Composer
Leonard Bernstein (1918-1990); USA
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As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century who truly changed the face of music. As a composer, Bernstein left a far-reaching legacy that includes three symphonies, a film score of singular distinction, (On the Waterfront), and an important body of stage works, including one of the cornerstones of American musical theater, West Side Story (1957). The first American-born conductor to attain international superstardom, Bernstein made a profound impression on audiences; his podium manner was dynamic, even flamboyant, to an extent never before witnessed. Bernstein's extroverted manner attracted much criticism from those who dismissed him as a mere exhibitionist; his advocates, however, far outnumbered his detractors. Born in Lawrence, MA, Bernstein made his mark first as a composer. He attended Harvard University, where he studied with Walter Piston among other distinguished figures. Occasionally he wrote popular songs on the side using the pseudonym Lenny Amber ("amber" being the English translation of the word "Bernstein"). His works of the 1940s, both weighty and light, brought him considerable acclaim; the single year of 1944 saw the premieres of two especially well-received scores, the Symphony No. 1, "Jeremiah", and the ballet Fancy Free. During his sometimes rocky tenure (1958-1969) as music director of the New York Philharmonic, Bernstein brought that ensemble to a new level of prestige and popularity: every Bernstein concert and recording became a much-anticipated event. Through his association with the New York Philharmonic and a neverending stream of guest engagements worldwide, Bernstein became particularly renowned as an interpreter of Mahler and Copland; he did much to carve out the prominent place in the orchestral concert repertory that both composers now maintain. Already well-known by the time he took over the New York Philharmonic, Bernstein became truly famous in 1958, with the first of his series of televised Young People's Concerts, fondly remembered by many as their introduction to the world of classical music. Among the first group of students to receive training at the Berkshire Music Center at Tanglewood, Bernstein soon became the institution's guiding light, serving as teacher and mentor for generations of musicians. Though he remained a giant of the podium until the very end, Bernstein curtailed his conducting activities in later years in order to spend more time composing. Little of Bernstein's music from the 1970s on has attained the same level of popularity achieved by his earlier works; still, it comprises a distinguished, substantial body of work that includes Mass (1971), the opera A Quiet Place (1983), and the song cycle Arias and Barcarolles (1988).
© AMG, All Music Guide
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As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century... More
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Stage Works
675 tracks
- Operas
194 tracks
- Candide (opera)
145 tracks
- A Quiet Place (opera)
28 tracks
- Trouble in Tahiti (opera)
21 tracks
- Candide (opera)
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Ballets
77 tracks
- Dybbuk (ballet)
20 tracks
- Fancy Free (ballet)
57 tracks
- Dybbuk (ballet)
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Musicals
404 tracks
- On the Town (musical)
76 tracks
- West Side Story (musical)
299 tracks
- Wonderful Town (musical)
26 tracks
- 1600 Pennsylvania Avenue (A White House Cantata, musical; withdrawn)
3 tracks
- On the Town (musical)
- Operas
-
Orchestral Works
534 tracks
- Symphonies
127 tracks
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Other Orchestral Works
407 tracks
- A Musical Toast
1 track
- America Medley
2 tracks
- Candide, suite from the musical
2 tracks
- Concerto for Orchestra (Jubilee Games)
17 tracks
- 3 Dance Episodes from 'On the Town'
32 tracks
- Divertimento
38 tracks
- Dybbuk, Suite No.2 (based on ballet)
4 tracks
- Facsimile, choreographic essay (from the ballet)
5 tracks
- Halil: Nocturne for Flute, Piccolo, Alto Flute, Harp, and Percussion
1 track
- 3 Meditations from 'Mass', for cello and orchestra
15 tracks
- On the Waterfront, symphonic suite
26 tracks
- Peter Pan, incidental music (additional music by Rittman)
7 tracks
- Prelude, Fugue, and Riffs, for clarinet and jazz ensemble
21 tracks
- Serenade (after Plato: Symposium), for violin, harp, percussion, and strings
68 tracks
- Slava! A Political Overture
5 tracks
- Symphonic Dances from 'West Side Story'
163 tracks
- A Musical Toast
- Symphonies
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Vocal Works
275 tracks
- Songs and Solo Vocal Works
70 tracks
- Arias and Barcarolles, for mezzo, baritone, strings and percussion
11 tracks
- Dream With Me (song), for voice and piano, with obbligato cello
1 track
- Dybbuk, Suite No.1, for tenor, bass, and orchestra
7 tracks
- I Hate Music (cycle of '5 kid songs')
11 tracks
- La Bonne cuisine: 4 recipes (songs)
5 tracks
- 2 Love Songs (texts by R.M. Rilke)
2 tracks
- Maria; Tonight; O paese d'o sole; Cielito lindo
1 track
- Piccola serenata (vocalise)
1 track
- Psalm 148 (song)
1 track
- Silhouette (Galilee; song)
2 tracks
- So Pretty (song)
1 track
- Songfest (song cycle), for 6 singers and orchestra
25 tracks
- Vayomer Elohim (Let There Be Light)
1 track
- Sean Song (For Sean Lennon)
1 track
- Arias and Barcarolles, for mezzo, baritone, strings and percussion
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Choral Works
205 tracks
- Chichester Psalms, for boy soloist, chorus, and orchestra
29 tracks
- The Firstborn, incidental music for voice and chorus (withdrawn)
1 track
- Hashkiveinu, for tenor, chorus and organ
2 tracks
