Composer
Alexandr Konstantinovich Glazunov (1865-1936); RUS
Loading, please wait...
Born in 1865 in St. Petersburg, Glazunov was a leading Russian composer of the generation after Tchaikovsky. Doubtless owing to his exceptional mastery of and attentiveness to form, exemplified by his exceptional grasp of counterpoint, he has been described as a Romantic Classicist and therefore compared to Brahms. Furthermore, since he remained faithful to a traditional nineteenth century musical idiom, while some of his contemporaries pursued varieties of Modernism, critics have described Glazunov's music as academic and formal. But Glazunov's oeuvre, which includes a wide range of genres, cannot be easily reduced to mere critical formulas. At heart, Glazunov was a Romantic composer, and the spirit of his music comes to the fore in his Violin Concerto in A Minor, a richly melodic work, in which the expressive potential of the violin is fully realized.
Displaying an immense musical talent as a child, Glazunov started studying with Rimsky-Korsakov at the age of 15. Glazunov's progress was indeed astonishing, for he completed his Symphony No. 1 at 16. In fact, his symphony, premiered by Balakirev in 1882, established, practically overnight, Glazunov's reputation as a great Russian composer. In 1884, the rich merchant and publisher Belyayev took Glazunov to Weimar, where the young composer met Liszt. Although absorbing many musical influences, particularly those of Liszt and Wagner, Glazunov eventually crafted an individual style, composing symphonies, ballets, and concertos for various instruments. Owing to his growing international fame as a symphonist, Glazunov was invited to conduct his works in Paris in 1889; an invitation from London came in 1896. During the 1890s, Glazunov composed some of his most successful works, including the fourth, fifth, and sixth symphonies, and the ballet Raymonda.
In 1899, Glazunov became an instructor in composition and orchestration at the St. Petersburg Conservatory. He resigned his post in the politically turbulent year of 1905, incensed by the government's politically motivated dismissal of Rimsky-Korsakov from his teaching position. However, when things returned to a semblance of normalcy, Glazunov was named head of the Conservatory. While his output may have diminished in terms of sheer quantity after 1905, Glazunov continued composing until the end of his life. After the Revolution of 1917, Glazunov, as director of a major national music school, worked hard, and with varying success, to protect his students from interference by a government which viewed music as an instrument of political propaganda. In addition, he felt isolated in a culture which rejected established musical traditions, and a general feeling of alienation finally prompted him to leave the Soviet Union in 1928.
Glazunov's life in exile, which included an unsuccessful tour of the United States, was difficult but did not suppress his creative energy. He traveled around the world for several years, eventually settling in Paris. Music composed during this period includes the Concerto-Ballata for Cello and Orchestra and the Concerto for Alto Saxophone and Strings, a standard work of the saxophone repertoire. Passionately interested in the distinctive characteristics of the instruments he composed for, Glazunov learned to play a variety of instruments, including, in addition to the obligatory piano, violin, cello, trumpet, trombone, French horn, clarinet, as well as several percussion instruments. Consequently, each of his concertos reflects a deep understanding of the instrument's nature and technical capabilities. Critics have reproached Glazunov for being too Western and insufficiently Russian. True, there are few traces in his music of Russian folk influences. However, while Glazunov's music certainly fits into the cosmopolitan culture of his time, it also embodies the unmistakable emotional and spiritual qualities which the attentive listener will recognize as Russian.
