeavors as composer, performer, educator, and ethnomusicolgist, Béla Bartók emerged as one of the most forceful and... More
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Stage Works
292 tracks
- Duke Bluebeard's Castle, Op.11, BB62 (opera)
138 tracks
- The Miraculous Mandarin, Op.19, BB82 (pantomime)
124 tracks
- The Wooden Prince, Op.13, BB74
30 tracks
- Duke Bluebeard's Castle, Op.11, BB62 (opera)
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Piano Works
1,653 tracks
- Piano Works based on Folk Music
443 tracks
- 3 Hungarian Folk Tunes, BB80b, Sz.66
10 tracks
- 3 Hungarian Folksongs from Csík (Három Csík megyei népdal), BB45b, Sz.35a
9 tracks
- 15 Hungarian Peasant Songs, BB79, Sz.71
124 tracks
- 8 Improvisations on Hungarian Peasant Songs, Op.20, BB83, Sz.74
82 tracks
- Romanian Christmas Carols, 20 pieces in 2 series, BB67, Sz.57
28 tracks
- 2 Romanian Dances, Op.8a, BB56
16 tracks
- Román népi táncok (6 Romanian Folk Dances), BB68, Sz.56
127 tracks
- 3 Rondos on Slovak Folktunes, BB92, Sz.84
13 tracks
- Sonatina (on Romanian folk tunes), BB69, Sz.55
33 tracks
- Sonatina over themes of peasants from Transsylvania
1 track
- 3 Hungarian Folk Tunes, BB80b, Sz.66
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Other Piano Works
1,210 tracks
- Allegro barbaro, BB63, Sz.49
13 tracks
- Andante
1 track
- 14 Bagatelle, Op.6, BB50
58 tracks
- 3 Burlesques, Op.8c, BB55, Sz.47
17 tracks
- Dance Suite (Táncszvit), BB86b, Sz.77 (arr. from orchestral score)
25 tracks
- 4 Dirges (Négy siratóének), Op.9a, BB58, Sz.45
21 tracks
- 10 Easy Pieces (Tiz könnyu zongoradarab), BB51, Sz.39
39 tracks
- 2 Elegies (Két elégia), Op.8b, BB49, Sz.41
10 tracks
- En plein air
5 tracks
- First Term at the Piano (Kezdok zongoramuzsikáya), BB66, Sz.53
20 tracks
- For Children (Gyermekeknek): 85 Teaching Pieces in 4 volumes, BB53, Sz.42
228 tracks
- 9 Little Piano Pieces (Kilenc kis zongoradarab), BB90, Sz.82
28 tracks
- Mikrokosmos: 153 Progressive Piano Pieces in 6 volumes, BB105, Sz.107
511 tracks
- Out of Doors (Szabadban), BB89
63 tracks
- Petite Suite (arranged from 44 Violin Duos 28, 38, 43, 16, 36, and 32), BB113, Sz.105
18 tracks
- Petits morceaux, for piano, BB38
2 tracks
- Piano Concerto No.1 (arr. for 2 pianos by Bartók), Sz.83, BB91
3 tracks
- 4 Piano Pieces, BB27, DD71
12 tracks
- Piano Sonata, BB88
37 tracks
- Piano Sonata, DD51 (lost)
4 tracks
- 7 Pieces from Mikrokosmos, for 2 pianos, Sz.108, BB120
14 tracks
- Rhapsody, Op.1, BB36a, Sz.26
5 tracks
- 7 Sketches, Op.9b, BB54
21 tracks
- 3 Studies (Etudök), Op.18, BB81, Sz.72
9 tracks
- Suite for Piano, Op.14, BB70, Sz.62
46 tracks
- Allegro barbaro, BB63, Sz.49
- Piano Works based on Folk Music
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Orchestral Works
735 tracks
- Concertos
391 tracks
- Concerto for 2 Pianos, Percussion, and Orchestra, BB121, Sz.115
9 tracks
- Concerto for Orchestra, BB123, Sz.116
139 tracks
- Concerto for Orchestra, BB127, Sz.116
5 tracks
- Hungarian Peasant Songs, for flute and string orchestra (arr. by Bartók from piano works), Sz.97, BB107
14 tracks
- Piano Concerto No.1 in A, BB91, Sz.83
36 tracks
- Piano Concerto No.2 in G, BB101, Sz.95
44 tracks
- Piano Concerto No.3 in E, BB127, Sz.119 (completed by Tibor Serly)
36 tracks
- Rhapsody for Piano and Orchestra, Op.1, BB36b, Sz.27
4 tracks
- Rhapsody for Violin and Orchestra No.1, BB94b, Sz.87
4 tracks
- Two Portraits, for violin and orchestra, Op.5, BB48b, Sz.37
8 tracks
- Viola Concerto, BB128, Sz.120 (completed in 1949 by Tibor Serly)
39 tracks
- Violin Concerto No.1, BB48a, Sz.36
14 tracks
- Violin Concerto No.2 in B-, BB117, Sz.112
39 tracks
- Concerto for 2 Pianos, Percussion, and Orchestra, BB121, Sz.115
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Other Orchestral Works
344 tracks
- Dance Suite (Táncszvit), BB86a, Sz.77
53 tracks
- Divertimento for String Orchestra, BB118
45 tracks
- Hungarian Peasant Songs (Magyar parasztdalok), BB107, Sz.100
5 tracks
- Hungarian Sketches (Magyar képek), BB103, Sz.97
30 tracks
- Kossuth, BB31, Sz.21
5 tracks
- Music for Strings, Percussion and Celesta, BB114, Sz.106
76 tracks
- 4 Orchestral Pieces, Op.12, BB64, Sz.51
8 tracks
