Composer
Gustav Holst (1874-1934); ENG
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Known primarily for his popular orchestral composition, The Planets, Gustav Holst embraced a wide variety of musical models, from Arthur Sullivan, Edvard Grieg, and Wagner to the melodic simplicity of English folk music. In his maturity, he managed to merge these various influences into a rather sparse personal style that became increasingly transparent in his later years. Perhaps his greatest talent lay in the realm of choral music; his Hymn of Jesus stands as one of the finest works in the genre from the early twentieth century.Holst's first instruction came from his father, Adolph, a piano teacher, who also made him take lessons on the violin and trombone; the father believed that these studies might alleviate the youth's asthma.
By age 12, the young Holst was composing, even dabbling in orchestration; in 1888, he won a prize in an amateur competition for his vocal work, A Christmas Carol. Thereafter he sang in the All Saints' Church choir and played violin and trombone in its orchestra. In 1892, he traveled to London and heard a Covent Garden performance of Götterdämmerung, led by Mahler. The experience opened up new compositional vistas for the young composer.
Holst entered the Royal College of Music the following year where he met fellow student Ralph Vaughan Williams, who would remain a close lifelong friend. Shortly after his arrival in London, Holst found that the neuritis in his right arm, which had afflicted him in his early youth, had worsened and now caused him to abandon ideas of a career as a concert pianist. In 1898, Holst left the RCM to take a position in the Carl Rosa Opera Company as rehearsal pianist and coach. He completed his Cotswold Symphony in 1900, and its premiere in April 1902 was a success. On June 22, 1901, Holst married Emily Isobel Harrison, whom he had met in a choir he had directed a few years before.
In late 1903, Holst took on a teaching position at James Allen's Girls' School, in South London. The following year he acquired a second post, the directorship of music at St. Paul's Girls' School, which he would retain until his death. He added another teaching post at Morley College in 1907, bogging him down and leaving little time for composition. Still, the St. Paul's Suite, written during this period (1912-1913), is among his most often-performed works.
In 1914, Holst began work on what would become his most popular composition, The Planets. The war years were extremely productive, as the composer not only completed The Planets, but also wrote Hymn of Jesus. In spring 1918, Holst began educational work for the YMCA at its various facilities on European battlefields.
He returned to London at the end of June 1919 and took a prestigious post teaching theory and composition at the RCM in 1920. The composer's fame was not only growing domestically in the early 1920s but internationally as well, as works like the Hymn of Jesus were receiving regular and acclaimed performances. By 1924, Holst's health was clearly declining, and he thus lessened his workload.
Beginning in late December 1928, Holst made a series of trips abroad that included visits to France, Italy, Sicily, and the U.S. In Boston, a duodenal ulcer was diagnosed in 1932. On May 23, 1934, he underwent surgery for the ulcer, but died two days later.
© Robert Cummings, All Music Guide
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Known primarily for his popular orchestral composition, The Planets, Gustav Holst embraced a wide variety of musical models, from Arthur... More
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Stage Works
27 tracks
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Orchestral Works
568 tracks
- Orchestral Suites (includes The Planets)
412 tracks
- Beni Mora (Oriental Suite), Op.29, No.1, H.107
9 tracks
- Brook Green Suite, for strings, H.190
12 tracks
- Japanese Suite, Op.33, H.126
18 tracks
- The Planets, suite for orchestra and female chorus, Op.32, H.125
320 tracks
- St. Paul's Suite, for strings, Op.29, No.2, H.118
41 tracks