© Zoran Minderovic, All Music Guide
|
Born in 1865 in St. Petersburg, Glazunov was a leading Russian composer of the generation after Tchaikovsky. Doubtless owing to... More
|
-
Stage Works
285 tracks
- Les Ruses d'amour, ballet, Op.61
31 tracks
- Masquerade (incidental music), Op.102
27 tracks
- Raymonda, Ballet, Op.57
109 tracks
- The Seasons, Ballet, Op.67
118 tracks
- Les Ruses d'amour, ballet, Op.61
-
Orchestral Works
394 tracks
- Symphonies
107 tracks
- Symphony No.1 in E, Op.5 ('Slavyanskaya')
12 tracks
- Symphony No.2 in F#-, Op.16
13 tracks
- Symphony No.3 in D, Op.33
16 tracks
- Symphony No.4 in Eb, Op.48
13 tracks
- Symphony No.5 in Bb, Op.55
16 tracks
- Symphony No.6 in C-, Op.58
16 tracks
- Symphony No.7 in F, Op.77 ('Pastoral')
8 tracks
- Symphony No.8 in Eb, Op.83
12 tracks
- Symphony No.9 in D (Incomplete; One movement; Orchestrated by G.Yudin)
1 track
- Symphony No.1 in E, Op.5 ('Slavyanskaya')
-
Concertos and Similar Works
115 tracks
- Chant du ménéstral ('Minstrel's Song'), for cello and orchestra in F#-, Op.71
14 tracks
- Concerto ballata, for cello and orchestra in C, Op.108
4 tracks
- Idyll for Horn and Strings in D
2 tracks
- Piano Concerto No.1 in F-, Op.92
13 tracks
- Piano Concerto No.2 in B, Op.100
1 track
- Saxophone Concerto in Eb, Op.109
8 tracks
- Sérénade Espagnole, for cello and orchestra in A, Op.20
5 tracks
- Violin Concerto in A-, Op.82
67 tracks
- Mélodie for cello and orchestra in D, Op.20, No.1
1 track
- Chant du ménéstral ('Minstrel's Song'), for cello and orchestra in F#-, Op.71
-
Symphonic Poems and Pictures
8 tracks
-
Suites and Incidental Works
84 tracks
- Chopiniana (Suite) Op.46
9 tracks
- From the Middle Ages (Suite) in E, Op.79
4 tracks
- The King of the Jews, Op.95
22 tracks
- Salomé, Op.90
5 tracks
- Scènes de ballet in A, Op.52
29 tracks
- Suite caractéristique in D, Op.9
15 tracks
- Chopiniana (Suite) Op.46
-
Overtures
10 tracks
-
Other Orchestral Works
70 tracks
- Ballade in F, Op.78
2 tracks
- Cantata in Memory of Pushkin's 100th Birthday, for soloists, chorus, and orchestra, Op.65
5 tracks
- Concert Waltz No.1 in D, Op.47
4 tracks
- Concert Waltz No.2 in F, Op.51
2 tracks
- Cortège solennel in Bb, Op.91
2 tracks
- Cortège solennel in D, Op.50
1 track
- Elegy in C#-/Db, Op.8 ('To the Memory of a Hero')
1 track
- Finnish Fantasy in C, Op.88
1 track
- 2 Finnish Sketches in E, Op.89
6 tracks
- From Darkness to Light, fantasy in B-/C, Op.53
2 tracks
- Karelian Legend in A-, Op.99
1 track
- Lyric Poem in Db, Op.12
2 tracks
- March on a Russian Theme in Eb, Op.76
1 track
- Mazurka in G, Op.18
2 tracks
- Oriental Rhapsody in G, Op.29
10 tracks
- Pas de caractère in G, Op.68 (adapted from ballet Raymonda)
1 track
- 2 Pieces, Op.14
3 tracks
- Poème épique in A-
2 tracks
- 2 Preludes, Op.85
2 tracks
- Romantic Intermezzo in D, Op.69
2 tracks
- Scène dansante in A, Op.81 ('Fortune Telling and Dance')
2 tracks
- Serenade for orchestra No.1 in A, Op.7
3 tracks
- Serenade for orchestra No.2 in F, Op.11
3 tracks
- The Forest (Fantasy) in C#-, Op.19
2 tracks
- The Sea (Fantasy) in E, Op.28
3 tracks
- Triumphal March for Orchestra (with chorus ad lib) in Eb, Op.40
2 tracks
- Variations on a Russian Theme (collaborative work with Lyadov, Rimsky-Korsakov, Vitols, et al.)
