Work
Robert Alexander Schumann Composer
Album für die Jugend, Op.68
Performances: 13
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Album für die Jugend, Op.68Year: 1848
Genre: Other Keyboard
Pr. Instrument: Piano
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Part 1: Für Kleinere
- 1.Melodie
- 2.Soldatenmarsch
- 3.Trällerliedchen
- 4.Ein Choral
- 5.Stückchen
- 6.Armes Waisenkind
- 7.Jägerliedchen
- 8.Wilder Reiter
- 9.Volksliedchen
- 10.Fröhlicher Landmann
- 11.Sizilianisch
- 12.Knecht Ruprecht
- 13.Mai, lieber Mai
- 14.Kleine Studie
- 15.Frühlingsgesang
- 16.Erster Verlust
- 17.Kleiner Morgenwanderer
- 18.Schnitterliedchen
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Part 2: Für Erwachsenere
- 19.Kleine Romanze
- 20.Ländliches Lied
- 22.Rundgesang
- 23.Reiterstück
- 24.Ernteliedchen
- 25.Nachklänge aus dem Theater
- 27.Canonisches Liedchen
- 28.Erinnerung
- 29.Fremder Mann
- 31.Kriegslied
- 32.Sheherazade
- 33.Weinlesezeit - Fröhliche Zeit!
- 34.Thema
- 35.Mignon
- 36.Lied italienischer Marinari
- 37.Matrosenlied
- 38.Winterzeit No.1
- 39.Winterzeit No.2
- 40.Kleine Fuge
- 41.Nordisches Lied
- 42.Figurierter Choral
- 43.Sylvesterlied
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Schumann's Album for the Young is a masterful set of 43 short, easy piano pieces in two volumes. The 25 works in the second book are somewhat more challenging and longer than those in the first, but still well within the reach of good amateur pianists. The whole set really cannot be compared with the composer's Kinderszenen, a collection of piano pieces about children, but from an adult perspective and requiring a substantial technique. Schumann wrote Album for the Young for his children, the oldest then aged seven.
The set's opening work is "Melody," a piece presenting a simple but lovely tune whose innocence and upper register writing remind one of a music box melody. "Soldier's March" follows, a cute, chipper piece brimming with childlike pride. Number four, "Choral," has an almost too somber manner, but is deftly innocent in its worshipful character. The sixth piece, "The Poor Orphan," has a touching sadness, while number eight, "The Wild Horseman," is vigorous and energetic.
Among the most popular pieces in the collection is the tenth, "The Happy Farmer Returning From Work," which exudes joy and innocence in its jaunty gait and infectious melody. The longest work in the first volume, lasting nearly three minutes, is number 15, "Spring Song," a sweetly lyrical piece whose simple but beguiling beauty will appeal, like most works in the collection, to the adult as well as child.
Little Romance, number 19, leads off the second volume with a decidedly more mature manner, the somewhat stormy character of its melody seeming to reach beyond childhood innocence almost to teenage infatuation. Still, the prevailing qualities in the second book are innocence and childlike simplicity, as demonstrated by the jaunty and rhythmic number 23, "The Horseman," or the wistful number 27, "Little Song in Canon Form."
Number 32, "Sheherazade," at about four minutes, is the longest piece in the second volume. It deftly conveys a beguiling lyrical ingenuousness, instead of the Eastern exoticism suggested by its title. "Wintertime I & II" (38 & 39) make up five minutes' worth of sweetly melancholy music, the latter piece somewhat darker in the lower register writing of the outer sections. The closing piece, "New Year's Eve," has a youthful stateliness in its almost Brahmsian melody and celebratory manner.
The original edition of the Album was beautifully engraved and published in the expectation that it would be Schumann's most popular work: it was, and to this day, these pieces remain a staple of the young pianist's repertoire.
© All Music Guide
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Unlike Kinderszenen (Scenes From Childhood), the Album for the Young really is for child performers and audiences. Adults can enjoy the music as well, of course, as Schumann intended. The first 18 pieces in the set are quite easy, but the remainder are somewhat challenging in their design and are thus suited to more advanced players. No. 10 here, "The Happy Farmer Returning From Work," is one of the more popular easy pieces in the set. It features one of those simple, catchy themes that the man and woman on the street with some exposure to classical music have heard but have generally not associated with the name of a particular composer. This jaunty theme skips along, mostly rising for its first ten notes, then descending with such chipper spirit that the listener, child or adult, is apt to get caught up in the infectious joy of it all. The melody's second subject is very brief and continues the happy mood. The piece is simple in structure, the tune being played four times and its second subject twice, with no development of either. The work lasts a bit less than a minute.
© All Music Guide




