Work

Luys de Narváez Composer

Los Seys Libros del Delphin de Música for vihuela

Performances: 1
Tracks: 17
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Musicology (work in progress):
  • Los Seys Libros del Delphin de Música for vihuela
    Year: 1538
    • Primer tono por ge sol re ut (libro I,1)
    • Cancion del Emperador (Mille Regretz de Josquin) (libro III,6)
    • Fantasia del quinto tono (libro II,3)
    • Segundo tono (libro I,2)
    • Diferencias sobre Conde Claros (libro VI, 1)
    • Tercero tono (libro I, 3)
    • Fantasia del primer tono (libro II, 6)
    • Baxa de contrapunto (libro VI, 4)
    • Quarto tono (libro I, 4)
    • Diferencias sobre el himno O Gloriosa Domina (libro IV, 1)
    • Quinto tono de consonancia (libro I, 5)
    • Je veulx laysser melancolie de Richafort (libro III, 9)
    • Sesto tono sobre fa ut mi re (libro I, 6)
    • Sanctus y Hosanna (Missa Faisant Regretz de Josquin) (libro III, 3/4)
    • Septimo tono sobre ut re mi fa mi (libro I, 7)
    • Fantasia del quarto tono (libro II, 2)
    • Octavo tono (libro I, 8)

Narváez was a Spanish composer active during the second quarter of the sixteenth century. The bulk of his music was written for the vihuela, a plucked stringed instrument that might be considered a cross between the guitar and the lute; it generally had the familiar guitar shape but was strung like a lute, with six or seven unison pairs of strings. The Seys Libros del Delphin de Música was a large collection of his works for vihuela solo, published in 1538. It contains a selection of the vihuela music types of the day, including quasi-improvisatory fantasias, vihuela versions of multipart vocal pieces (many from outside Spain), sets of variations, and more. The popularity of the pieces the book contained is evident both from their wide distribution (they were reprinted as far afield as northern Europe, in versions for the more common lute) and from the presence in Spain of arrangements of them for keyboard instruments.

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