Composer
Heinrich Scheidemann (ca. 1595-1663); DEU
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Scheidemann was one of the leading organ composers of the early to mid seventeenth century; as a founder of the north German organ school, he was an important predecessor of Buxtehude and Bach. From 1611 to 1614, Scheidemann studied in Amsterdam with Sweelinck. It's not clear what he did during the ensuing decade, but perhaps as early as 1625 he was serving as organist at St. Kathrinen in Hamburg. He remained in this position until he died of the plague in 1663.
Hamburg was a vibrant musical city and would remain so at least through the time of Telemann. Scheidemann maintained good relations with his colleagues in the city, made substantial money as church organist, and had his church's instrument enlarged in the mid-1630s; this was about the time he was developing a reputation as an expert on organs themeselves, as well as an able composer, performer, and teacher.
Scheidemann's compositions circulated widely; he wrote almost exclusively for the organ, although he also produced a few harpsichord pieces and very few songs. His organ works combine Sweelinck's interest in virtuoso figuration with more traditional polyphony, all carefully adapted to the resources of the north German Baroque organ. Sweelinck's influence is strongest in Scheidemann's most admired works, his chorale arrangments, with their flowing, minimally embellished use of the cantus firmus in one part while more complex things go on around it. Scheidemann's own innovations included the monodic organ chorale, which was essentially the organ version of the solo song with continuo accompaniment, and the virtuosic chorale fantasia. Many of Scheidemann's chorale preludes have such extensive fugues in the middle that they point the way to the prelude and fugue form that would reach its pinnacle in the works of Bach. Scheidemann's harpsichord music tends to be less innovative, more beholden to the florid variations of Sweelinck, although he also employed more homophonic dance forms that would characterize much of Bach's harpsichord music.
© James Reel, All Music Guide
Hamburg was a vibrant musical city and would remain so at least through the time of Telemann. Scheidemann maintained good relations with his colleagues in the city, made substantial money as church organist, and had his church's instrument enlarged in the mid-1630s; this was about the time he was developing a reputation as an expert on organs themeselves, as well as an able composer, performer, and teacher.
Scheidemann's compositions circulated widely; he wrote almost exclusively for the organ, although he also produced a few harpsichord pieces and very few songs. His organ works combine Sweelinck's interest in virtuoso figuration with more traditional polyphony, all carefully adapted to the resources of the north German Baroque organ. Sweelinck's influence is strongest in Scheidemann's most admired works, his chorale arrangments, with their flowing, minimally embellished use of the cantus firmus in one part while more complex things go on around it. Scheidemann's own innovations included the monodic organ chorale, which was essentially the organ version of the solo song with continuo accompaniment, and the virtuosic chorale fantasia. Many of Scheidemann's chorale preludes have such extensive fugues in the middle that they point the way to the prelude and fugue form that would reach its pinnacle in the works of Bach. Scheidemann's harpsichord music tends to be less innovative, more beholden to the florid variations of Sweelinck, although he also employed more homophonic dance forms that would characterize much of Bach's harpsichord music.
