Domine secundum multitudinem is a five-part Latin motet by the renaissance English composer William Byrd (1543-1623). It is one of a group of four motets contained in the 1589 publication Cantiones sacrae which were modeled on continental motets. Domine secundumum is based on the opening section of Domine non secundum peccatis nostris by the famous Italian composer Alfonso Ferrabosca I. Ferrabosca, was a particular friend of Byrd and had been resident in England on and off between 1562 and 1578. The technique of using a work as the basis of another was common in the Renaissance, and was often used to make a work more salable. Byrd improves substantially on Ferrabosca's work

The opening of this work is flawless and of great musicality. The melody and modality change subtly throughout the work to reflect the words. At 'in corde meo', for example, minor chords dominate, whereas the opening 'Domine' utilizes an Ionian modality.

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