Composer
Roger Quilter (1877-1953); ENG
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English composer Roger Quilter remains known primarily for his distinguished art song output, although he also produced choral, instrumental, and stage works. He had to work hard at composition, for it never came naturally, but his output shows a composer with exceptional sensitivity and seemingly effortless grace. Indeed, he was a fan of light and graceful music, from Schubert to Maude Valérie White to Gershwin. Quilter never had to make a living, but he was a philanthropic artist, helping to found and administer the Musicians' Benevolent Fund, as well as privately aiding his colleagues. After a productive and benevolent artistic life, Quilter experienced a period of mental decline that ended with his death.
Quilter was educated at prestigious Eton College, later going abroad to Germany to study with Ivan Knorr at Frankfurt's Hoch Conservatory. All students in Frankfurt in the 1890s, Percy Grainger, Cyril Scott, Norman O'Neill, Balfour Gardiner, and Quilter became known as the "Frankfurt Group." As a song composer, Quilter became well established in 1900 when Denham Price gave a performance of his Songs of the Sea at the Crystal Palace in London, and also when tenor Gervase Elwes premiered To Julia in 1905 and Seven Elizabethan Lyrics in 1908. On occasion Quilter would accompany his songs in public performance, and he did record many of them with close friend and colleague Mark Raphael.
His only attempt at opera, Julia (1936), was a failure, but several pieces from it were extracted and published as separate songs (e.g., Love at the Inn). His light orchestral music was more successful, including A Children's Overture (1919), written for the Promenade Concerts and conducted by Henry Wood. That work and Quilter's popular incidental music for the fairy play Where the Rainbow Ends (1911) were both inspired by Walter Crane's illustrated book of nursery rhymes, Baby's Opera. Still, it is his songs (more than 100 of them) upon which Quilter's reputation was based, and for which he will continued to be remembered quite fondly. © Rachael Unite, All Music Guide
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English composer Roger Quilter remains known primarily for his distinguished art song output, although he also produced choral, instrumental, and... More
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Vocal Works
124 tracks
- Autumn evening, for voice and piano, Op.14, No.1
1 track
- Dream Valley, Op.20 No.1, (Three William Blake Songs)
1 track
- Fair house of joy, for voice and piano, Op.12, No.7
1 track
- (3) Songs, for voice and piano, Op.3
1 track
- The Cradle in Bethlehem, for voice & piano
1 track
- Now Sleeps the Crimson Petal for voice & piano, Op.3, No.2
6 tracks
- Shakespeare Songs (3) for voice & piano (or orchestra), Op.6
10 tracks
- Elizabethan Lyrics (7) for voice & piano, Op.12
9 tracks
- Go, Lovely Rose for voice & piano, Op.24, No.3
3 tracks
- It was a lover and his lass, for 2 voices & piano
2 tracks
- Music, When Soft Voices die for voice & piano, Op.25, No.5
3 tracks
- Love's Philosophy, for voice & piano, Op.3, No.1
3 tracks
- Songs (3), for voice & piano, Op.3
1 track
- At the Close of Day
1 track
- To Julia, Song Cycle for voice & piano, Op.8
14 tracks
- Songs (4), for voice & piano, Op.14
4 tracks
- Songs (3) of William Blake for voice & piano, Op.20
3 tracks
- Arab Love Song for voice & piano, Op.25, No.4
1 track
- In the Bud of the Morning-o for voice & piano, Op.25, No.6
1 track
- I Arise from Dreams of Thee for voice & piano, Op.29
2 tracks
- It was a lover and his lass, for voice & piano, Op.23, No.3
1 track
- O mistress mine, for voice & piano, Op.6, No.2
1 track
- How Should I your true love know?, for voice & piano, Op.30, No.3
1 track
- Orpheus with his lute, for voice & piano, Op.32, No.1
1 track
- Hark! Hark! the Lark, for voice & piano
1 track
- Ca' the yowes to the knowes, for voice & piano
1 track
- Charlie is my darling, for voice & piano
1 track
- Ye banks and braes, for voice & piano
1 track
- Spring is at the door, for voice & piano, Op.18, No.4
1 track
- Passing dreams, for voice & piano, Op.10, No.2
1 track
- Autumn evening, for voice & piano, Op.14, No.1
1 track
- An old carol, for voice & piano, Op.25, No.3
1 track
- Pastoral Songs (3) for voice & piano trio, Op.22
3 tracks
- A last year's rose, for voice & piano, Op.14, No.3
1 track
- Amaryllis at the fountain, for voice & piano, Op.15, No.2
1 track
- I dare not ask a kiss, for voice & piano, Op.28, No.3
1 track
- Love calls through the summer night, for 2 voices & piano (from Love at the Inn)
3 tracks
- The Arnold Book of Old Songs, for voice & piano
16 tracks
- Little Moth, for voice & piano (from Love at the Inn)
1 track