- 2 Pictures (Két kép), Op.10, BB59, Sz.46
8 tracks
- 2 Portraits (2 Portre), Op.5, BB48b
4 tracks
- Romanian Dance (Román tánc), BB61, Sz.47a
2 tracks
- 7 Romanian Folk Dances (Román népi táncok), BB76
47 tracks
- Suite for Orchestra No.2, Op.4, BB40, Sz.34
8 tracks
- The Miraculous Mandarin, Op.19a, BB82, Sz.73a (suite from pantomime)
29 tracks
- The Wooden Prince, Op.13, BB74, Sz.60 (suite from ballet)
15 tracks
- Transylvanian Dances (arranged from Sonatina), BB102b, Sz.96
9 tracks
- Dance Suite (Táncszvit), BB86a, Sz.77
- Concertos
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Chamber Works
597 tracks
- String Quartets
244 tracks
- String Quartet No.1 in A-, Op.7, BB52, Sz.40
24 tracks
- String Quartet No.2 in A-, Op.17, BB75, Sz.67
28 tracks
- String Quartet No.3 in C#, BB93, Sz.85
32 tracks
- String Quartet No.4 in C, BB95
63 tracks
- String Quartet No.5 in Bb, BB110, Sz.102
52 tracks
- String Quartet No.6 in D, BB119, Sz.114
45 tracks
- String Quartet No.1 in A-, Op.7, BB52, Sz.40
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Other Chamber Works
353 tracks
- Albumblatt, for violin and piano, BB26b
2 tracks
- Contrasts, for clarinet, violin, and piano, BB116
35 tracks
- Duo (canon) for 2 violins, without opus; without Sz.
1 track
- 44 Duos for 2 violins, Volumes 1-4, BB104, Sz.98
147 tracks
- Hungarian Folk Tunes, for violin and piano (arr. by J.Szigeti from 'For Children')
7 tracks
- Piano Quintet, BB33
4 tracks
- Rhapsody for Cello and Piano, BB94c, Sz.88
2 tracks
- Rhapsody for Violin and Piano No.1, BB94a, Sz.86
21 tracks
- Rhapsody for Violin and Piano No.2, BB96a, Sz.89
10 tracks
- Sonata for 2 Pianos and 2 Percussion, BB115, Sz.110
39 tracks
- Sonata for Violin Solo, BB124, Sz.117 (edited by Yehudi Menhuin)
41 tracks
- Violin Sonata in E-, BB28
6 tracks
- Violin Sonata No.1 in C#-, Op.21, BB84, Sz.75
21 tracks
- Violin Sonata No.2 in C, BB85, Sz.76
17 tracks
- Albumblatt, for violin and piano, BB26b
- String Quartets
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Vocal Works
34 tracks
- Choral Works
20 tracks
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Solo Vocal Works
14 tracks
- Falun: Village Scenes, BB87a, Sz.78
5 tracks
- 4 Slovakian Folksongs, BB46, Sz.35b
4 tracks
- 5 Songs (Ot dal), BB72, Sz.63, Op.16
5 tracks
- Falun: Village Scenes, BB87a, Sz.78
- Choral Works
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Solo Piano Transcriptions
14 tracks
- Della Ciaia
4 tracks
- Ciaia Sonata in G
4 tracks
- Ciaia Sonata in G
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Frescobaldi
2 tracks
- Toccata in G
1 track
- Fugue in G-, for organ and strings (trans. piano)
1 track
- Toccata in G
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Marcello
4 tracks
-
Rossi
3 tracks
- Toccata No.1 for keyboard
1 track
- Toccata No.2 for keyboard
1 track
- Tre Correnti
1 track
- Toccata No.1 for keyboard
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Zipoli
1 track
- Pastorale for keyboard in C
1 track
- Pastorale for keyboard in C
- Della Ciaia
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Piano Works
1 track
- Piano Works based on Folk Music
1 track
- 2 Romanian Dances, Op.8a, BB56
1 track
- 2 Romanian Dances, Op.8a, BB56
- Piano Works based on Folk Music
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Orchestral Works
2 tracks
- Concertos
1 track
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Other Orchestral Works
1 track
- Concertos
-
Chamber Works
2 tracks
-
Other Chamber Works
2 tracks
-
Other Chamber Works
Below are works by B.Bartók that every music lover should explore:
- Stage Works
- Duke Bluebeard's Castle, Op.11, BB62 (opera)
138 tracks
- Duke Bluebeard's Castle, Op.11, BB62 (opera)
- Piano Works
- Orchestral Works
- Chamber Works
- String Quartet No.1 in A-, Op.7, BB52, Sz.40
24 tracks
- String Quartet No.2 in A-, Op.17, BB75, Sz.67
28 tracks
- String Quartet No.3 in C#, BB93, Sz.85
32 tracks
- String Quartet No.4 in C, BB95
63 tracks
- String Quartet No.5 in Bb, BB110, Sz.102
52 tracks
- String Quartet No.6 in D, BB119, Sz.114
45 tracks
- String Quartet No.1 in A-, Op.7, BB52, Sz.40



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