An important work among late Strauss pieces, this work has remained unpublished and is only known for a shortened version made later by the composer himself. During the 2nd World War, Strauss used to spend the winters in Vienna. In 1942, the Trompetenchor der Stadt Wien (Brass Choir from the City of Vienna) asked him to write a piece for them. This was a famous ensemble made up from the brass players of the three symphony orchestras in Vienna, and comprised twelve trumpets, eight trombones, two tubas, timpani and percussion. Strauss divided these forces almost evenly into two choirs for his piece, but excluded the percussion. The work opens with the main motive intermingled with a fanfare-like call, with both choirs responding to one another. Then, the opening motive takes a lyrical and extended appearance in the voice of a solo trumpet and the first choir. The second choir gives a more martial version of the theme, which is further developed in their dialogue. A second subject with a nostalgic air reminiscent of Der Rosenkavalier leads to a brilliant section in semiquavers, which is followed by a more subdued one with a tint of melancholy. A brief crescendo leads to a recapitulation of the first motive. There is a pause, followed by an allegro proclamation that includes a key intervention of the timpani. The final section presents both choirs united in a chorale recapitulation of the themes, culminating with an exciting coda.

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