Composer
Erik Bergman (1911-); FIN
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Bergman studied at the Helsinki Conservatory, with Tiessen at the Hochschule für Musik and studied serialism with Vogel in Ascona. He abandoned romanticism in favor of serialism in the later 1940s. He uses it as a method with which to control intervallic colour rather than as a thematic principle. Bergman wrote many choral works. He employs techniques such as Sprechgesang and speech, sometimes for the whole piece. In his later works Bergman adopted an improvisatory, aleotory technique in strict form.
© Lynn Vought, All Music Guide
© Lynn Vought, All Music Guide
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Vocal Works
16 tracks
- (4) Galgenlieder, for 3 speakers and speaking chorus, Op 51b
4 tracks
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Choral Works
9 tracks
- Dreams, for children's choir, Op.85
3 tracks
- Lapponia, for chorus
4 tracks
- Yö (Night), for chorus, Op.139
2 tracks
- Dreams, for children's choir, Op.85
- Serenade, for voice & piano, Op.35, No.1
1 track
- See the dreamer coming there, for voice & piano Op.21, No.1
1 track
- A Maid's glance, for voice & piano, Op.21, No.3
1 track
- (4) Galgenlieder, for 3 speakers and speaking chorus, Op 51b
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Chamber Works
5 tracks
- Karanssi, for clarinet & cello, Op.114
3 tracks
- Midnight, for guitar, Op.83
1 track
- Etwas Rascher, for 4 saxophones, Op.108
1 track
- Karanssi, for clarinet & cello, Op.114
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Orchestral Works
2 tracks
- Concertos
2 tracks
- Concertos
-
Piano Works
1 track
- Energien
1 track
- Energien
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