This is another rarely heard collection of gems from Rachmaninov's earlier years. Although not necessarily meant to be played as a set, it can be done so with good effect. Barcarolle (Moderato) in g minor. For once Rachmaninov actually writes a Barcarolle that sounds like a Barcarolle. Swaying rhythms accompany a lyric melody that incorporates typical swirling figuration to build to a climax. Scherzo (Allegro) in D major. This is a dazzling and brilliant virtuoso work, full of wit and rhythmic excitement. Thème Russe (Andantine cantabile) in b minor. Actually, a set of connected variations on an unidentified theme. It grows in intensity and volume up to the quiet reprise of the theme, which ends the piece. Not the most effective number of the collection. Valse (Tempo di valse) in A major. Similar in style to the earlier Valse for piano six hands, this is actually a suite of several continuous Waltzes in the traditional Chopinesque style. It is rhythmic and effective, if not particularly original. Romance (Andante con anima) in c minor. This is a melodious and lyrical Nocturne in a fairly straightforward late Romantic style; it is beautiful, simple and unaffected. Slava (Allegro moderato) in C major. An impressive work based on the same Old Russian liturgical chant as Mussorgsky used in Boris Godunov. The chant is subjected to continuing variations as it builds in intensity to a thunderous climax. An imposing and epic conclusion to the set.

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