Composer
Louis Couperin (1626-1661); FRA
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The Couperin family resembles, in many ways, the Bach family, though on a smaller scale: several generations of Couperins were important figures in the history of French music. Louis Couperin was the uncle to perhaps the best-known member of the Couperin family, François, also known as François le Grand. Louis was the son of Charles Couperin, organist of Chaume, and brother to Charles, also a successful organist and father to François.
Very little is known about the early years of Louis' life, other than that he must have received excellent musical training (probably from Chambonnières), for he became an overnight success when he finally arrived in Paris around 1651. Once in Paris, he secured a job as an organist at St. Gervais and also played treble viol in the royal chapel. He was a well-known and well-respected musician in Paris, and was closely connected to many of the most important musicians in the city.
Aproximately 215 of Couperin's works survive today, although it is very likely that he composed many more. Most of his compositions are works for keyboard, and indeed Couperin is considered one of the greatest French keyboard composers of the seventeenth century. His oeuvre includes a great deal of music for organ, including a number of fugues, as well as music for the harpsichord. Couperin's harpsichord music has generated the most interest over the centuries: comprised largely of short dance pieces—allemandes, courantes, gigues, sarabandes, etc.—the harpsichord music is remarkable for its intensity and sudden harmonic, rhythmic, and melodic gestures.
Some scholars have suggested that Couperin was one of the first French harpsichord composers to adopt the new basso continuo style; others have noted that his style changed from medium to medium, so that the violin music, the organ music, and the harpsichord music each reveal a different facet of the same fertile musical imagination.
© Alexander Carpenter, All Music Guide
Very little is known about the early years of Louis' life, other than that he must have received excellent musical training (probably from Chambonnières), for he became an overnight success when he finally arrived in Paris around 1651. Once in Paris, he secured a job as an organist at St. Gervais and also played treble viol in the royal chapel. He was a well-known and well-respected musician in Paris, and was closely connected to many of the most important musicians in the city.
Aproximately 215 of Couperin's works survive today, although it is very likely that he composed many more. Most of his compositions are works for keyboard, and indeed Couperin is considered one of the greatest French keyboard composers of the seventeenth century. His oeuvre includes a great deal of music for organ, including a number of fugues, as well as music for the harpsichord. Couperin's harpsichord music has generated the most interest over the centuries: comprised largely of short dance pieces—allemandes, courantes, gigues, sarabandes, etc.—the harpsichord music is remarkable for its intensity and sudden harmonic, rhythmic, and melodic gestures.
Some scholars have suggested that Couperin was one of the first French harpsichord composers to adopt the new basso continuo style; others have noted that his style changed from medium to medium, so that the violin music, the organ music, and the harpsichord music each reveal a different facet of the same fertile musical imagination.
© Alexander Carpenter, All Music Guide
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Keyboard Works
217 tracks
- Harpsichord Works
204 tracks
- Suite in D-
14 tracks
- Les abeilles
1 track
- Pieces de clavecin
66 tracks
- Les Quatre Nations
3 tracks
- Suite in G-
18 tracks
- Suite in D
15 tracks
- Suite in A-
21 tracks
- Suite in F
31 tracks
- Suite in C
11 tracks
- Chaconne la Bergeronette, for harpsichord in C- (Pièces de clavecin, No.34)
1 track
- Pièces de clavecin (Unspecified works)
13 tracks
- Sarabande en canon in D- (Pièces de clavecin, No.47)
1 track
- Volte in D- (Pièces de clavecin, No.53)
1 track
- Chaconne in D- (Pièces de clavecin, No.55)
1 track
- Gavotte in D- (Pièces de clavecin, No.124)
1 track
- Prélude in E- (Pièces de clavecin, No.14)
1 track
- Allemade de la Paix in E- (Pièces de clavecin, No.63)
1 track
- Courante in E- (Pièces de clavecin, No.64)
1 track
- Sarabande in E- (Pièces de clavecin, No.65)
1 track
- Chaconne in C (Pièces de clavecin, No.26)
1 track
- Menuet in C (Pièces de clavecin, No.29)
1 track
- Suite in D-
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Organ Works
13 tracks
- Duo
1 track
- Fantasie in G-
3 tracks
- Fugue (L'oeuvre d'orgue, No.17)
1 track
- Fugue (L'oeuvre d'orgue, No.61)
1 track
- Fugue (L'oeuvre d'orgue, No.62)
1 track
- Prélude: Il faut jouer cecy d'un mouvement fort lent
1 track
- A solis, en taille (L'oeuvre d'orgue, No.41)
1 track
- A solis, en haulte contre (L'oeuvre d'orgue, No.42)
1 track
- A solis, trio (L'oeuvre d'orgue, No.43)
1 track
- A solis, en basse (L'oeuvre d'orgue, No.44)
1 track
- Fugue sur le Cromhorne (L'oeuvre d'orgue, No.20)
1 track
- Duo
- Harpsichord Works
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Chamber Works
3 tracks
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Keyboard Works
17 tracks
- Harpsichord Works
16 tracks
- Suite in D-
9 tracks
- Suite in G-
7 tracks
- Suite in D-
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Organ Works
1 track
- Fantasie in G-
1 track
- Fantasie in G-
- Harpsichord Works
Below are works by L.Couperin that every music lover should explore:
- Keyboard Works
- Suite in G-
18 tracks
- Suite in G-



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