- Suite de ballet in Eb, Op.10, H.43
12 tracks
- Beni Mora (Oriental Suite), Op.29, No.1, H.107
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Other Orchestral Works
60 tracks
- A Fugal Concerto, for flute, oboe, and string orchestra, Op.40, No.2, H.152
12 tracks
- A Fugal Overture, Op.40, No.1, H.151
2 tracks
- A Somerset Rhapsody, Op.21, No.2, H.87
3 tracks
- A Song of the Night, for violin and orchestra. Op.19, No.1, H.74
3 tracks
- A Winter Idyll, for orchestra
2 tracks
- Capriccio, H.185
2 tracks
- Double Concerto, for 2 violins and orchestra, Op.49, H.175
6 tracks
- Egdon Heath ('Homage to Hardy'), Op.47, H.172
5 tracks
- Elegy In Memoriam William Morris, Op.8, H.47 (from unpublished 'The Cotswolds' Symphony)
8 tracks
- Fugue à la Gigue in G (transcribed from Bach's BWV577)
4 tracks
- Hammersmith (Prelude and Scherzo), Op.52, H.178
1 track
- Indra, for orchestra, Op.13
1 track
- Invocation, for cello and orchestra, Op.19, No.2, H.75
2 tracks
- Lyric Movement, for viola and chamber orchestra, H.191
2 tracks
- Scherzo, H.192
2 tracks
- 2 Songs Without Words, Op.22, H.88
3 tracks
- Walt Whitman Overture, Op.7, H.42
2 tracks
- A Fugal Concerto, for flute, oboe, and string orchestra, Op.40, No.2, H.152
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Works for Military or Brass Band
96 tracks
- Orchestral Suites (includes The Planets)
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Vocal Works
186 tracks
- Choral Works
147 tracks
- A Choral Fantasia, for soprano, chorus, organ, strings, brass, and percussion, Op.51, H.177
1 track
- A Dirge for Two Veterans, for male chorus, brass, and percussion, H.121
2 tracks
- Ave Maria, for female chorus, Op.9b, H.49
9 tracks
- Bring us in Good Ale, Op.34, No.4, H.131
1 track
- 3 Carols, H.133
2 tracks
- 6 Choral Folk Songs, Op.36b, H.136
1 track
- Choral Hymns from the Rig Veda (4 Groups), Op.26, H.97-100
11 tracks
- Christmas Day, H.109
3 tracks
- 2 Eastern Pictures, for chorus and harp
2 tracks
- I Vow to Thee, My Country, H.148
8 tracks
- In the Bleak Midwinter, for chorus and organ, H.73
24 tracks
- Lullay My Liking, for soprano and chorus, Op.34, No.2, H.129
8 tracks
- 2 Motets, Op.43, H.159-160
3 tracks
- My Sweetheart's Like Venus, arranged for chorus
2 tracks
- Nunc dimittis, H.127
8 tracks
- O Lady, Leave That Silken Thread, part-song for unaccompanied mixed chorus, H.4/1
2 tracks
- Ode to Death, Op.38, H.144
1 track
- 4 Old English Carols, Op.20b, H.82
1 track
- 7 Partsongs, for soprano, female chorus and strings, Op.44, H.162
14 tracks
- Personent hodie
1 track
- 2 Psalms, for chorus, strings and organ, H.117
3 tracks
- Short Partsongs, H.13
2 tracks
- Sing Me the Men ere This, Op.43, No.2, H.160
1 track
- Songs from The Princess, for female chorus, Op.20a, H.80
1 track
- The Autumn is Old, H.1
2 tracks
- The Cloud Messenger, Op.30, H.111
5 tracks
- The Evening-watch, Op.43, No.1, H.159
1 track
- The Hymn of Jesus, for 2 choruses, female semi-chorus, and orchestra, Op.37, H.140
3 tracks
- The Wandering Scholar, Op.50, H.176
18 tracks
- This Have I Done for My True Love, Op.34, No.1, H.128
4 tracks
- Wassail Song, H.182
1 track
- Winter and the Birds 2, App. 1/40:2
2 tracks
- A Choral Fantasia, for soprano, chorus, organ, strings, brass, and percussion, Op.51, H.177
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Solo Vocal Works
39 tracks
- The Dream-City, for soprano and orchestra, H.174 (arr. by C. Matthews from '12 Songs')
1 track
- The Heart Worships, H.95
2 tracks
- Hymns from the Rig Veda, Op.24, H.90
9 tracks
- The Mystic Trumpeter, for soprano and orchestra, Op.18, H.71
1 track
- O Lady, Leave that Silken Thread, H.4/2
1 track
- 12 Songs, Op.48, H.174
13 tracks
- 4 Songs, for soprano (or tenor) and violin, Op.35, H.132
4 tracks
- 4 Songs, Op.4. H.14
1 track
- 6 Songs, for soprano and piano, Op.16, H.69
6 tracks
- World In Union, for voice and orchestra
1 track
- The Dream-City, for soprano and orchestra, H.174 (arr. by C. Matthews from '12 Songs')
- Choral Works
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Chamber Works
5 tracks
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