Composer
Gerald Finzi (1901-1956); ENG
Loading, please wait...
A pacifist who believed that creative artists were the prime representatives of a civilization, Gerald Finzi is perhaps best known as a composer of songs. He believed that all texts of artistic merit can be set by composers who wish to work with their artistic substance; none are either too fine or too familiar. Many of his songs are set in an aria-like style. His accompaniments, designed to complement and support the material of the singer, are often reminiscent of the treatment given his short orchestral works. Finzi was influenced in his melodic and harmonic vocabulary by the music of Elgar and Vaughan Williams. His works also show a strong influence by the music of J.S. Bach.
The son of an English ship broker, Gerald Finzi began to study music with Ernest Farrar in 1914. When Farrar joined the army in 1916, Finzi began to study with Edward Bairstow at York. In 1922, drawn to the English countryside, Finzi moved to Painswick in Gloucestershire to work in isolation. Then, in 1925, on advice from Boult, Finzi began to study counterpoint with R.O. Morris in London. From 1930 to 1933, he taught composition at the Royal Academy of Music.
In 1933, Finzi married artist Joyce Black. In 1935, the couple moved to Aldbourne in Wiltshire. Then, in 1937 they built a house, designed for them to work in, on a 16-acre site on the Hampshire hills at Ashmansworth. From this base of operations, Finzi composed, assembled a music library, and tended an orchard of rare apple trees. He also traveled, taking whatever adjudication, examination, or committee work was offered him.
In the winter of 1939, Finzi founded the Newbury String Players, a group consisting mostly of amateur musicians. Since Finzi was neither a pianist nor a singer, the orchestra became the composer's primary performance vehicle. Through this ensemble, he became an advocate of many young performers and composers, as well as a champion of English works from the eighteenth century. He kept the group together from 1941 to 1945, during which he worked at the Ministry of War Transport in London.
In 1951, Finzi learned that he suffered from a form of leukemia. He was told that he had, at the most, ten more years to live. He kept this news within his family, simply continuing to work between his treatments. In 1955, he gave the Crees lectures at the Royal College of Music; providing a somewhat provocative survey of the history and aesthetics of English song during which he presented his principles of text setting.
However, the leukemia eventually weakened the composer's resistance to infection. He died of shingles in 1956, after a chance encounter with chicken pox at the 1956 Gloucester Festival. After his death, his library of music from 1740 to 1780, at the time considered the finest collection of materials from that period in all of England, was donated to St. Andrews University, in Fife. His library of English literature, from which he had drawn so much of his inspiration, is located in the Finzi Book Room at the Reading University Library.
© Stephen Kingsbury, All Music Guide
|
A pacifist who believed that creative artists were the prime representatives of a civilization, Gerald Finzi is perhaps best known... More
|
-
Orchestral Works
58 tracks
- Concertos
40 tracks
- Introit, for violin and orchestra
1 track
- Cello Concerto in A-, Op.40
4 tracks
- Grand Fantasia and Toccata, for piano and orchestra in D-, Op.38
1 track
- Concerto for Clarinet and String Orchestra in C-, Op.31
17 tracks
- Eclogue in F, for piano and string Orchestra, Op.10
8 tracks
- Concerto for Small Orchestra and Solo Violin
3 tracks
- Concerto for cello & orchestra in A-, Op 40
3 tracks
- Concerto for Clarinet & String Orchestra in C-, Op.31
3 tracks
- Introit, for violin and orchestra
-
Other Orchestral Works
13 tracks
- Prelude for String Orchestra in F-, Op 25
4 tracks
- Romance for String Orchestra in Eb, Op.11
3 tracks
- A Severn Rhapsody, for chamber orchestra, Op.3
1 track
- Fall of the Leaf, elegy for orchestra in D-, Op 20 (orchestration completed by H. Ferguson)
3 tracks
- New Year Music, nocturne for orchestra in C#-, Op 7
1 track
- Forlana from Bagatelles
1 track
- Prelude for String Orchestra in F-, Op 25
- Romance for string orchestra in Eb, Op.11
4 tracks
- Prelude for string orchestra in F-, Op 25
1 track
- Concertos
-
Chamber Works
27 tracks
-
Vocal Works
223 tracks
- Choral Works
90 tracks
- All This Night, for chorus, Op.33
1 track
- 3 Anthems, for chorus and organ, Op 27
10 tracks
- For St. Cecilia, ceremonial ode for tenor, chorus, and orchestra, Op 30
11 tracks
- God is gone up, anthem
3 tracks
- God is gone up
1 track
- In Terra Pax for soprano, baritone, chorus & orchestra, Op 39
3 tracks
- Intimations of Immortality, for tenor, chorus, and orchestra, Op.29
14 tracks
- Let Us Now Praise Famous Men, for male chorus and piano, Op.35
3 tracks
- Lo, the Full Final Sacrifice, for chorus and organ (or orchestra), Op.26
6 tracks
- Magnificat for chorus & organ (or orchestra), Op.36
1 track
- Magnificat, for chorus and organ (or orchestra), Op.36
2 tracks
- My lovely one, anthem
1 track
- Requiem Da Camera
4 tracks
- Seven Poems of Robert Bridges, for unaccompanied chorus, Op.17
23 tracks
- 3 Short Elegies, for chorus, Op 5
3 tracks
- Thou Did'st Delight My Eyes, for male chorus, Op.32
2 tracks
- White-Flowering Days, for chorus, Op.37
1 track
- A Lullaby, for chorus
1 track
- All This Night, for chorus, Op.33
-
Solo Vocal Works
96 tracks
- Let Us Garlands Bring, Op.18
16 tracks
- A Young Man's Exhortation, for tenor and piano, Op.14
11 tracks
- Earth and Air and Rain, for baritone and piano, Op.15
11 tracks
- Dies Natalis, cantata for soprano (or tenor) and string orchestra, Op.8
11 tracks
- Till Earth Outwears, for soprano (or tenor) and piano, Op.19
8 tracks
- O Fair to See, for soprano (or tenor) and piano, Op.13
7 tracks
- 2 Sonnets, for tenor (or sorpano) and ensemble, Op.12
2 tracks
- Farewell To Arms, for tenor and small orchestra (or string orchestra), Op.9
2 tracks
- I Said to Love, for baritone and piano, Op.19b
6 tracks
- Before and after the Summer, for baritone and piano, Op.16
10 tracks
- To a Poet, for alto (or baritone) and piano, Op.13a
6 tracks
- By Footpath and Stile, Op.2
6 tracks
- Let Us Garlands Bring, Op.18
- Dies Natalis, cantata for soprano (or tenor) & string orchestra, Op.8
10 tracks
- Earth and Air and Rain, song cycle for baritone & piano, Op.15
10 tracks
- Let Us Garlands Bring, song cycle for voice & piano (or string orchestra), Op.18
11 tracks
- To a Poet for alto (or baritone) & piano, Op 13a
1 track
- When I set out for Lyonnesse, for baritone & small orchestra
1 track
- In Years Defaced, for voice & piano
1 track
- Tall Nettles, for voice & piano
1 track
- At a Lunar Eclipse, for voice & piano
1 track
- Proud Songsters, for voice & piano
1 track
- Choral Works
-
Stage Works
23 tracks
Below are works by G.Finzi that every music lover should explore:



Click on a category to view the list of works
Files of this type are not available at this time.

