Composer
Sir Lennox Berkeley (1903-1989); ENG
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Though his profile outside the United Kingdom was overshadowed somewhat by the illustrious careers of Walton, Tippett, and Britten, Sir Lennox Berkeley left an indelible mark on British music in the twentieth century. A student of Nadia Boulanger with an ear for songlike lyricism, Berkeley established a style that combined French melodic elegance with English triadic sonority and neo-Classical clarity.
Berkeley was born into an aristocratic family, but lost out on his inheritance because his birth had preceded his parents' marriage. He nonetheless enjoyed a relatively comfortable childhood and eventually arrived at Oxford, where he studied French. (This academic background lent his later songs on French texts a particularly elegant contour.) Ravel, upon examining some of Berkeley's student compositions, encouraged him to focus on musical studies and recommended him for study with Nadia Boulanger. Berkeley was well-suited to Boulanger's infamously methodic, craft-like approach, and thrived under her tutelage. Works such as his Serenade, Op. 12, and the Divertimento, Op. 18, which remain in the British orchestral repertoire, resonate with Boulanger's influence; Peter Dickinson has described the Finale of the latter piece as "a cross between Haydn and Poulenc." Berkeley's piano works and chamber pieces demonstrate a similar disposition. Also, during his time in Paris, he converted Catholicism, a decision that would infuse his later vocal and choral works, such as the Missa brevis, with a particular spiritual fervor. As a young composer he maintained his friendship with Ravel, and also made the acquaintance of Poulenc; in fact, much of his music betrays the influence of Les Six.
Berkeley was employed for a time as a programmer for the BBC during World War II, then in 1946 took a position at the Royal Academy of Music, where he remained on the faculty for over two decades and mentored a number of important figures in the subsequent generation, including Bennett, Maw, and, most familiar to non-Brits, John Tavener. Berkeley counted Britten among his closest friends, and, following Britten's revival of British opera, he wrote a number of operatic works as well, including the successful A Dinner Engagement. A subsequent opera, Faldon Park, remained incomplete in the composer's later life. In fact, his faculties gradually deteriorated over the course of several years preceding his death in 1989. His last years were spent, rather, receiving the honors due him; subsequent to his knighthood in 1974, he received numerous accolades and an honorary degree from the international musical community.
© Jeremy Grimshaw, All Music Guide
Berkeley was born into an aristocratic family, but lost out on his inheritance because his birth had preceded his parents' marriage. He nonetheless enjoyed a relatively comfortable childhood and eventually arrived at Oxford, where he studied French. (This academic background lent his later songs on French texts a particularly elegant contour.) Ravel, upon examining some of Berkeley's student compositions, encouraged him to focus on musical studies and recommended him for study with Nadia Boulanger. Berkeley was well-suited to Boulanger's infamously methodic, craft-like approach, and thrived under her tutelage. Works such as his Serenade, Op. 12, and the Divertimento, Op. 18, which remain in the British orchestral repertoire, resonate with Boulanger's influence; Peter Dickinson has described the Finale of the latter piece as "a cross between Haydn and Poulenc." Berkeley's piano works and chamber pieces demonstrate a similar disposition. Also, during his time in Paris, he converted Catholicism, a decision that would infuse his later vocal and choral works, such as the Missa brevis, with a particular spiritual fervor. As a young composer he maintained his friendship with Ravel, and also made the acquaintance of Poulenc; in fact, much of his music betrays the influence of Les Six.
Berkeley was employed for a time as a programmer for the BBC during World War II, then in 1946 took a position at the Royal Academy of Music, where he remained on the faculty for over two decades and mentored a number of important figures in the subsequent generation, including Bennett, Maw, and, most familiar to non-Brits, John Tavener. Berkeley counted Britten among his closest friends, and, following Britten's revival of British opera, he wrote a number of operatic works as well, including the successful A Dinner Engagement. A subsequent opera, Faldon Park, remained incomplete in the composer's later life. In fact, his faculties gradually deteriorated over the course of several years preceding his death in 1989. His last years were spent, rather, receiving the honors due him; subsequent to his knighthood in 1974, he received numerous accolades and an honorary degree from the international musical community.
© Jeremy Grimshaw, All Music Guide
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Chamber Works
95 tracks
- Sonatina for Flute or Recorder and Piano, Op.13
15 tracks
- Sonatina for guitar, Op.52, No.1
18 tracks
- Pièces (4) for guitar, Op. Posth.
