Composer
John Addison II (1920-1998); ENG
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While by far best-known as a film and television composer, winning both Oscars and Emmy Awards, John Addison was also a prolific composer for woodwinds, where he displayed the same gift for lyricism and atmosphere.
His early musical studies were at the Royal College of Music, though interrupted by six years of military service. His teachers included Gordon Jacob, Leon Goossens, and Frederick Thurston. He graduated in 1948, also winning the Sullivan Prize. He first began writing for stage productions, becoming resident composer at the Royal Court Theater in London, and then was soon drawn into movies and television in 1949, becoming musical director to the Boulting Brothers studio. In 1951, he was appointed professor of composition at the R.C.M. Some of his earliest works from those days include soundtracks to Seven Days to Noon, Terror on the Train, and That Lady. In 1963, he won an Oscar for his music for Tom Jones. In 1966, his score for Torn Curtain replaced that of Bernard Herrmann's when the studio deemed Herrmann's not commercial enough. Other film scores include The Charge of the Light Brigade, A Taste of Honey, and A Bridge Too Far. In the '70s, he began writing more television music. For United States listeners, he may not have been a household name, but the Emmy-winning theme for Murder, She Wrote certainly was memorable. He remained musically active almost until his death; his Concertino for bassoon and orchestra premiered in 1998.
© Ann Feeney, All Music Guide
His early musical studies were at the Royal College of Music, though interrupted by six years of military service. His teachers included Gordon Jacob, Leon Goossens, and Frederick Thurston. He graduated in 1948, also winning the Sullivan Prize. He first began writing for stage productions, becoming resident composer at the Royal Court Theater in London, and then was soon drawn into movies and television in 1949, becoming musical director to the Boulting Brothers studio. In 1951, he was appointed professor of composition at the R.C.M. Some of his earliest works from those days include soundtracks to Seven Days to Noon, Terror on the Train, and That Lady. In 1963, he won an Oscar for his music for Tom Jones. In 1966, his score for Torn Curtain replaced that of Bernard Herrmann's when the studio deemed Herrmann's not commercial enough. Other film scores include The Charge of the Light Brigade, A Taste of Honey, and A Bridge Too Far. In the '70s, he began writing more television music. For United States listeners, he may not have been a household name, but the Emmy-winning theme for Murder, She Wrote certainly was memorable. He remained musically active almost until his death; his Concertino for bassoon and orchestra premiered in 1998.
© Ann Feeney, All Music Guide
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Film
19 tracks
- I Was Monty's Double, film score
1 track
- Centennial, film score
1 track
- Swashbuckler, film score
1 track
- A Bridge too Far, film score
2 tracks
- The Maggie, film score
1 track
- Reach for the Sky, film score
1 track
- Strange Invaders, film score
1 track
- The Man Between, film score
1 track
- Tom Jones, film score
2 tracks
- The Charge of the Light Brigade, film score (1968)
1 track
- Brandy for the Parson, film score
2 tracks
- Torn Curtain, film score
1 track
- Touch and Go, film score
1 track
- Sleuth, film score
1 track
- Carlton-Browne of the F.O., film score
1 track
- Murder, She Wrote, film score
1 track
- I Was Monty's Double, film score
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Stage Works
10 tracks
- Carte blanche, ballet suite
10 tracks
- Carte blanche, ballet suite
Below are works by John Addison II that every music lover should explore:



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