This is a relatively early work by Debussy and thus does not divulge the Impressionist style that would permeate his keyboard compositions a few years hence. Still, it contains a sufficient quantity of his stylistic fingerprints, notably in its rich harmonies, to leave no doubts about authorship. That said, it also displays hints of Liszt in the opening, and of Massenet and perhaps even Fauré, in its thematic lushness.

The piece opens with a short, mysterious theme, rising from the bass region to the upper register, imparting a sweetness and gentleness that immediately summon middle-period Liszt. The ensuing theme, too, more than vaguely suggests Liszt at the outset, but then suddenly turns playful and somewhat capricious, then passionate and romantic, allowing in more sunlight than the work's title might suggest. The material from the opening returns, as does the main theme and secondary themes, all now more forceful, more passionate. The whole piece has a brightness in its romantic outpourings and a hesitant, almost Scriabin-esque sense of lyrical flow. A typical performance of the Nocturne lasts about seven minutes.

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