8 tracks
- Theme and Variations for guitar, Op.77
15 tracks
- String Quartet No.2, Op.15
6 tracks
- Sonatine for violin & piano, Op.17
3 tracks
- Andantino, for cello & piano, Op.21, No.2a
1 track
- Pieces (3) for clarinet
3 tracks
- Duo for cello & piano, Op.81, No.1
1 track
- Concertino, for flute (or recorder), violin, cello & harpsichord (or piano), Op.49
4 tracks
- Trio for Horn, Violin and Piano, Op.44
3 tracks
- Sonata for Viola and Piano in D-, Op.22
6 tracks
- Quintet for Piano and Winds, Op.90
4 tracks
- String Quartet No.1, Op.6
4 tracks
- String Quartet No.3, Op.76
4 tracks
- Sonatina for Flute or Recorder and Piano, Op.13
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Vocal Works
76 tracks
- Choral Works
25 tracks
- The Lord Is My Shepherd, for treble soloists, chorus and organ, Op.91, No.1
4 tracks
- Crux fidelis, for tenor & chorus, Op.43, No.1
2 tracks
- Missa Brevis for chorus & organ, Op.57
5 tracks
- Magnificat and Nunc Dimittis, for chorus & organ, Op.99
2 tracks
- Latin Motets (3), for 5 voices, Op.83, No.1
3 tracks
- Mass for 5 voices, Op.64
5 tracks
- Look Up Sweet Babe, for treble voice & chorus, Op.43, No.2
3 tracks
- Festival Anthem, for chorus & organ, Op.21, No.2
1 track
- The Lord Is My Shepherd, for treble soloists, chorus and organ, Op.91, No.1
- Poems (4) of St. Teresa of Avila, for alto & strings, Op.27
4 tracks
- Poems (5) of W. H. Auden, for high voice & piano, Op.53
16 tracks
- Night covers up the rigid land, for voice & piano, Op.14, No.2
1 track
- Lay your sleeping head my love, for high voice & piano, Op.14, No.2b
2 tracks
- D'un vanneur de blé aux vents, for voice & piano
1 track
- Tombeaux, songs (5) after poems by Jean Cocteau, for soprano (or tenor) & piano
5 tracks
- How Love Came In, for medium voice & piano
1 track
- Bells of Cordoba, for high voice & piano, Op.14, No.2
1 track
- Herrick Songs (5), for high voice & harp, Op.89
5 tracks
- Autumn's Legacy, for high voice & piano, Op.58
7 tracks
- Automne, for medium voice & piano, Op.60, No.3
1 track
- Ode du premiere jour de mai, for mezzo-soprano (or baritone) & piano, Op.14, No.2
1 track
- Sonnet for high voice & piano, Op.102
1 track
- Chinese Songs (5), for medium voice & piano, Op.78
5 tracks
- Choral Works
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Orchestral Works
52 tracks
- Symphonies
19 tracks
- Symphony No.3 in One Movement, Op.74
3 tracks
- Symphony No.4, Op.94
8 tracks
- Symphony No.2, Op.51
4 tracks
- Symphony No.1, Op.16
4 tracks
- Symphony No.3 in One Movement, Op.74
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Concertos
24 tracks
- Sinfonia Concertante for oboe & chamber orchestra, Op.84
5 tracks
- Piano Concerto in Bb, Op.29
3 tracks
- Concerto for Two pianos and Orchestra, Op.30
13 tracks
- Guitar Concerto, Op.88
3 tracks
- Sinfonia Concertante for oboe & chamber orchestra, Op.84
- Voices of the Night, for orchestra, Op.86
1 track
- Serenade for string orchestra, Op.12
8 tracks
- Symphonies
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Stage Works
52 tracks
- A Dinner Engagement, opera in 1 act, Op.45
19 tracks
- Ruth, opera in 3 scenes, Op.50
33 tracks
- A Dinner Engagement, opera in 1 act, Op.45
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Piano Works
33 tracks
- Preludes (6) for piano, Op.23
12 tracks
- Pieces (3) (Etude, Berceuse and Capriccio), for piano, Op.2
3 tracks
- Paysage, for piano
1 track
- Scherzo for piano, Op.32, No.2
1 track
- Piano Sonata in A, Op.20
4 tracks
- Mazurkas (3) for piano, Op.32, No.1
3 tracks
- Improvisation on a Theme of de Falla, for piano, Op.55, No.2
1 track
- Concert Study, for piano in Eb, Op.48, No.2
1 track
- Pieces (3) for organ, Op.72, No.1
1 track
- Short Pieces (5) for piano, Op.4
5 tracks
- Mazurka for piano, Op.101, No.2
1 track
- Preludes (6) for piano, Op.23
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