Composer
Anton Bruckner (1824-1896); AUT
Loading, please wait...
Although Bruckner wrote a great deal of sacred choral music (including not only his grandly conceived Mass No. 3, but also his more intimate Mass No. 2 and his astringent motets, which fuse Renaissance and nineteenth century techniques), he is best known for his symphonies: two unnumbered apprentice works, eight completed mature symphonies, and the first three movements of a Ninth (The finale has been reconstructed by several hands, but most performances include just the movements Bruckner completed). The symphonies, influenced to some extent by Wagner and identified with his school by the Viennese public, are monumental: expansive in scale, rigorous (if sometimes gigantist) in formal design, and often elaborate in their contrapuntal writing. Their sonorities are stately and organ-like; the Viennese critic Graf wrote that Bruckner "pondered over chords and chord associations as a medieval architect contemplated the original forms of a Gothic cathedral." Despite occasional folk influences in the scherzos, his symphonies are uniformly high-minded, even religious, in spirit. Together, they form the weightiest body of symphonies between Schubert (whom he greatly admired) and Mahler.
Bruckner was born in the town of Ansfelden, Austria, on September 4, 1824, and he spent the first years of his career as a choirmaster for a group of monks and as a church organist in Linz. After several years of studying composition and counterpoint by mail, he passed exams at the Vienna Conservatory in 1861. In the early 1860s he created his first large works, including a Symphony in D minor that he later derisively named "die Nullte," the Symphony No. 0. He was present at the premiere of Wagner's Tristan und Isolde in 1865 and remained a near fanatical admirer of Wagner, but the extent to which his own vast musical structures were modeled on Wagner's is a matter of debate. He landed a teaching post at the Conservatory in 1868, but always retained something of his original rustic character. An often-repeated anecdote tells how he gave a tip to the aristocratic conductor Hans Richter after a successful rehearsal of his Symphony No. 4, telling Richter to go and buy himself a beer. Bruckner died in Vienna on October 11, 1896.
© AMG, All Music Guide
|
Although Bruckner wrote a great deal of sacred choral music (including not only his grandly conceived Mass No. 3, but... More
|
-
Orchestral Works
1,078 tracks
- Symphonies
1,076 tracks
- Symphony No.0, in D-, WAB100 ('Die Nullte')
44 tracks
- Symphony No.1 in C-, WAB101
56 tracks
- Symphony No.2 in C-, WAB102
44 tracks
- Symphony No.3 in D-, WAB103 ('Wagner')
123 tracks
- Symphony No.4 in Eb, WAB104 ('Romantic')
150 tracks
- Symphony No.5 in Bb, WAB105
108 tracks
- Symphony No.6 in A, WAB106
76 tracks
- Symphony No.7 in E, WAB107 ('Lyric')
174 tracks
- Symphony No.8 in C-, WAB108 ('Apocalyptic')
151 tracks
- Symphony No.9 in D-, WAB109 ('Unfinished')
146 tracks
- Symphony No.00 in F- ('Study Symphony;), WAB99
4 tracks
- Symphony No.0, in D-, WAB100 ('Die Nullte')
-
Other Orchestral Works
2 tracks
- March in Eb, for concert band, WAB116
1 track
- Overture in G-, WAB98
1 track
- March in Eb, for concert band, WAB116
- Symphonies
-
Vocal Works
238 tracks
- Masses
93 tracks
-
Motets and Related Sacred Choral Works
140 tracks
- Afferentur regi (offertory), for chorus and 3 trombones, WAB1
4 tracks
- Ave Maria (offertory; a7), WAB6
18 tracks
- Ave Maria, WAB5
1 track
- Christus factus est (gradual) for chorus, 3 violins and 2 trombones, WAB10
3 tracks
- Christus factus est (III; gradual) for chorus in D-, WAB11
2 tracks
- Christus factus est
4 tracks
- Ecce sacerdos (antiphon) for chorus, 3 trombones, and organ, WAB13
5 tracks
- Iam lucis orto sidere (hymn) for chorus and organ, WAB18
2 tracks
- In jener letzten der Nächte (chorale), for chorus in F-, WAB17
1 track
- Inveni David (I; offertory), for male chorus and 4 trombones in F-, WAB19
2 tracks
- Libera me, Domine, for chorus and organ, WAB21
3 tracks
- Locus iste, for a cappella chorus, WAB23
12 tracks
- Os justi (gradual), for chorus in Lydian mode, WAB30
13 tracks
- Pange lingua, for a capella chorus, WAB32
6 tracks
- Pange lingua, for a cappella chorus, WAB33
1 track
- Psalm 150, for soprano, chorus and orchestra, WAB38
9 tracks
- Salvum fac populum (antiphon), WAB40
1 track
- Tantum ergo, for chorus and organ, WAB43
2 tracks
- Te Deum, for soloists, chorus, orchestra, and organ in C, WAB45
32 tracks
- Tota pulchra es (antiphon), for tenor, chorus, and organ, WAB46
6 tracks
- Vexilla regis prodeunt, for a cappella chorus, WAB51
4 tracks
- Virga Jesse (gradual), for chorus in E-, WAB52
9 tracks
- Afferentur regi (offertory), for chorus and 3 trombones, WAB1
-
Secular Choral Works
4 tracks
-
Songs
1 track
- Masses
-
Chamber Works
24 tracks
- Aequale No.1 in C, for alto, tenor and bass trombones, WAB114
2 tracks
- Intermezzo in D- for String Quintet, WAB113
1 track
- Rondo in C- for String Quartet
1 track
- String Quartet in C-, WAB111
4 tracks
- String Quintet in F, WAB112
15 tracks
- Unspecified Prayer and Halleluja (Gebet und Halleluja), for brass ensemble
1 track
- Aequale No.1 in C, for alto, tenor and bass trombones, WAB114
-
Keyboard Works
13 tracks
- Piano Works
10 tracks
- Erinnerung in Ab, WAB117
1 track
- Fantasie in G, WAB118
1 track
- Klavierstück in Eb, WAB119
1 track
- Lancier-Quadrille in C, WAB120
4 tracks
- Sonata Movements in G-
1 track
- Steiermärker in G, WAB122
1 track
- Stille Betrachtung an einem Herbstabend in F#-, WAB123
1 track
- Erinnerung in Ab, WAB117
-
Organ Works
3 tracks
- Prelude and Fugue in C-, WAB131
2 tracks
- Prelude (Preg Prelude) in C, WAB129
1 track
- Prelude and Fugue in C-, WAB131
- Piano Works
-
Vocal Works
1 track
-
Motets and Related Sacred Choral Works
1 track
- Ave Maria (offertory; a7), WAB6
1 track
- Ave Maria (offertory; a7), WAB6
-
Motets and Related Sacred Choral Works
Below are works by A.Bruckner that every music lover should explore:
- Orchestral Works
- Symphony No.4 in Eb, WAB104 ('Romantic')
150 tracks
- Symphony No.7 in E, WAB107 ('Lyric')
174 tracks
- Symphony No.8 in C-, WAB108 ('Apocalyptic')
151 tracks
- Symphony No.9 in D-, WAB109 ('Unfinished')
146 tracks
- Symphony No.4 in Eb, WAB104 ('Romantic')
- Vocal Works



Click on a category to view the list of works