- The Lark, incidental music for countertenor, chorus, and percussion
12 tracks
- Mass, for voices, players and dancers (theater piece)
133 tracks
- Missa Brevis, for alto, chorus and percussion (or 7 violins and percussion)
6 tracks
- Olympic Hymn, for chorus and orchestra (withdrawn)
1 track
- Rinah, Hebrew folksong for chorus and orchestra
1 track
- Simchu Na, for chorus and piano
1 track
- Yigdal, Hebrew liturgical melody for chorus and piano
1 track
- A White House Cantata
18 tracks
- Chichester Psalms, for boy soloist, chorus, and orchestra
- Songs and Solo Vocal Works
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Chamber Works
81 tracks
- Brass Music, for trumpet, trombone, horn, tuba and piano
6 tracks
- Clarinet Sonata
28 tracks
- Dance Suite, for brass quintet and optional percussion
20 tracks
- Halil, nocturne for flute solo, piccolo, alto flute, percussion, and harp
4 tracks
- Piano Trio
12 tracks
- Violin Sonata
9 tracks
- Fanfare for the Inauguration of J. F. Kennedy, for brass ensemble
2 tracks
- Brass Music, for trumpet, trombone, horn, tuba and piano
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Piano Works
9 tracks
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Spoken Commentary by Leonard Bernstein
35 tracks
- How a Great Symphony Was Written (Lecture)
1 track
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On Music by Beethoven
5 tracks
- Simplicity itself (Musical Analysis of Beethoven's Symphony No.3 by Leonard Bernstein)
1 track
- I always feel this gigantism... (Musical Analysis of Beethoven's Symphony No.3 by Leonard Bernstein)
1 track
- We have just been examining... (Musical Analysis of Beethoven's Symphony No.3 by Leonard Bernstein)
1 track
- All that we have said... Finale (Musical Analysis of Beethoven's Symphony No.3 by Leonard Bernstein)
1 track
- The study of the Eroica is a lifetime work - Symphony No.3 (Musical Analysis of Beethoven's Symphony No.3 by Leonard Bernstein)
1 track
- Simplicity itself (Musical Analysis of Beethoven's Symphony No.3 by Leonard Bernstein)
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On Music by Berlioz
1 track
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On Music by Brahms
9 tracks
- And here we are back home (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- Brahms' Fourth Symphony in E-... (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- Here is that second theme (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- This brings us to the development section proper (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- Our journey begins without introduction (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- So we arrive at the coda (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
1 track
- And here we are back home (Musical Analysis of Brahm's Symphony No.4 by Leonard Bernstein)
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On Music by Dvorák
5 tracks
- And now the last movement... (Musical Analysis of Dvorák's Symphony No.9 by Leonard Bernstein)
1 track
- Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No.9 by Leonard Bernstein)
1 track
- The final claim... (Musical Analysis of Dvorák's Symphony No.9 by Leonard Bernstein)
1 track
- The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No.9 by Leonard Bernstein)
1 track
- We come now to the second movement (Musical Analysis of Dvorák's Symphony No.9 by Leonard Bernstein)
1 track
- And now the last movement... (Musical Analysis of Dvorák's Symphony No.9 by Leonard Bernstein)
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On Music by Schumann
7 tracks
- And so we have arrived... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- But perhaps the greatest beauty... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- Even in the final movement... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
1 track
- And so we have arrived... (Musical Analysis of Schumann's Symphony No.2 by Leonard Bernstein)
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On Music by Tchaikovsky
6 tracks
- Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
1 track
- Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
1 track
- Now one would think... (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
1 track
- Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
1 track
- Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
1 track
- Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
1 track
- Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No.6 by Leonard Bernstein)
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On Music by Ives
1 track
- How a Great Symphony Was Written (Lecture)
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Stage Works
1 track
- Operas
1 track
- Candide (opera)
1 track
- Candide (opera)
- Operas
Below are works by L.Bernstein that every music lover should explore:
- Stage Works
- Candide (opera)
145 tracks
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Act 1
- Notable Movement: 6.Glitter And Be Gay
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Act 1
- On the Town (musical)
76 tracks
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Act 1
- Notable Movement: 2.New York, New York
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Act 1
- West Side Story (musical)
299 tracks
- Candide (opera)
- Orchestral Works
- Symphony No.2 ('The Age of Anxiety'), for piano and orchestra
68 tracks
- 3 Dance Episodes from 'On the Town'
32 tracks
- Facsimile, choreographic essay (from the ballet)
5 tracks
- Notable Movement: 1.Solo
- Notable Movement: 2.Pas de deux
- Notable Movement: 3.Pas de trois
- Notable Movement: 4.Coda
- Symphonic Dances from 'West Side Story'
163 tracks
- Symphony No.2 ('The Age of Anxiety'), for piano and orchestra
- Vocal Works



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