© James Reel, All Music Guide
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Organ Works
154 tracks
- Chorale Preludes
58 tracks
- Es ist Heil uns kommen her
2 tracks
- Christ lag in Todesbanden, for organ
7 tracks
- Erbarm dich mein, O Herre Gott
3 tracks
- Es spricht der Unweisen Mund wohl, for organ (4 verses)
1 track
- Gelobet seist du, Jesu Christ, for organ
4 tracks
- Gott sei gelobet und gebenedeiet, for organ
1 track
- Herr Christ, der einig Gotts Sohn, for organ
2 tracks
- Herzlich lieb hab ich dich, o Herr, for organ
1 track
- In dich hab ich gehoffet, Herr, for organ
5 tracks
- Jesu, du wolltest uns weisen, for organ (intavolation after Giovanni Giacomo Gastoldi)
2 tracks
- Jesus Christus, unser Heiland
6 tracks
- Komm Heiliger Geist, chorale for organ
1 track
- Mensch, willst du leben seliglich, for organ
2 tracks
- Nun Bitten Wir Den Heiligen Geist, chorale prelude for organ
1 track
- O Gott wir danken deiner Güt, for organ
4 tracks
- Vater unser im Himmelreich 1, for keyboard
1 track
- Vater unser im Himmelreich 3, for organ
1 track
- Vater unser im Himmelreich, chorale for organ 2
1 track
- Vater unser im Himmelreich, for organ
1 track
- Vom Himmel hoch da komm ich her, chorale prelude for organ
8 tracks
- Wir glauben all' an einen Gott, chorale prelude for organ
4 tracks
- Es ist Heil uns kommen her
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Preludes and Fugues
29 tracks
- Fuga for organ in D-
2 tracks
- Fuga for organ, WV84
1 track
- Praeambulum & Canzon for organ in F
1 track
- Praeambulum for organ in C
1 track
- Praeambulum for organ in D-
4 tracks
- Praeambulum for organ in F, WV 39
4 tracks
- Praeambulum in C for keyboard, WV72
2 tracks
- Praeambulum in D-, WV 34
1 track
- Praeambulum in G, WV73
2 tracks
- Praeambulum in G-, for organ
2 tracks
- Praeludium in D- for keyboard, WV34
1 track
- Praembulum for organ in F
1 track
- Praembulum in D- for organ
1 track
- Preambulum in G for organ
2 tracks
- Prelude for organ in D, WV 32
1 track
- Prelude for organ in D, WV 33
1 track
- Prelude for Organ in D, WV 33
1 track
- Prelude for organ in G-, WV 41
1 track
- Fuga for organ in D-
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Other Organ Works
67 tracks
- Alleluja, laudem dicite Deo nostro, motet for organ
1 track
- Angelus ad pastores ait, for organ (after Lassus)
1 track
- Ballett & Variatio for organ in F
1 track
- Benedicam Domino, for organ (intavolation after Hieronymus Praetorius)
1 track
- Betrübet ist zu dieser Frist, variations for organ
2 tracks
- Canzona in F, WV 44
1 track
- Canzona in G, for organ
2 tracks
- Confitemini Domino primo, for organ (after Lassus)
2 tracks
- De ore prudentis procedit mel (after Lassus), for organ
1 track
- Dic nobis Maria (after Giovanni Bassano), for keyboard
3 tracks
- Ego sum panis vivus, for organ (after Lassus)
1 track
- Fantasia ex G for organ
1 track
- Fantasia for organ in D-
1 track
- Kyrie dominicale, for organ
3 tracks
- Kyrie summum, chorale for organ
4 tracks
- Magnificat for organ on tone 2
4 tracks
- Magnificat in tone 3, for organ (4 verses)
5 tracks
- Magnificat in tone 4, for organ
8 tracks
- Magnificat in tone 8, for organ (2nd version)
6 tracks
- Magnificat VI Toni, WV 19
4 tracks
- O Lux beata Trinitas, chorale for organ
1 track
- Omnia quae fecisti, for organ (after Lassus)
1 track
- Paduana Lachrymae (after Dowland), for keyboard
4 tracks
- Surrexit Pastor Bonus, for keyboard
3 tracks
- Toccata for organ in C, WV85
1 track
- Toccata in G, WV43
5 tracks
- Alleluja, laudem dicite Deo nostro, motet for organ
- Chorale Preludes
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Vocal Works
30 tracks
- Choral Works
30 tracks
- Magnificat of the sixth tone, for organ
5 tracks
- Magnificat im 7 Ton, for organ
8 tracks
- Magnificat im 1 Ton, for organ, WV 14
8 tracks
- Magnificat im 5 Ton, for organ
8 tracks
- Magnificat-fantasy im 8 Ton, for organ
1 track
- Magnificat of the sixth tone, for organ
- Choral Works
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Miscellaneous
7 tracks
-
Orchestral Works
2 tracks
- Galliarda Ex D
2 tracks
- Galliarda Ex D
-
Various Works
1 track
Below are works by H.Scheidemann that every music lover should explore:



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