- If Love should pass me by, for voice & piano (from Love at the Inn)
1 track
- The Rose of Tralee, for voice & piano
1 track
- Come Lady-Day, for soprano, alto & piano
1 track
- The Starlings, for soprano, alto & piano
1 track
- To a Harebell by a Graveside, for soprano, alto & piano
1 track
- Where Go the Boats, for 2 voices & piano
1 track
- Windy Nights, for sopano, alto & piano
1 track
- Summer Sunset, for sopano, alto & piano
1 track
- Daisies after rain, for voice & piano
1 track
- My heart adorn'd with thee, for mezzo-sopano, baritone & piano
1 track
- The Passing Bell, for 2 voices & piano
1 track
- Blossom-Time, for 2 voices & piano
1 track
- Daisies after rain, for soprano, alto & piano
1 track
- Weep you no more, for 2 female voices & piano
1 track
- I gotta robe, for voice & piano
1 track
- 'Tis St. Valentine's Day, for voice & piano
1 track
- What will you do, love?, for voice & piano
1 track
- I will go with my father a-plowing, Op.22, No.1
1 track
- Autumn evening, for voice and piano, Op.14, No.1
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Orchestral Works
2 tracks
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Vocal Works
1 midi
- O Mistress Mine, Op.6 No.2
1 midi
- O Mistress Mine, Op.6 No.2
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Vocal Works
124 tracks, 1 midi
- Autumn evening, for voice and piano, Op.14, No.1
1 track
- Dream Valley, Op.20 No.1, (Three William Blake Songs)
1 track
- Fair house of joy, for voice and piano, Op.12, No.7
1 track
- O Mistress Mine, Op.6 No.2
1 midi
- (3) Songs, for voice and piano, Op.3
1 track
- The Cradle in Bethlehem, for voice & piano
1 track
- Now Sleeps the Crimson Petal for voice & piano, Op.3, No.2
6 tracks
- Shakespeare Songs (3) for voice & piano (or orchestra), Op.6
10 tracks
- Elizabethan Lyrics (7) for voice & piano, Op.12
9 tracks
- Go, Lovely Rose for voice & piano, Op.24, No.3
3 tracks
- It was a lover and his lass, for 2 voices & piano
2 tracks
- Music, When Soft Voices die for voice & piano, Op.25, No.5
3 tracks
- Love's Philosophy, for voice & piano, Op.3, No.1
3 tracks
- Songs (3), for voice & piano, Op.3
1 track
- At the Close of Day
1 track
- To Julia, Song Cycle for voice & piano, Op.8
14 tracks
- Songs (4), for voice & piano, Op.14
4 tracks
- Songs (3) of William Blake for voice & piano, Op.20
3 tracks
- Arab Love Song for voice & piano, Op.25, No.4
1 track
- In the Bud of the Morning-o for voice & piano, Op.25, No.6
1 track
- I Arise from Dreams of Thee for voice & piano, Op.29
2 tracks
- It was a lover and his lass, for voice & piano, Op.23, No.3
1 track
- O mistress mine, for voice & piano, Op.6, No.2
1 track
- How Should I your true love know?, for voice & piano, Op.30, No.3
1 track
- Orpheus with his lute, for voice & piano, Op.32, No.1
1 track
- Hark! Hark! the Lark, for voice & piano
1 track
- Ca' the yowes to the knowes, for voice & piano
1 track
- Charlie is my darling, for voice & piano
1 track
- Ye banks and braes, for voice & piano
1 track
- Spring is at the door, for voice & piano, Op.18, No.4
1 track
- Passing dreams, for voice & piano, Op.10, No.2
1 track
- Autumn evening, for voice & piano, Op.14, No.1
1 track
- An old carol, for voice & piano, Op.25, No.3
1 track
- Pastoral Songs (3) for voice & piano trio, Op.22
3 tracks
- A last year's rose, for voice & piano, Op.14, No.3
1 track
- Amaryllis at the fountain, for voice & piano, Op.15, No.2
1 track
- I dare not ask a kiss, for voice & piano, Op.28, No.3
1 track
- Love calls through the summer night, for 2 voices & piano (from Love at the Inn)
3 tracks
- The Arnold Book of Old Songs, for voice & piano
16 tracks
- Little Moth, for voice & piano (from Love at the Inn)
1 track
- If Love should pass me by, for voice & piano (from Love at the Inn)
1 track
- The Rose of Tralee, for voice & piano
1 track
- Come Lady-Day, for soprano, alto & piano
1 track
- The Starlings, for soprano, alto & piano
1 track
- To a Harebell by a Graveside, for soprano, alto & piano
1 track
- Where Go the Boats, for 2 voices & piano
1 track
- Windy Nights, for sopano, alto & piano
1 track
- Summer Sunset, for sopano, alto & piano
1 track
- Daisies after rain, for voice & piano
1 track
- My heart adorn'd with thee, for mezzo-sopano, baritone & piano
1 track
- The Passing Bell, for 2 voices & piano
1 track
- Blossom-Time, for 2 voices & piano
1 track
- Daisies after rain, for soprano, alto & piano
1 track
- Weep you no more, for 2 female voices & piano
1 track
- I gotta robe, for voice & piano
1 track
- 'Tis St. Valentine's Day, for voice & piano
1 track
- What will you do, love?, for voice & piano
1 track
- I will go with my father a-plowing, Op.22, No.1
1 track
- Autumn evening, for voice and piano, Op.14, No.1
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Orchestral Works
2 tracks


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