As most know, Vivaldi was extremely prolific, especially in the concerto genre where he turned out some 350 works for solo instruments. Leaving aside questions of authorship, he wrote at least 14 for oboe, a substantial number by any count, but hardly approaching the 230 for solo violin. Still, Vivaldi's sympathies for the oboe were strong, as this F major effort demonstrates. Cast in the usual three movements—an Allegro giusto opening one and an Allegro finale framing a short Grave middle panel—it is an attractive work that ought to appeal to Baroque-music mavens unfamiliar with it. A brief, rhythmic orchestral ritornello leads to the oboe's statement of equally rhythmic, lively music. Soon the soloist presents a bouncy theme full of play and sunshine, graceful but brimming with energy. There are many delightful exchanges between soloist and orchestra thereafter, and the charming opening material makes several delightful reappearances. The two-minute Grave movement is delicate in its songful, light wistful manner, the oboe dominant throughout. The finale features a rollicking, jaunty orchestral opening and an effervescent oboe solo following. The oboe later turns a bit reflective, but the movement overall remains joyous and spirited.

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