1 track
- Wedding March (Procession) in Eb, Op.21
2 tracks
- Ballade in F, Op.78
- Symphonies
-
Keyboard Works
60 tracks
- Piano Works
49 tracks
- 3 Études, Op.31
3 tracks
- Fantasy for 2 pianos in F-, Op.104
3 tracks
- Grand Concert Waltz, Op.41
1 track
- Idylle in F#, Op.103
1 track
- 2 Impromptus, Op.54
2 tracks
- 3 Miniatures, Op.42
4 tracks
- 3 Morceaux, Op.49
3 tracks
- Nocturne, Op.37
1 track
- Petite Valse, Op.36
1 track
- Piano Sonata No.1 in Bb-, Op.74
3 tracks
- Piano Sonata No.2 in E-, Op.75
3 tracks
- 2 Pieces, Op.22
2 tracks
- 3 Pieces, Op.25
3 tracks
- 2 Poèmes-improvisations
2 tracks
- Prelude and Fugue in D-, Op.62
3 tracks
- Prelude and Fugue in E-
1 track
- 4 Préludes et fugues, Op.101
4 tracks
- Suite on the name Sascha, Op.2
5 tracks
- Theme and Variations in F#-, Op.72
2 tracks
- Valse de salon, Op.43
1 track
- Waltzes on the theme 'Sabela', Op.23
1 track
- 3 Études, Op.31
-
Organ Works
11 tracks
- Fantasy in G-, Op.110
3 tracks
- Prelude and Fugue No.1 in D, Op.93
4 tracks
- Prelude and Fugue No.2 in D-, Op.98
4 tracks
- Fantasy in G-, Op.110
- Piano Works
-
Vocal Works
41 tracks
- The Belle, for voice and piano
1 track
- Coronation Cantata, for soloists, chorus, and orchestra, Op.56
8 tracks
- Do I Hear Your Voice, romance for voice and piano
1 track
- Ekh tï, pesnya (Oh You, Song), for soprano, alto and piano, Op.80
1 track
- From Hafiz, song for baritone and piano
1 track
- Having Fallen Asleep in the Flesh (Hymn; Harmonization of Easter Exaposteilarion)
2 tracks
- La Primavera d'Or (arranged from Op.34 by LaForge)
2 tracks
- Masha Is Told Not to Cross the River, for voice and piano
1 track
- My Songs Are Venemous..., for voice and piano
1 track
- 5 Romances, for voice and piano, Op.4
6 tracks
- Shakespeare's Sonnet 66 ('For Restful Death I Cry...'), for voice and piano
1 track
- 2 Songs, for voice and piano, Op.27
3 tracks
- 6 Songs, for voice and piano, Op.59
6 tracks
- 6 Songs, for voice and piano, Op.60
6 tracks
- Stifling!, for voice and piano
1 track
- The Belle, for voice and piano
-
Chamber Works
41 tracks
- Albumleaf for Trumpet and Piano in Db
1 track
- Elegy for Cello and Piano in Db ('Une pensée à Liszt'), Op.17
1 track
- Elegy for Viola and Piano in G-, Op.44
2 tracks
- In modo religioso, for trumpet, horn, and 2 trombones in Eb, Op.38
1 track
- Mazurka-Oberek, for violin and piano in D
1 track
- Meditation, for violin and piano in D, Op.32
2 tracks
- 5 Novelettes for String Quartet, Op.15
10 tracks
- Rêverie for Horn and Piano in Db, Op.24
1 track
- String Quartet No.3 in G, Op.26 ('Slavonic')
1 track
- String Quartet No.5 in D-, Op.70
9 tracks
- String Quintet for 2 violins, viola, and 2 cellos in A, Op.39
12 tracks
- Albumleaf for Trumpet and Piano in Db
-
Stage Works
1 track
- Raymonda, Ballet, Op.57
1 track
- Raymonda, Ballet, Op.57
-
Orchestral Works
2 tracks
-
Concertos and Similar Works
1 track
-
Other Orchestral Works
1 track
- Concert Waltz No.1 in D, Op.47
1 track
- Concert Waltz No.1 in D, Op.47
-
Concertos and Similar Works
-
Vocal Works
1 track
Below are works by A.Glazunov that every music lover should explore:



Click on a category to view the list of works
