Composition of this piece came at a time when Gottschalk was dazzling European audiences with his keyboard virtuosity, largely fulfilling Chopin's lofty prediction that he would become the leading pianist of his time. As a composer he was quite different in his approach to that of his European counterparts, writing Creole-influenced music and works reflecting more exotic, ethnic styles of South America. This work falls into the latter category, offering lively, bold rhythms insistent in their syncopated joy and catchy themes. That said, it is hard to separate the themes from the rhythms here. The main theme is presented in driving chords in the lower and middle ranges of the piano, chords that grow glorious and triumphant, reveling in the bounce of their own rhythmic drive. This music more than vaguely resembles some of the livelier American, black-influenced gospel styles from the era. The theme yields to a more Classical-sounding alternate one from time to time, and the sharply contrasting middle section presents music in a more reflective mood. But it is the driving main theme and its catchy rhythms that dominate this attractive piece. Lasting about four minutes, this work will appeal to a wide, perhaps crossover audience.

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